Review: THE SICILIAN VESPERS, Royal Ballet & Opera
by Franco Milazzo - Sep 22, 2025
The Sicilian Vespers is always going to be a challenging proposition. In a move smacking of sheer hubris, Verdi’s original version lasted over four hours and featured half an hour of ballet partway through. Stefan Herheim's production for the Royal Ballet & Opera removes that dance sequence but transports the plot from Palermo to Paris with the Sicilian rebel leader Jean Procida now portrayed as a mutinous ballet master. What next: Che Guevara as a South Kensington Zumba instructor?
The Washington Chorus Launches New Brand Identity and Unveils 2025"2026 Season
by A.A. Cristi - Jun 10, 2025
The Washington Chorus has announced its new brand and logo, as well as its 2025-2026 season. With concerts exploring light and love (in all its forms), the upcoming season features guest appearances with the National Symphony Orchestra and Baltimore Symphony Orchestra, TWC's annual collaboration with National Philharmonic, the beloved A Candlelight Christmas, and a return to National Presbyterian Church for the first time since 2019.
Video: AIDA at the Metropolitan Opera Trailer
by Stephi Wild - Feb 25, 2025
Tony Award-winning director Michael Mayer brings a new production of Verdi’s grand masterpiece Aida to the Met next month. Yannick Nézet-Séguin and Alexander Soddy conduct. Watch a new trailer here!
Video: Act III Quartet from RIGOLETTO at the Met Opera
by Joshua Wright - Jan 16, 2025
Watch Erin Morley, Rihab Chaieb, Pene Pati, and Luca Salsi sing an excerpt from the Act III quartet in a recent performance. Reigning Verdi baritone Quinn Kelsey reprises his devastating portrayal of the title court jester, and soprano Nadine Sierra, following her acclaimed performances as Juliette in Gounod’s Roméo et Juliette last season, sings the role of his daughter, Gilda, as they lead the first of two casts beginning.
Review: AIDA and the Temple of Doom Comes to the Met with Angel Blue
by Richard Sasanow - Jan 6, 2025
Someone at the Met should have been giving out flu shots (before RFK Junior makes them illegal), because something is obviously going around the cast of the new AIDA. They should have handed out a scorecard to help the audience keep track of who-was-who.
Review: Top Singing and Tap Dancing Highlight Richard Tucker Awards Gala
by Richard Sasanow - Nov 3, 2024
As usual, the gala concert of the Richard Tucker Music Foundation started off with an interloper from the golden age of opera: Richard Tucker himself, singing Mascagni’s “Addio alla Madre” from CAVALLERIA RUSTICANA. A tough act to follow for those singing live at Carnegie Hall, but happily no one seemed daunted by it. That doesn’t mean everything went smoothly at the gala concert, which is par for the course of the annual event. Despite the prestige of the Richard Tucker Awards, the world doesn’t stop when the Tucker Foundation comes a calling.
More Artists Join Lineup for Richard Tucker Music Foundation 2024 Opera Gala at Carnegie Hall
by Stephi Wild - Oct 10, 2024
The Richard Tucker Music Foundation presents its annual Gala on Sunday, October 27, 2024 at 6:30 p.m. at Stern Auditorium/Perelman Stage at Carnegie Hall, and countertenor Anthony Roth Costanzo, tenor Anthony Léon, soprano Nadine Sierra, and soprano Elena Villalón join the star-studded line-up of previous Richard Tucker Award Winners, Grant Recipients, and special guests.
Review: With Great Music But Little Jesting, RIGOLETTO Returns to the Met
by Richard Sasanow - Oct 7, 2024
“This is not a cathartic tragedy or a tale of noble sacrifice. There are no admirable characters here, no moral lesson, no redemption, and no silver lining. There is only a merciless depiction of society’s dark side,” say the Met’s program notes for RIGOLETTO. I’m not so sure.