EVITA, PADDINGTON, INTO THE WOODS, and More Nominated For 2026 Olivier Awards; Full List!
by Stephi Wild
- Mar 5, 2026
The nominations are in for the 2026 Olivier Awards. The nominees included Paddington the Musical, Into The Woods, Oh, Mary!, Into The Woods, Evita, and more. Check out the full list here!
Photos: First Look At PSU’s SPRING AWAKENING
by A.A. Cristi
- Mar 1, 2026
Portland State University’s School of Music & Theater officially opened its highly anticipated production of the Tony Award-winning rock musical Spring Awakening February 27 at Lincoln Performance Hall.
Review: ALICE BY HEART at Nebraska Wesleyan University Theatre
by Christine Swerczek
- Feb 24, 2026
Nebraska Wesleyan University Theatre’s current production of ALICE BY HEART explores a teenager's coping with grief and the realism of war-torn London through fantasy. The musical based on the 1865 children’s classic “Alice’s Adventures in Wonderland” is written by Steven Sater and Jessie Nelson with music by Duncan Sheik.
Suzanne Vega’s LOVER, BELOVED Stage Show Coming to PBS
by Josh Sharpe
- Feb 17, 2026
Lover, Beloved, the film adaptation of songwriter Suzanne Vega’s one-woman stage show about the life of 20th-century American writer Carson McCullers, is set to make its broadcast debut.
PSU Theater Arts to Stage SPRING AWAKENING This February
by Stephi Wild
- Feb 11, 2026
Portland State University's Theater Arts program will present the electrifying Tony Award-winning rock musical Spring Awakening, with book and lyrics by Steven Sater and an explosive score by Duncan Sheik.
Review Roundup: Rupert Goold Remounts AMERICAN PSYCHO at Almeida Theatre
by Nicole Rosky
- Feb 3, 2026
Almeida Artistic Director Rupert Goold’s production of American Psycho, based on the novel by Bret Easton Ellis just celebrate dits opening night. The book is by Roberto Aguirre-Sacasa, with music and lyrics by Duncan Sheik, based on the novel by Bret Easton Ellis, and directed by Rupert Goold. Let's see what the London critics had to say...
Review: AMERICAN PSYCHO, Almeida Theatre
by Cindy Marcolina
- Feb 2, 2026
Make no mistake, the writing is dated and it’s far from being a masterpiece, but the production does something that’s so specifically disturbing that it’s difficult to ignore. Bateman’s raison d’être is unnerving to begin with. Once you combine this archetypal psychopath with a jaunty synth-heavy score and a glitzy choreo, watching our executioner dance maniacally with a cleaver becomes a spectacle in itself.
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