‘Raoul Moat was a callous murderer. Full Stop. End of story’ – David Cameron
On July 1st, 2010, Raoul Moat was released from Durham Prison.
The events of the next few days would leave a man murdered, a police officer blinded, a woman fighting for her life – and spark the biggest manhunt in UK history.
Award-winning writer and director Robert Icke (Oedipus, Player Kings, West End) provides a chilling portrait of a man on the run.
A Royal Court commission, presented in co-production with Sonia Friedman Productions.
Post-show Talk Tues 15 Apr
A conversation with writer and director Rob Icke. This event is free
with a ticket to that evening’s performance.
__Assisted Performances__
BSL Interpreted Performance: Wednesday 23rd April 7:30pm
Audio-Described Performance: Saturday 26th April 1:30pm (Touch Tour at 12pm)
Captioned Performance Thursday 1st May 2:30pm & 7:30pm (Familiarisation Tours at 2pm & 7pm)
Chilled Performance: Saturday 3rd May 1:30pm (Familiarisation Tour at 1pm)
This story hangs in the air, unsure of – or opaque in – its intentions. Is this an anatomy of a breakdown? An investigation into the ways Moat was failed? Or a portrait of white, northern, working-class masculinity in extreme crisis? It seems like a bit of all, but not enough of one.
Icke is one of Britain’s most highly regarded young directors, and though he has successfully rewritten a number of canonical works, “Manhunt” is his first wholly original script. While the play deals admirably with difficult subject matter, it is a flawed work.
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