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Sarah Kane News

Date of Death: February 20, 1999

Review: 4.48 PSYCHOSIS, Royal Ballet & Opera

Review: 4.48 PSYCHOSIS, Royal Ballet & Opera

by Franco Milazzo — October 18, 2026

The idea that “art is not a mirror but a hammer” has been attributed to Bertolt Brecht, deployed by Leon Trotsky and could serve as the epitaph for Sarah Kane’s repertoire, not least her final work.

Review: ANGEL'S BONE, London Coliseum

Review: ANGEL'S BONE, London Coliseum

by Franco Milazzo — October 18, 2026

Whether intentionally or not, London’s opera houses have leaned hard into the Halloween season with an unspoken theme of “go bleak or go home”.

Review: MAN TO MAN, Starring Tilda Swinton, Royal Court

Review: MAN TO MAN, Starring Tilda Swinton, Royal Court

by Franco Milazzo — September 13, 2026

Those worrying that Tilda Swinton — the patron saint of Sunday afternoon arthouse movies and performance art best experienced through reviews — has gone mainstream should make themselves a cup of chamomile tea and relax.

Review: CLEANSED, Almeida

Review: CLEANSED, Almeida

by Alexander Cohen — July 30, 2026

Few plays unite cast and audience in mutual struggle like Sarah Kane's Cleansed.

Full Cast Set For CLEANSED at the Almeida Theatre

Full Cast Set For CLEANSED at the Almeida Theatre

by Stephi Wild — April 21, 2026

The Almeida Theatre announced the full cast for CLEANSED, Sarah Kane's play directed by Olivier Award-winner Rebecca Frecknall, featuring Leo Bill, Pearl Chanda, and others.

Royal Ballet and Opera Reveals 2026/27 Season

Royal Ballet and Opera Reveals 2026/27 Season

by Stephi Wild — April 14, 2026

Royal Ballet and Opera announced its 2026/27 Season, featuring 10 new opera productions including PARSIFAL, GÖTTERDÄMMERUNG, and LA GIOCONDA, plus ballet masterworks and Wayne McGregor's 20th anniversary.

GOD IS DEAD Comes to Theatro Technis in London

GOD IS DEAD Comes to Theatro Technis in London

by Stephi Wild — October 14, 2025

Noctis Theatre Company will present their new play God Is Dead, written and directed by Matthias Moret and Fanny Le Pironnec at Theatro Technis in Camden, as part of the Voilà Festival 2025.


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