BWW Review: THE HUMANS Gets Weird on Multiple Levels at Pittsburgh Public
by Greg Kerestan
- Nov 20, 2017
If you want to discuss mystery, and I think we need to at this point, there are two essential tropes that must be considered. First, we have Chekhov's gun- if a seemingly important thing is brought up, even casually, near the beginning, it will prove to be important by the end. (Case in point: Chekhov introduces a gun early in Hedda Gabler, and somebody gets shot by the end of the evening.) Second, we have the opposite of Chekhov's gun, the red herring- sometimes, a seemingly important thing is brought up, even casually, to divert attention and create misdirection from what is truly important. (Case in point, Sigmund Freud stated that anything longer than it is wide represented a phallic icon, but justified his own smoking by stating 'sometimes, a cigar can be just a cigar,' not emblematic of anything else.)
Pittsburgh Public Theatre presents THE HUMANS
by A.A. Cristi
- Nov 1, 2017
Pittsburgh Public Theater celebrates Thanksgiving with The Humans, by Scranton, PA native Stephen Karam. The Humans was honored with the 2016 Tony Award for Best Play. Directed by Pamela Berlin, The Humans runs November 9 December 10, 2017 at the O'Reilly Theater, Pittsburgh Public Theater's home in the heart of Downtown's Cultural District. For tickets call 412.316.1600 or visit ppt.org.
Mariano, Awusie and More to Star in World Premiere of McCasland's Memorare This Winter...
by Robert Diamond
- Oct 18, 2017
The Beautiful Soup Theater Collective will present the world premiere production of Steven Carl McCasland's Memorare this winter. The new drama featuring an all female ensemble will bow at St. John's Lutheran Church on Christopher Street in January of 2018. Set to star in the production is Helen Hayes Award-winner Patti Mariano as Sister Mary Cecelia (Broadway: Original Cast of The Music Man, George M!, The Full Monty and more) and newcomer Ashleigh Awusie as Sister Mary Azu (Ain't Never Been Easy). Peter Darney will direct the limited engagement.
MET to Present THE COMPLETE WORKS OF WILLIAM SHAKESPEARE (ABRIDGED) [REVISED]
by BWW
News Desk
- Sep 8, 2017
Maryland Ensemble Theatre (MET) presents three guys, one dead playwright, and 37 plays in 97 minutes for their 20th Season Opener. An irreverent, fast-paced romp through the Bard's plays that is as clever as it is bawdy. Equally pleasing to the Shakespeare aficionado and the novice. MET will open its 2017-2018 season with The Complete Works of William Shakespeare (abridged) [revised], written by Adam Long, Daniel Singer, and Jess Winfield.
Melissa Errico Stars in KISS ME, KATE Concert This Weekend at Bay Street
by BWW News Desk
- Aug 25, 2017
Bay Street Theater's Bay Street Under the Stars series presents FREE concert readings of plays and musicals in Mashashimuet Park every summer. This year, Bay Street will present Kiss Me, Kate with a book by Bella and Sam Spewack and music and lyrics by Cole Porter, tonight and tomorrow, August 25 & 26 at 7pm.
MET to Present THE COMPLETE WORKS OF WILLIAM SHAKESPEARE (ABRIDGED) [REVISED]
by BWW News Desk
- Aug 16, 2017
Maryland Ensemble Theatre (MET) presents three guys, one dead playwright, and 37 plays in 97 minutes for their 20th Season Opener. An irreverent, fast-paced romp through the Bard's plays that is as clever as it is bawdy. Equally pleasing to the Shakespeare aficionado and the novice. MET will open its 2017-2018 season with The Complete Works of William Shakespeare (abridged) [revised], written by Adam Long, Daniel Singer, and Jess Winfield.
Opera Philadelphia Launches First Annual Season-Opening Festival O17 9/14
by A.A. Cristi
- Aug 15, 2017
September 14 marks the launch of O17, the first edition of Opera Philadelphia's new annual season-opening festival. Featuring seven operatic happenings, six city venues, three world premieres, many already sold-out performances, and one superstar Festival Artist, this twelve- day immersion will transform the City of Brotherly Love into an urban stage for diverse audiences to gather and connect through the shared experience of opera (Sep 14-25). O17 shines a contemporary light on the genre, tackling daring subject matter, offering cutting-edge takes on the classics, and providing extraordinary artists with the chance to create their most imaginative and inspired work.
Melissa Errico to Star in KISS ME, KATE Concert at Bay Street This Summer
by BWW News Desk
- Aug 9, 2017
Bay Street Theater's Bay Street Under the Stars series presents FREE concert readings of plays and musicals in Mashashimuet Park every summer. This year, Bay Street will present Kiss Me, Kate with a book by Bella and Sam Spewack and music and lyrics by Cole Porter, on August 25 & 26 at 7pm.
TM Opens New Season with SHREK THE MUSICAL
by Julie Musbach
- Aug 7, 2017
Shrek The Musical kicks off Theatre Memphis' 98th season on the Lohrey Stage and runs August 18 - September 10, 2017. Adapted from a hit animated film, Shrek The Musical follows Shrek, an embittered ogre, and his loyal steed Donkey as they embark on a quest to rescue the beautiful yet temperamental Princess Fiona from a fire breathing, love-sick dragon. Add the diminutive power-hungry Lord Farquaad and a gang of fairytale misfits, and you've got a singing and dancing extravaganza, perfect for an evening of great family fun.
Opera Philadelphia presents Premiere of THE WAKE WORLD
by A.A. Cristi
- Jul 11, 2017
This September, Opera Philadelphia launches O17, the inaugural edition of its game-changing new annual season-opening festival. A twelve-day immersion that promises to "blanket the city with opera" (Washington Post), the festival kicks off new partnerships with two key local cultural institutions. Each will host one of the festival's seven operatic happenings, both of them new operas developed - like 2016's award-winning sensation Breaking the Waves - under the auspices of the company's celebrated Composer in Residence program.
BWW Review: TITUS at OTSL - Grand Opera With No Deaths, No Vengeance?
by Steve Callahan
- Jun 13, 2017
The Opera Theater of St. Louis has opened the fourth and last production of it's forty-second festival season. It's Mozart's final opera, La clemenza di Tito, or (as it's billed for this English-language performance) simply Titus. Everything about this production - from its glorious voices and orchestral display to the set, costumes, lights and sound - is as near perfect as could be imagined.
BWW Review: THE LAST ONES, Jermyn Street Theatre
by Cindy Marcolina
- Jun 13, 2017
Anthony Biggs presents the UK premiere of Maxim Gorky's 1908 The Last Ones in a highly dramatic and touching production that nevertheless feels ultimately insubstantial.
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