BWW Review: How Do You Become a Producer? The Producers of the North American Premiere of THE WAR OF THE ROSES Explain
Jay and Cindy Gutterman bring a new comedy to the Wilmington Theatre Company in Wilmington, DE....
BWW Review: KNUFFLE BUNNY Spins a Great Tale at Adventure Theatre MTC
Every child has that one stuffed animal that they can't live without. Every parent knows the dilemma of what happens when the toy goes missing and the tantrum that follows. In the opening of Adventure Theatre - MTC's 65th season, Knuffle Bunny: A Cautionary Musical perfectly describes every parent's...
BWW Review: ROMEO AND JULIET at Shakespeare Theatre Company - A Fascinating Contemporary Treat
Director Alan Paul takes risks with Shakespeare's classic tale of romance and tragedy....
BWW Review: Delightfully Absurd COLLECTIVE RAGE: A PLAY IN FIVE BOOPS Premieres at Woolly Mammoth
The world premiere of Jen Silverman's COLLECTIVE RAGE: A PLAY IN FIVE BOOPS kicks off Woolly Mammoth's season with a perfect balance between the really absurd and the absurdly real. Directed by Mike Donahue, it's the story of five very different women. All are named Betty Boop, and all are female ar...
BWW Review: Rorschach Theatre takes on Death in A BID TO SAVE THE WORLD
Rorschach Theatre often tackles strange and sometimes difficult productions, and A BID TO SAVE THE WORLD fits right in with that lineup. My mind hurts nicely from all the thinking in what is a surprisingly cerebral experience. Written by Erin Bregman and directed by Lee Liebeskind, the play explores...
BWW Review: Rep Stage Presents THE OTHER PLACE - A Play to Remember
Sharr White's masterful work packs a emotional wallop...
BWW Review: Don't Miss the Dazzling CATCH ME IF YOU CAN at NextStop Theatre Company
The vibe of the swinging sixties, the cat and mouse intrigue, the jazzy score, the witty lyrics - this is the winning combination NextStop Theatre Company has captured for their new and lively production of CATCH ME IF YOU CAN - The Musical. Take the red-eye flight to get your tickets for CATCH ME I...
BWW Review: Amusing THE LAST SCHWARTZ at Theater J
'The Last Schwartz,' a play that's perfectly suited for Theater J, is certainly a familiar trope for its audience: Somebody brings home a non-Jewish women to a solemn family occasion fraught with religious underpinnings....
BWW Review: Roundhouse & Olney's ANGELS IN AMERICA: MILLENNIUM APPROACHES an Artistic and Historic Triumph
Angels in America: Millennium Approaches is not just a national treasure, it is a glimpse of history in the making; it is a then-marginalized community seizing the stage, demanding attention, and beginning the long process of changing hearts and minds across the country. To watch the kaleidoscop...
BWW Review: Caryl Churchill's CLOUD 9 Soars at Studio
If Studio Theatre has a go-to playwright, it's been Caryl Churchill, the award-winning British innovator and provocateur, whose season-opening 'Cloud 9' at the theater is as brash and challenging as anything on area stages, and yet was first written over 30 years ago....
BWW Review: You're Doing Fine OKLAHOMA! Riverside Center presents exciting production of Rodgers and Hammerstein classic
Rodgers and Hammerstein's first landmark collaboration is in great hands at Riverside Center in Fredericksburg. The production allows the power of the original musical to come to life with a talented cast, expert direction, and fleet-footed choreography....
BWW Review: Artistry and Acting are Reasons Enough to See I CALL MY BROTHERS at Forum Theatre
I can nearly always count on the small, but mighty Forum Theatre to conjure up selections each season that are a little out-of-the-box, and present them with an abundance of creativity. Season 13 is no exception, and it starts off with the area premiere of Jonas Hassen Khemiri's I CALL MY BROTHERS (...
