THE PIANO LESSON: A STAR-STUDDED REVIVAL OF AUGUST WILSON’S PULITZER PRIZE-WINNING DRAMA
8 / 10
Whether or not to preserve the legacy of the past, however horrific, is the compelling theme of this elemental drama which showcases Wilson's prodigious gifts for poetical dialogue and richly drawn characterizations. It's filled with emotionally resonant moments, the quieter of which are the best rendered in this production. Perhaps the highlight is the scene in which the eager Lymon, newly clad in a resplendent if far too small silk suit and fancy shoes that he's purchased from Doaker's comically blustery brother Wining Boy (Michael Potts, terrific), nearly manages to break down Berniece's emotional defenses by gifting her with a bottle of fancy perfume. Brooks and Fisher play the delicate scene perfectly, thoroughly winning over the audience which practically swoons. Unfortunately, the production falters in its more explosive moments, with Washington, apparently making his stage acting debut, maintaining such a high energy and decibel level throughout that his unmodulated performance becomes monotonous. Boy Willie is supposed to be the volcanic center of the drama, but here he comes across as more irritating than a force of nature.
