What Is Absurdist Theatre? Inside the Movement that Changed Modern Drama
by Sidney Paterra - Oct 18, 2025
This fall, Samuel Beckett’s Waiting for Godot is once again drawing audiences to Broadway, with its enigmatic blend of humor, hopelessness, and haunting stillness. It’s a timely reminder of how profoundly absurdist theatre reshaped the modern stage—inviting audiences to laugh at the meaningless, search for significance in repetition, and confront the unsettling question at the heart of human existence: Why are we here at all?
GOD IS DEAD Comes to Theatro Technis in London
by Stephi Wild - Oct 14, 2025
Noctis Theatre Company will present their new play God Is Dead, written and directed by Matthias Moret and Fanny Le Pironnec at Theatro Technis in Camden, as part of the Voilà Festival 2025.
Review: 4.48 PSYCHOSIS, Royal Court Theatre
by Cindy Marcolina - Jun 19, 2025
Sarah Kane is part of the mythology of British theatre. A brilliant mind, unbridled in her explorations of existence. Severely depressed, she hanged herself in the toilets of King’s College Hospital on the 20th of February, 1999. Tragically, it wasn’t a surprise. She wrote and talked about suicide very matter-of-factly. Kane authored, in total, five plays and a short film, all of equal, tragic precision in their emotional quality. It’s astonishing how much beauty came from someone who suffered so intensely.
Review: BURNT TOAST, Battersea Arts Centre
by Franco Milazzo - Apr 23, 2025
It’s difficult to say at which exact point during Susie Wang’s Burnt Toast I noticed that my jaw had dropped and stayed dropped. If Sarah Kane’s Blasted had been set in Fawlty Towers, it may have turned out something like this.
Review: CRAVE at Intiman Theater
by Amelia Divine - Feb 23, 2025
CRAVE, Sarah Kane’s stylistic one-act play, is an uncompromising plunge into the raw, chaotic landscape of human emotion. Now performing at Intiman Theater, this is a 55-minute concept piece that seems to revel in its own disarray. In true avant‐garde fashion, the play introduces us to four enigmatic characters–A (Lathrop Walker), B (Christopher Morson), C (Marya Sea Kaminski), and M (Alexandra Tavares)–whose disjointed, abstract musings recall the erratic pulse of late 90s beat poetry. Their relationships remain a mystery, their interactions sparse, each figure channeling a distinct, seething rage that resonates deeply with our current socio-political climate.
Photos: CRAVE Presented By Intiman Theatre
by A.A. Cristi - Feb 19, 2025
Love, loss, sex and desire play across the stage in this poetic and deeply personal play from legendary playwright Sarah Kane, returning to Seattle nearly two decades after it last stunned audiences as one of the first productions from Washington Ensemble Theatre (WET). Check out photos from the production.
Photos: RSC's EDWARD II in Rehearsals
by Stephi Wild - Jan 27, 2025
All new rehearsal photos have been released for the RSC’s production of Christopher Marlowe’s rarely performed tragedy, Edward II, which runs in the Swan Theatre, Stratford-upon-Avon beginning next month.
Original Creative Team Returns For CRAVE At Intiman Theatre
by A.A. Cristi - Jan 17, 2025
Intiman Theatre welcomes prominent artists to revisit their work from 20 years prior in an encore production of Sarah Kane's CRAVE, showing February 11 - March 2, 2025, at the Erickson Theater (1524 Harvard Ave).
Cast Set For RSC's EDWARD II
by Stephi Wild - Jan 9, 2025
Casting has been announced for the RSC’s forthcoming production of Christopher Marlowe’s rarely performed tragedy, Edward II, which runs in the Swan Theatre, Stratford-upon-Avon.
Photos: 4.48 PSYCHOSIS at UHM Earle Ernst Lab Theatre
by Blair Ingenthron - Oct 26, 2024
The University of Hawai‘i at Mānoa's Department of Theatre & Dance and Kennedy Theatre is presenting the final performances of 4.48 Psychosis by Sarah Kane, directed by MFA candidate Arlo Chiaki Rowe. This production of Sarah Kane's final play will be performed at the Earle Ernst Lab Theatre. Check out production photos here!