Skip to main content Skip to footer site map
Review: ANNIE at Dolby Theatre

Review: ANNIE at Dolby Theatre

ANNIE dreams of a better “Tomorrow“ in Hollywood through December 18

Little Orphan Annie has been a part of our collective consciousness for going on a hundred years, first in comic-strip form then on radio then films and finally on Broadway, where the intrepid moppet really defined her place in pop culture. The show ran for six years, won seven Tony Awards (including Best Musical), spawned four film adaptations (both big- and small-screen), and gifted us with classic numbers like "Tomorrow" and "It's the Hard Knock Life."

It, and she, is an American icon.

Review: ANNIE at Dolby Theatre
Addison and Ellie Pulsifer

Taking place in New York City in 1933, smack dab in the middle of the Great Depression, ANNIE focuses on the titular heroine, a plucky, optimistic orphan who bumbles her way into good fortune and opportunity a la Forrest Gump. When Oliver "Daddy" Warbucks (Christopher Swan), a billionaire businessman, decides he wants to take in an orphan for two weeks at Christmas (for no discernible reason), Annie (Ellie Pulsifer) is the lucky chosen one, and they bond and embark on some misadventures.

The production now being performed at the Dolby Theatre in Hollywood is serviceable, though the material itself isn't strong enough to make it fly like it should. The biggest problem is that Annie is such a passive character. She doesn't DO anything. Things happen TO her. She's cheerful and tries to buoy the spirits of others, including the ragtag coterie of tykes she leaves behind at the orphanage, and she's admirable in her unflappability, but she isn't compelling as a character because she takes no action on her behalf. When presented with some of the harsher aspects of life, she takes only moments to process them before putting on a smile and looking toward a better day, which could be seen as resilience but really comes across as thinly drawn.

When Daddy Warbucks announces his intent to adopt her, we haven't seen their affection grow. We're told they've developed a relationship, but we don't see it evolve so the emotional stakes are practically nonexistent. There are scenes where almost nothing happens-no character development, no plot advancement-which only pad the show that runs two and a half hours. And at the same time, meaningful story threads are resolved off stage so there isn't any emotional payoff. The entire book is disjointed-stakes are set up then dissolved with no real consequences, like a plot to kidnap Annie by Miss Hannigan (Stefanie Londino), the unhappy and unscrupulous proprietress of the orphanage, and her brother and his moll, who appear out of nowhere. And Sandy (Addison), Annie's beloved canine companion, has absolutely no reason for existing. He doesn't figure into the plot in any way, and after being introduced is forgotten until the very end.

Review: ANNIE at Dolby Theatre
Sophie Stromberg, Vivianne Neely,
Valeria Velasco, Kenzie Rees Riglee,
Ruth Bryson, and Bronte Harrison

It's not that the show is terrible, it's just uninspired. Director Jenn Thompson, who played Pepper, one of the ensemble orphans, in the original Broadway run, does her best but ANNIE never rises above its problematic structure and characterization. The performances aren't weak, but it feels like the performers are going through the motions. Londino has some fun as the scenery-chewing Miss Hannigan and Swan is confidently dapper as Daddy, but otherwise there's not much spark.

With the state of the world these days, we need a heroine like Annie. With her positive outlook, her moxie, she should be a role model of hopefulness. We just need a better Annie. And Annie deserves a better vehicle.

ANNIE is performed at the Dolby Theatre, 6801 Hollywood Boulevard, through December 18. Tickets are available at BroadwayInHollywood.com, Ticketmaster.com, (800) 982-2787, and at the box office.

Photo credits: Matthew Murphy and Evan Zimmerman for MurphyMade



Redondo Ballet Presents SNOW QUEEN, February 18 & 19 Photo
Redondo Ballet presents SNOW QUEEN based on Hans Christian Anderson's tale at the Redondo Beach Performing Arts Center on February 18 and 19, 2023.

​​​​​​​UCLAs Center for the Art of Performance Presents Armenian Jazz Ensemb Photo
UCLA's Center for the Art of Performance (CAP UCLA) presents Armenia's leading folk jazz and ethno-fusion ensemble MVF Band performing songs from their latest album, Nightology, along with other repertory on Thursday, February 23 at 8 pm in Royce Hall. Tickets are $38 and are available now at cap.ucla.edu, 310-825-2101 and the UCLA Central Ticket Office. 

Liveone Launches All-Stars Talent Competition Series Photo
LiveOne (Nasdaq: LVO), an award-winning, creator-first, music, entertainment and technology platform, has announced the launch of the LiveOne All-Stars Talent Competition Series, a year-long competition to celebrate the best and the brightest of the 3,000+ talented artists, both past and present, who have been featured across LiveOne's platforms over the past five years.

Matt Cook Named Executive Director Of Blue 13 Dance Company Photo
Arts leader Matt Cook has been named Executive Director of Blue13 Dance Company, the Los Angeles-based dance ensemble known for presenting aesthetically and culturally daring live performances throughout the US and abroad for over 20 years.


From This Author - Harker Jones

Harker Jones has worked in publishing as a writer, editor, and critic for 15 years. He was managing editor of Out magazine for seven years and has written two novels (including t... (read more about this author)


Review: MEAN GIRLS at Pantages TheatreReview: MEAN GIRLS at Pantages Theatre
January 11, 2023

Despite some deficiencies in the script, MEAN GIRLS still skyrockets in ways most large-scale musicals don’t these days. The young talent on the stage is astonishing and you’ll leave the show wanting to both download the original cast recording and stream the film.

Review: ANNIE at Dolby TheatreReview: ANNIE at Dolby Theatre
December 2, 2022

With the state of the world these days, we need a heroine like Annie. With her positive outlook, her moxie, she should be a role model of hopefulness. We just need a better Annie. And Annie deserves a better vehicle.

Review: BROKEN STORY at The Sherry TheaterReview: BROKEN STORY at The Sherry Theater
November 23, 2022

The set-up of BROKEN STORY is interesting, it just never catches fire in this lackluster production.

Review: 2:22 A GHOST STORY at Ahmanson TheatreReview: 2:22 A GHOST STORY at Ahmanson Theatre
November 7, 2022

It doesn’t help that director Matthew Dunster plays much of Danny Robins’ script for laughs when it could have been amping up some suspense. It would have been more cohesive and had a bigger impact if it hadn’t played as a comedy for most of its 2-hour run time, though it wouldn’t have been enough to make the story land.

Review: FARRAGUT NORTH at Theatre 68 Arts Complex - The RosalieReview: FARRAGUT NORTH at Theatre 68 Arts Complex - The Rosalie
October 31, 2022

The show is a blistering expose of a political campaign and the tenuous loyalty, fierce ambition and blinding hubris that takes place every day in every office across the country.