Photos: EVENING ALL AFTERNOON at the Donmar Warehouse
by Stephi Wild
- Feb 20, 2026
All new production photos have been released from Evening All Afternoon at the Donmar Warehouse. This is the World Premiere of Anna Ziegler’s new play, starring Erin Kellyman and Anastasia Hille. Performances run 14 February – 11 April 2026.
Review: AMERICAN PSYCHO, Almeida Theatre
by Cindy Marcolina
- Feb 2, 2026
Make no mistake, the writing is dated and it’s far from being a masterpiece, but the production does something that’s so specifically disturbing that it’s difficult to ignore. Bateman’s raison d’être is unnerving to begin with. Once you combine this archetypal psychopath with a jaunty synth-heavy score and a glitzy choreo, watching our executioner dance maniacally with a cleaver becomes a spectacle in itself.
Review: THE TEMPEST, Shakespeare’s Globe
by Clementine Scott
- Jan 31, 2026
The Tempest is perhaps the most metatheatrical of Shakespeare's plays: the plot takes place in real time, and Prospero asks the audience to “free” him with their applause. So who better to direct than the king of theatrical deconstruction himself, Tim Crouch?
Review: A GHOST IN YOUR EAR, Hampstead Theatre
by Katie Kirkpatrick
- Jan 9, 2026
Walking down an ominous red-lit corridor and being asked to put on over-ear headphones isn’t your typical start to a night at the theatre – but then A Ghost in Your Ear isn’t your typical play. Jamie Armitage’s second show as both writer and director (after last year’s An Interrogation) is a true horror piece, with ingenious use of binaural sound design.
Review: WOMAN IN MIND, Starring Sheridan Smith
by Aliya Al-Hassan
- Jan 7, 2026
Alan Ayckbourn’s 1985 play Woman In Mind is a darkly comic look about mental disintegration and a mid-life ennui that would have rarely been spoken about forty years ago. In the first major West End revival since 2012, director Michael Longhurst presents a startling portrait of a woman who retreats into a fantasy world as a means of coping with her lack of purpose and love in her real life.
Critics' Choice: Gary Naylor's Best Theatre of 2025
by Gary Naylor
- Dec 24, 2025
Theatre is, of course, a window on another world, often glitzier and brighter than our own, sometimes a reflection that can comfort or discomfit us and sometimes a portal into what it is to be human at all. It is an escape - and who can deny that we need such refuges more than ever - but it can be so much more than mere escapism. The best theatre of 2025 made those lofty promises - and kept them.
Review: CHRISTMAS DAY, Almeida Theatre
by Franco Milazzo
- Dec 22, 2025
There is a particular kind of contemporary British play that believes proximity to the dinner table equals profundity. Or human connection. Or a direct line to our stomachs, if not our hearts. It’s never really clear. Sam Grabiner’s Christmas Day (his first play since his Olivier-winning Boys on the Verge of Tears) is delivered under James Macdonald’s taut but ultimately overburdened direction and both fulfils and interrogates that tradition.
The Best Theater of 2025: London Shows that Ruled the Year
by Sidney Paterra
- Dec 19, 2025
As 2025 comes to a close, London's top theatre critics have been taking stock of this theatre season- deciding on their personal choices for their favorite productions of the year. The season has been full of so many stellar plays, musicals, revivals and new works. Be sure to check back later for new additions as they're released!
Review: THE BFG, Royal Shakespeare Theatre
by Cindy Marcolina
- Dec 14, 2025
Co-Artistic Director of the RSC Daniel Evans brings to life one of Roald Dahl’s most darkly beloved children’s books in an utterly thrilling adaptation by Tom Wells.
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