My One and Only - 2006 - Los Angeles Articles Page 1

Kristianne Kurner announced she will leave New Village Arts at the end of the 2026–2027 season after 25 years leading the Carlsbad theater company.

MONTY PYTHON’S SPAMALOT, the Tony Award-winning musical comedy gallops into Atlanta’s Fox Theatre July 21st–26th. I caught up with Delaney Benson to talk about life on the road, and the family legacy that helped shape her own theatrical journey.

Crow's Theatre will present the world premiere stage adaptation of Rohinton Mistry's A FINE BALANCE, adapted by Anosh Irani and directed by Artistic Director Chris Abraham, at the Guloien Theatre in Toronto.

In a candid conversation with BroadwayWorld, beloved actor Aaron Lazar discusses the progression of his ALS diagnosis and says his purpose ‘feels more exciting to me than dying.’

AI-generated tracks cost effectively nothing to produce and pennies to distribute; parked on a recognizable name, they skim streams - and royalties - from fans and algorithmic playlists alike.

Michelle Branch will bring the Everywhere And Back Again Tour to Boulder Theater this October. Learn more about the upcoming concert and how to get tickets here.

“Politics have no place in theatre,” says a person who has no idea that some of the first-ever plays from Ancient Greece were political. From Antigone by Sophocles to Julius Caesar by Shakespeare, there has been no shortage of bold theatre spreading a message.

Since The Lost Boys took Broadway by storm this spring, there has been much chatter about the “vampire curse” on Broadway being lifted. In the early 2000s, Broadway received a string of three vampire musicals, which all closed relatively quickly. Dance of the Vampires (2002), Dracula (2004), and Lestat (2006) each received attention in their own right, but they also received attention as a group, since it was remarkable that they came along in such quick succession. But the early 21st century wasn’t the first time vampires thirsted on Broadway. The play adaptation of Dracula was a hit all the way back in 1927 and an even bigger hit in a 1977 revival. And there have been vampires lurking in the theatre district in all sorts of other projects too…

Whether you are Team Black or Team Green, there is probably a stage veteran on your side. Like other HBO shows such as The Gilded Age and Julia, the Game of Thrones spin-off, House of the Dragon, is full of Broadway, West End, and stage alums. 

Newsies, featuring music by Alan Menken, lyrics by Jack Feldman, and a book by Harvey Fierstein premiered on Broadway in 2012. BroadwayWorld is looking back at what the cast has been up to since the show first burst onto Broadway!

Kathryn Haggis performs her solo show LIFEGUARD: The Only Job AI Can't Do at the Toronto Fringe Festival, directed by Tracey Erin Smith and dramaturged by playwright Judith Thompson.

American Ballet Theatre announced casting changes for ONEGIN after Principal Dancer Cory Stearns was sidelined by a meniscal injury. Jarod Curley will make his debut as Onegin in one performance, with Christine Shevchenko as Tatiana.

Jason Graae will reprise IT'S A GRAAE NIGHT FOR SINGING! at 54 Below in New York City, following sold-out performances in Los Angeles and an earlier NYC run. Gerald Sternbach serves as musical director.

Olga Levina is the Co-Founder and Executive Producer of Jersey City Theater Center (JCTC), where she has spent more than two decades building one of New Jersey’s leading arts organizations, and the Founder of Voices International Theatre and Arts Festival.

It's the end of an era on Broadway. As BroadwayWorld reported last month, the curtain has officially come down on Boneau/Bryan-Brown, the iconic Broadway press office founded by ATPAM-members Chris Boneau and Adrian Bryan-Brown, after more than three decades representing theatre on Broadway, Off-Broadway and around the world.

Speight Jenkins, who led Seattle Opera for 31 years and transformed it into one of the most respected opera companies in the US, has died at 89, the company announced.

These performers may have received other awards and accolades, but a Tony Award is shockingly not on their résumé.

On the legal and legislative front, a federal judge ordered the removal of President Trump's name from the Kennedy Center and temporarily blocked its planned closure, while New York State added $150 million to its theatrical production tax credit program. Broadway closed out its 2025–2026 season with a new all-time box office record of $1.91 billion, and the Broadway League and Actors' Equity announced a new audition initiative called LEAP.

We had the pleasure of interviewing Tommy James. He shared with us fascinating insights about his impressive career, exciting projects in the works, and his thoughts about the upcoming performance at the PNC Arts Center.

The life and career of Godfather of Soul, James Brown, is the subject of a new musical currently in development.  The show will feature iconic James Brown hits including, “Please, Please, Please,” “Cold Sweat,” “It’s a  Man’s Man’s Man’s World,” “Get Up (I Feel Like Being) Sex Machine,” “The Payback,” “Living in  America,” and more.

Rise and shine, BroadwayWorld! It is April 30, 2026 and it's time to catch up on all of the theatrical happenings you may have missed in the last 24 hours.

Astounding triple-threat talent is on display in big production numbers with attention-grabbing scenic elements by brilliant designers add to the artistic wonder of the entire production helmed by EWP Artistic Director Lily Tung Crystal, choreographed by Janelle Dote Portman, with music direction by Marc Macalintal.

Trinity Repertory Company will close its 2025-26 season with NEXT TO NORMAL, the Pulitzer and Tony Award-winning rock musical directed by former Associate Artistic Director Amanda Dehnert at the Dowling Theater in Providence.

For many, the wild and unpredictable ride of a roller coaster is exhilarating and euphoric, while for others, it is traumatic and elicits multiple phobic fears. The musical RIDE THE CYCLONE is very much like a roller coaster in that the mindset of the viewer makes all the difference. Labeled as a “wildly original new musical – part comedy, part tragedy, and wholly unexpected,” is RIDE THE CYCLONE worth the price of a ticket?

Michael Sheen and Callum Scott Howells will star as Salieri and Mozart in the first major West End revival of Peter Shaffer's AMADEUS in over a decade, directed by Jeremy Herrin at the Noël Coward Theatre.