BEING A LOSER HAS NEVER BEEN SO COOL.
Broadway's new musical sensation is BE MORE CHILL. It's already "one of the most popular new musicals in America," raves The New York Times. And The Wall Street Journal cheers, "It's going to hit big - and deservedly so!" Discover this hilariously honest show for yourself, featuring an electric, ear-worm filled score by "one of Broadway's next great songwriters" (Billboard).
What if popularity came in a pill? Would you take it, no questions asked? In BE MORE CHILL, achieving the "perfect life" is now possible thanks to some mysterious new technology - but it comes at a cost that's not as easy to swallow. What could possibly go wrong? Blending the contemporary with retro sci-fi, this thrillingly exciting, comically subversive, and deeply felt new musical takes on the competing voices in all of our heads. And ultimately proves, there's never been a better time in history to be yourself - especially if you're a loser... geek... or whatever.
Be More Chill feels squawkily split between camp sci fi romp and searing teenage-life-today commentary. The title itself is the last annoying puzzle. If anything the show suggests that we all have to live with our insecurities and other inner demons; the trick is not to let them dominate us.
Much has been written about this heartfelt musical's unlikely road to Broadway, the tiny production in New Jersey, the album that went viral (more than 200 million downloads and counting), the Off-Broadway run that sold out before it opened. And everything's been spruced up for Broadway - the cool computer-screen set by Beowulf Boritt, the outlandish costumes by Bobby Frederick Tilley II, the slick projections by Alex Bosco Koch. As the squip sings near the end of the first act, 'you gotta get an upgrade.' And with this one, 'Be More Chill' gets a fighting chance to stand out in a capacity crowd of musicals about kids who don't feel like they belong.
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