Review Roundup: TWO GIRLS at the Cherry Lane Theatre
The Cherry Lane Theatre is now presenting Two Girls, written and conceived by Eliya Smith. See what the critics are saying about the production in BroadwayWorld's Review Roundup!
Discover the best reviewed Broadway shows by top critics on BroadwayWorld.
The Cherry Lane Theatre is now presenting Two Girls, written and conceived by Eliya Smith. See what the critics are saying about the production in BroadwayWorld's Review Roundup!
The Cherry Lane Theatre is now presenting School Pictures, written and performed by Milo Cramer. See what the critics are saying in BroadwayWorld's Review Roundup.
The Imaginary Invalid by Molière, translated by Doug Skinner, adapted by Tony Award winner Bill Irwin, with direction by Tony Award nominee Brandon J. Dirden, is officially open on Broadway. Read the reviews!
Mint Theater Company's New York premiere of PHYL, a rarely seen comedy by pioneering British playwright and suffragist Cecily Hamilton, is now officially open at Theatre Row. Read the reviews!
The Curious Case of Benjamin Button, starring Andrew Durand, has officially opened at The Public Theater. Find out what critics are saying about the musical's North American premiere.
Billy Crystal returns to Broadway with his new solo show 860 at the Imperial Theatre. Read what critics are saying about the production, directed by Scott Ellis.
Lawrence-ish: A Lawrence Cabaret featured a variety of fresh faces paying tribute to the band Lawrence. It is clear many are on their way to big careers. The evening of undiscovered gems captured what the cabaret scene here is all about.
The 90-minute play is a beautifully crafted ode to family and all the complicated ways it shapes and frustrates us. It explores the season of trying to build your own life while balancing the weight of your parents’ expectations.
ONCE UPON A ONE MORE TIME: THE BRITNEY SPEARS FAIRY TALE MUSICAL by Ray of Light Theatre at the Barbary Stage brings down the house on opening night with a electric dancing and high octane vocals.
THE LION IN WINTER roars onto the stage at Altarena Playhouse. Political intrigue, succession battles, and holiday festivities are all wrapped up in a soap opera of family squabbles and topped off with a love triangle.
It’s always interesting to see a theatre company take on a classic, and The Modern Rep is doing just that with Anton Chekhov’s The Seagull.
The history of the long overdue inclusion of women into the Australian Football League (AFL) is latest subject of Suzie Miller’s unique brand of theatre in STRONG IS THE NEW PRETTY.
The Phoenix Theatre Company’s production of SUFFS connects the audience to the women’s suffrage movement like never before. With a moving story, great performances, and stellar design, this performance is truly special.
What if Jane Austen's characters crossed paths with Napoleon?
What did our critic think of DIRTY DANCING THE MUSICAL at Walton Arts Center?
The City of Rancho Mirage and Desert Theatricals present the Stephen Sondheim and James Lapine musical Into the Woods at the Rancho Mirage Amphitheater, October 23, 24 & 25, 2026. Producers Ray Limon and Joshua Carr open the Desert Theatricals 2026–2027 season with a stunning production of the 1986 Stephen Sondheim/James Lapine musical Into the Woods. Into the Woods is an ambitious piece of theater, like much of the Sondheim canon. At face value, it is an amalgamation of well-known fairy tales: Cinderella, Rapunzel, Jack and the Beanstalk, and Little Red Riding Hood. Woven into the story is a baker and his wife, longing for a child but unable to have one until they reverse a curse placed on the baker's family by the witch who lives next door. The story begins, 'Once upon a time!' What follows a simple 'I wish' from the many characters is a complex, multilayered tale that leads them on a journey into the woods. But in achieving their hearts' desires, they discover the consequences of getting what they wish for.
Pittsburgh Ballet Theatre's stunning Giselle pairs breathtaking dancing and powerful storytelling with a beautiful live orchestral score, delivering an unforgettable afternoon of classical ballet.
Parker Perry and Gabriel Krut deliver masterful performances as the titular Rosencrantz and Guildenstern in Raleigh Little Theatre’s ambitious staging, bringing humor and humanity to Tom Stoppard’s challenging absurdist classic.
The Repertory Theatre of St. Louis’ 60th season continues with a star-spangled winner: What the Constitution Means to Me. Presented as the lead production in the company’s Steve Woolf Studio Series, the show blends cynicism and civics as it explores the document and its meaning from its 1787 writing to today.
Dinner With Friends is a show that you will likely talk about afterward if you take your spouse or a married friend. It’s a meditation on how married couples navigate the world and how they impact each other as their relationships shift for better or worse. Single people may walk away feeling they somehow got the best part of life.
LATC audiences get a glimpse both at the beauty of an artistic discipline and some still-timely insight into the brutality of the treatment of immigrants and worker exploitation.
What did our critic think of THE WIZ at Cultural Arts Playhouse-Merrick?
An ill-fated relationship leads to inexplicable, perhaps even supernatural disappearance amongst a generational tempest in Sparked: The Vanishing at Buzzard Point from the minds at Rorschach Theatre. And it’s up to the audience to uncover the truth, or so they’re made to think.
Revolution Stage has a major winner in its production of DRACULA: A Comedy of Terrors, a non-musical farce by Gordon Greenberg and Steve Rosen, The play is largely a jumbled stew of people trying to fix their love lives. The acting, directing (by Nathan Wilson), and production values are fabulous.
Is there any other decade that is as tragically glamorous as the Roaring '20s? There is the jazz, the Prohibition, the snazzy vehicles, the extravagant parties, the fabulous fashions, and, of course, the Great Depression looming just around the corner. It was an era of excess and excitement, when fortunes were made, champagne flowed behind closed doors, and everyone seemed to be chasing the American Dream.
Johnna Wright and Patty Jamieson’s slow-moving script is reminiscent of many works of British literature that have been adapted for stage and screen. The story, albeit somewhat predictable, is entertaining in the nuanced hands of the affecting Christina Yancy and imposing Aaron Orion Baker.