Submissions Now Open for Red Bull Theater's SHORT NEW PLAY FESTIVAL 2023

The Festival will feature commissioned World Premieres from Craig Lucas and Heather Raffo.

By: Jan. 25, 2023
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Submissions Now Open for Red Bull Theater's SHORT NEW PLAY FESTIVAL 2023

Red Bull Theater is now accepting submissions for their ANNUAL SHORT NEW PLAY FESTIVAL. Six brand new 10-minute plays of heightened language and classic themes inspired by this year's theme: "Forbidden Love" will be selected through an open submission process. These selections will premiere alongside commissions from Craig Lucas (Reckless. Prelude to a Kiss, Longtime Companion) and Heather Raffo (9 Parts of Desire). The deadline for submissions is 12 Noon on Monday April 3rd.

The Short New Play Festival is scheduled to be held on Monday June 26th. Venue to be announced. The premieres will be directed by Nadia Guevara and Ibi Owolabi, Drama League Stage Directing Fellows.


"Each year we look for fresh and exhilarating work with classical inspiration. This year's theme is 'Forbidden Love.' But that's just a jumping off point. We hope that playwrights from around the world will respond to our mission to revitalize the classics. Writers are encouraged to riff on a classical character, borrow a classical setting, or be inspired to create a brand new style of dramatic verse. Finding inspiration from classics beyond the traditional Western canon is welcome. Through this festival, we hope to cultivate dialogues with classical theater in a multitude of creative and surprising ways," explains Artistic Director Jesse Berger.

Over the Short New Play Festival's thirteen-year history, Red Bull Theater has cultivated over 4,000 new short plays of classic themes and heightened language, presenting 95 of them in a one-night-only Festival performance with some of New York's finest actors and directors. The commissioned playwrights have included Larissa FastHorse, Marcus Gardley, John Guare, Stephen Adly Guirgis, Jeremy O. Harris, David Ives, Ellen McLaughlin, Dael Orlandersmith, Theresa Rebeck, José Rivera, Anne Washburn, Doug Wright, and winning entries by writers such as Anchuli Felicia King, Patricia Ione Lloyd, Lynn Rosen, and Jen Silverman. Stage Rights has published a 5-volume collection of the plays from the first 10 years of Red Bull Theater's annual Short New Play Festival as Red Bull Shorts.

OPEN SUBMISSION GUIDELINES:

Red Bull Theater is looking for work with classical inspiration. The words "Forbidden Love" are just a jumping-off point for creative thematic juices. Review our Mission and take a look through our history of Readings and Productions to see the kind of work we have done. Respond to a play we've produced or choose a classic of your own to adapt. You might riff on a classical character, borrow a classical setting, or be inspired to create a brand new style of dramatic verse. Finding inspiration from classics beyond the traditional Western canon is welcome. We hope you will be in dialogue with classical theater in a multitude of creative and surprising ways.

​Using the theme "Forbidden Love," write a short play that: makes use of heightened language, and/or is in conversation with a classical theme, style, or story from any cultural tradition; is no more than 10 minutes in length; is self-contained with a beginning, middle and end; is an original, unpublished, and never previously produced new work.

Plays will be selected based on: excellence of the work; relevance to Red Bull Theater's mission; incorporation of the theme "Forbidden Love"; utilization of the classical conversation/heightened language guideline above.


There is a $10 submission fee. Submission fees partially offset open submission processing costs, commissioning fees, and other expenses.

Selected playwrights will receive a staged reading of their submission, performed by an ensemble company of some of New York City's finest actors as part of this year's festival, scheduled for Monday June 26th. Selected playwrights will also receive a commissioning fee of $400; travel reimbursement of up to $400 to attend the festival rehearsal and performance; will be consulted on choices for the shared ensemble cast; will have final script approval.

ABOUT THIS YEAR'S COMMISSIONED WRITERS:

