Evelyn Miller, Louis Cunningham, & More Join GOD OF WAR Series
by Josh Sharpe - Mar 2, 2026
New cast members have been added to Prime Video's God of War series, including stage alums Evelyn Miller, Louis Cunningham, and Ben Chapple. Miller will play Odin’s Valkyrie commander, Gna, with Cunningham and Chapple as Sif and Thor’s sons, Modi and Magni, respectively.
Cassa Pancho’s BALLET BLACK AT 25 To Play The Linbury Theatre
by A.A. Cristi - Feb 27, 2026
Ballet Black will celebrate its 25th anniversary with BALLET BLACK AT 25 at the Linbury Theatre in London. The programme features Mthuthuzeli November’s Olivier Award-winning Ingoma and a new commission by Hope Boykin.
Review: THE OPERA LOCOS, Sadler's Wells
by Franco Milazzo - Feb 26, 2026
If you have ever suspected that opera might benefit from fewer Valkyries and more vaudeville, Opera Locos is here to confirm your prejudice and then sing it at you in Italian.
Photos: HADESTOWN New West End Cast in Rehearsal
by Stephi Wild - Feb 19, 2026
All new rehearsal photos have been released ahead of a host of new faces joining the cast of Hadestown from 10 March 2026 at the Lyric Theatre, London, as the critically acclaimed production heads into its third year in the West End.
EUGENE ONEGIN Comes to Sydney Opera House in March
by Stephi Wild - Feb 12, 2026
Opera Australia’s summer season will come to a sumptuous conclusion with Tchaikovsky’s most celebrated opera, Eugene Onegin opening at the Sydney Opera House on 17 March.
Olivier Awards Reveals Eligibility for 2026 Awards
by Chloe Rabinowitz - Jan 30, 2026
The Olivier Awards has revealed eligibility for the 2026 Awards. The 50th anniversary Olivier Awards will take place at the Royal Albert Hall, with highlights to be broadcast on BBC TV and radio.
Review: BORIS GUDUNOV, Royal Ballet And Opera
by Franco Milazzo - Jan 30, 2026
If Mussorgsky’s Boris Godunov were a dinner party, Richard Jones’s Russian-language revival at the Royal Opera House would be the dinner date where you arrive bright and curious and leave questioning your life choices, nursing a neat whisky in a corner. This is not an opera that gives up its secrets like a West End musical handing out catchy tunes. It is, in its original 1869 incarnation, seven tableaux of conscience-stripped torment, political intrigue and chorus lines that hammer their point home with power and precision.