BWW Review: Scena Theatre's REPORT TO AN ACADEMY Shows Kafka at his Unnerving Best
One of the show's most fascinating aspects is the choreography of McNamara's movements; Red Peter tends to morph into the Variety Show act he was trained to perform, shuffling from side to side and raising his hat and cane as if for applause. But the divorce between the 'performer' and his soul is p...
BWW Review: The Stirring New Musical COME FROM AWAY Plays Ford's Theatre
Featuring a book, music, and lyrics by the married Canadian duo of Irene Sankoff and David Hein, Come From Away explores a subject area that's bound to bring up some painful memories for some. It's a September 11th musical, but not in the way you might expect. It's not about the towers, the Pentagon...
BWW Review: Fun and Irreverent URINETOWN at Constellation Theatre Company
Who knew ecological adversity and failed policy could be so much fun? It's a grim world in Urinetown where a dire water shortage has made it a privilege to pee anywhere but the corporate amenities. Yet the zany humor and high energy of Constellation Theatre Company's URINETOWN (The Musical!) offers ...
BWW Review: BLACKBERRY DAZE at MetroStage
BLACKBERRY DAZE gives something for audiences to think about. At times light hearted and intense, it discusses issues that resonate today....
BWW Review: Mosaic Theater's SATCHMO AT THE WALDORF A Reflection of Our Times
When you have a chance to see a seasoned actor like Craig Wallace, gifted with quiet charisma, performing a one-man show and embodying three inimitably American characters, all I can say is - stop reading this drivel, just go see the man. Director Eleanor Holdrige has collaborated with Wallace to c...
BWW Review: The Klunch Presents Kinetic Comedy THE LAST CLASS: A JAZZERCIZE PLAY
For a play that is essentially about deciding when it's time to say goodbye to the one dream that has made you happy, THE LAST CLASS: A JAZZERCIZE PLAY is as funny as it is insightful. Trying to retain her place in a fitness-class world that has long since moved on to Zumba, Kelsea (Megan Hill, also...
BWW Review: Keegan Theatre's Masterful THE LONESOME WEST a Brawling Night of Theatre
For fans of McDonagh's outrageous dramaturgy, Keegan Theatre's production of The Lonesome West should be truly satisfying, especially now that the dog days of summer are upon us. Although the playwright's aim is uneven at times, director Mark A. Rhea has assembled a stellar cast that fearlessly t...
BWW Review: FEAR is a Love Sonnet to Shakespeare at The Callan Theatre
Comedy. Shakespeare. Theatre. Fear is it all and then some....
BWW Review: Mike Daisey Returns to Woolly Mammoth with THE TRUMP CARD
Mike Daisey's captivating performance, capably directed by Isaac Butler, is a must-see....
BWW Review: SHAINA MURPHY'S THE MANY FACES OF LOVE Succeeds at Diving Into the Surface of Love at NextStop Theatre
'Love is rare. Love is strange.' This is a line in It is indeed and Shaina Murphy, who recently appeared in NextStop Theatre's production of City of Angels and starred in RCP's Mary Poppins, showed that love comes in all shapes, whether it is a cup of coffee or your first crush, during her one nigh...
BWW Review: Jade Jones Presents JAZZED AND JADED at Creative Cauldron's 2016 Summer Cabaret Series
Let's be honest - with the state of current affairs, the political circus, the ongoing tragedies around the world - we're all feeling at least a little jaded these days. So it makes sense that DC singer Jade Jones' 'Jazzed and Jaded,' part of Creative Cauldron's 2016 Summer Cabaret Series, is exactl...
BWW Review: THE MERCHANT OF VENICE at the Kennedy Center
The Merchant of Venice doesn't trade anything for a fantastic touring show....
BWW Review: Quotidian's THE LADY WITH THE LITTLE DOG a Gorgeous Chamber Piece
The Lady with the Little Dog is one of Chekhov's most beloved short stories, and it is especially gratifying to see that Director/Designer Stephanie Mumford has taken The Lady with the Little Dog and created an intimate one-hour visit to late 19th-century Russia. Beginning in an idyllic resort on th...
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