Craig Lucas wrote the plays Blue Window, Change Agent, The Dying Gaul, God's Heart, I Was Most Alive With You, The Lying Lesson, Missing Persons, Reckless, Prayer for My Enemy, Ode to Joy, Prelude to a Kiss, The Singing Forest, Small Tragedy, Stranger; the books for the musicals Amélie, An American in Paris, The Light in the Piazza, Marry Me A Little, Three Postcards; the screenplays for Blue Window, Longtime Companion, Prelude to a Kiss, Reckless, The Dying Gaul, Secret Lives of Dentists; the opera libretti for Orpheus in Love and Two Boys; and the ballet libretto for Christopher Wheeldon's Cinderella. Craig's Days of Wine and Roses, with a score by Adam Guettel, will bow at Atlantic Theater Company this summer. He directed the world premieres of The Light in the Piazza, I Was Most Alive With You, Ode to Joy, Change Agent and This Thing of Darkness (co-authored with David Schulner) as well as Harry Kondoleon's plays Saved or Destroyed and Play Yourself and the movies The Dying Gaul and Birds of America. He received the Excellence in Literature Award from the American Academy of Arts & Letters, Drama Desk, Obie, L.A. Drama Critics, Laura Pels/PEN Mid-career, LAMBDA Literary, Hull-Warriner, Sundance Audience, Flora Roberts, Madge Evans-Sidney Kingsley and the Steinberg/ACTA Best Play and the Hermitage Greenfield Prize among many other awards and honors.

Heather Raffo is the solo performer and writer of the Off Broadway hit, 9 Parts of Desire which details the lives of nine Iraqi women. For her creation and performance of 9 Parts and its national and international tour, Heather garnered many awards including a Lucille Lortel Award, and the prestigious Susan Smith Blackburn and Marian Seldes-Garson Kanin playwriting awards, as well as Helen Hayes, Outer Critics Circle and Drama League nominations, for outstanding performance. Heather first performed 9 Parts of Desire in August 2003 at the Traverse Theatre, Edinburgh. It later moved to the Bush Theatre in London's Off-West End where critics hailed it as one of the five best plays in London in late 2003. Its Off Broadway premiere was at the Manhattan Ensemble Theatre, where the show ran for nine months and was a critics pick (of the New York Times, Time Out and Village Voice) for over twenty four weeks in a row. In 2009, Heather created a concert version of the play for The Kennedy Center with renowned Iraqi maqam musician, Amir ElSaffar. 9 Parts of Desire has been performed all over the U.S. and was one of the top five produced plays of the 2007-2008 American theater season. It has had international productions/translations in Brazil, Greece, Sweden, Turkey, Malta, France, Iraq, Egypt, Israel, Scotland, England and Canada. Publications are by Northwestern University Press and Dramatists Play Service as well as a number of anthologies. Currently, Heather is developing a libretto for an opera commissioned by the Annenberg Foundation and City Opera Vancouver. The opera details the life of a US Marine who served in Fallujah in 2004 and relates the haunting experiences of identity and belonging for both veterans and their families as well as Iraqis.

ABOUT RED BULL THEATER

Red Bull Theater brings rarely seen classic plays to dynamic new life for contemporary audiences, uniting a respect for tradition with a modern sensibility. Named for the rowdy Jacobean playhouse that illegally performed plays in England during the years of Puritan rule, Red Bull Theater is New York City's home for dynamic performances of great plays that stand the test of time. With the Jacobean plays of Shakespeare and his contemporaries as its cornerstone, the company also produces new works that are in conversation with the classics. A home for artists, scholars, and students, Red Bull Theater delights and engages the intellect and imagination of audiences, and strives to make its work accessible, diverse, and welcoming to all. We value and practice inclusiveness, equity, and diversity in all of our activities, and are committed to antiracist action. Red Bull Theater believes in the power of great classic stories and plays of heightened language to deepen our understanding of the human condition, in the special ability of live theater to create unique, collective experiences, and in the timeless capacity of classical theater to illuminate the events of our times. Variety agreed, hailing Red Bull's work as: "Proof that classical theater can still be surprising after hundreds of years."

Since its debut in 2003 with a production of Shakespeare's Pericles starring Daniel Breaker, Red Bull Theater has served adventurous theatergoers with Off-Broadway productions, Revelation Readings, and the annual Short New Play Festival. The company also offers outreach programs including Shakespeare in Schools bringing professional actors and teaching artists into public school classrooms; Bull Sessions, free post-play discussions with top scholars; and Classical Acting Intensives led by veteran theater professionals. During the pandemic, Red Bull created several new and ongoing programs to serve audiences and artists with our mission: RemarkaBULL Podversations, Online Readings, Seminars, and more.


Red Bull Theater has presented 21 Off-Broadway productions and nearly 200 Revelation Readings of rarely seen classics, serving a community of more than 5,000 artists and providing quality artistic programming to an audience of over 65,000. The company's unique programming has received ongoing critical acclaim and has been recognized with Lortel, Drama Desk, Drama League, Callaway, Off-Broadway Alliance, and OBIE nominations and Awards.

For more information about the Short New Play Festival, or any of Red Bull Theater's programs, visit www.redbulltheater.com.



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