Days of Wine and Roses
8 / 10
Guettel’s score has the feel of a chamber opera. For moments of drunken euphoria, it dabbles in cocktail jazz: Passages in “Evanesce” sound like vocalese, and in “Are You Blue?” O’Hara scats bebop to herself. But most of it takes an art-song approach, eschewing strong melodies in favor of moment-to-moment expression; some of the lyrics rhyme, some don’t. (The eight-piece band, conducted by Kimberly Grigsby, also plays a lot of underscoring.) This is demanding stuff, both dramatically and musically, but it couldn’t ask for better interpreters than O’Hara and James, two of Broadway’s finest singing actors. Both are superb: Playing “two people stranded at sea,” they navigate their characters’ desperate highs and lows—Joe has a breakdown with flashbacks to his military service, Kirsten hits rock bottom as a slattern in a dingy hotel—with depth, grit and vocal expertise. Byron Jennings, as Kirsten’s heartsick Norwegian father, provides exceptional support.
