Steppenwolf Announces Complete Casting For THE MOST SPECTACULARLY LAMENTABLE TRIAL OF MIZ MARTHA WASHINGTON and CATCH AS CATCH CAN
Steppenwolf Theatre Company announced complete casting for two productions today: The Most Spectacularly Lamentable Trial of Miz Martha Washington by James Ijames, directed by Whitney White (April 2 - May 17, 2020); and Catch as Catch Can by Mia Chung, which also announced ensemble member Amy Morton as director (June 4 - July 26, 2020).
Single tickets ($35 - $93) to The Most Spectacularly Lamentable Trial of Miz Martha Washington go on sale this Friday, January 31 at 11am through Audience Services at 312-335-1650 or steppenwolf.org. Presale access available for Members. To learn more about Membership, call 312-335-1650 or visit steppenwolf.org/memberships.
The Most Spectacularly Lamentable Trial of Miz Martha Washington
April 2 - May 17, 2020
In the Downstairs Theatre
The cast features (pictured top row L to R) previously announced ensemble member Celeste M. Cooper (Doll) who will be joined by Nora Dunn (Martha Washington), (pictured bottom row L to R) Sydney Charles (Priscilla), Nikki Crawford (Ann Dandridge), Carl Clemons-Hopkins (Davy), Victor Musoni (William) and Travis Turner (Sucky Boy).
The recently widowed "Mother of America" lies helpless in her Mount Vernon bed, ravaged by illness and attended to by the very enslaved people who are free the moment she dies. The form-shifting fever dream that follows takes us deep into the ugly, uncomfortable and thorny ramifications of America's original sin. Both fantastical and fraught with cruel reality, this Chicago premiere from a daring new voice pulls no punches as it puts our idols, and ourselves, on trial.
James Ijames is a Philadelphia-based performer and playwright. Ijames's plays have been produced by Flashpoint Theater Company, Orbiter 3, Theatre Horizon (Philadelphia, PA), The National Black Theatre (NYC) and Ally Theatre (Washington, D.C.), among others. He is the recipient of the 2011 F. Otto Haas Award for an Emerging Artist and has won two Barrymore Awards for Outstanding Supporting Actor in a Play and Outstanding Direction of a Play for The Brothers Size. Ijames is an 2011 Independence Foundation Fellow, a 2015 Pew Fellow for Playwriting, the 2015 winner of the Terrance McNally New Play Award for WHITE, the 2015 Kesselring Honorable Mention Prize winner for ...Miz Martha, the 2018 Kesselring Prize Winner for Kill Move Paradise and a 2017 recipient of the Whiting Award.
Whitney White is a director and musician originally from Chicago based in Brooklyn, New York. Recent work includes What to Send Up When It Goes Down (The Movement, NYT Critic's Pick), Jump (Rolling NNPN, PlayMakers Rep), Canyon (IAMA Theatre), This Land Was Made (Vineyard Theatre Lab), Rita Tambien Rita (Julliard), Othello (Trinity Rep) and Br'er Cotton (Endstation). Her original piece Macbeth in Stride was part of the 2019 Under the Radar Festival at The Public, and her original concert-play Definition is currently in development with Ars Nova and the Bushwick Starr. Associate Directing credits include Marvin's Room (Broadway), If I Forget (Roundabout) and Othello (NYTW). White is a recipient of the Susan Stroman Directing Award, an Associate Artist at The Roundabout Theatre and was recently a 2050 Fellow at the New York Theatre Workshop. She is currently in residency with the Drama League as part of their Next Wave Residency where she is developing an African American production of Anton Chekov's Three Sisters set to original music, and Colt Coeur. MFA Acting: Brown University/Trinity Rep, BA: Northwestern University. whitney-white.com
...Miz Martha creative team includes Clint Ramos (Scenic Design), Izumi Inaba (Costume Design), Amith Chandrashaker (Lighting Design), Justin Ellington (Sound Design), Patrick Zakem (Artistic Producer), Tom Pearl (Director of Production); JC Clementz, CSA (Casting Director), Laura D. Glenn (Production Stage Manager), Mary Hungerford (Assistant Stage Manager).
Catch as Catch Can
Two blue collar New England families grapple with a spiraling crisis that threatens not just their relationships, but their very identities. Three actors take on the six roles, crossing both generation and gender, upending the kitchen sink drama in what will surely be a theatrical tour-de-force. A distinctive Chicago premiere by the gifted writer Mia Chung.
Mia Chung's Catch as Catch Can received its world premiere at Page 73 in New York in 2018. Chung's You for Me for You premiered at The Royal Court (London), the National Theatre Company of Korea (Seoul) and Woolly Mammoth Theatre (DC); and is published by Bloomsbury Methuen. Her awards, commissions and residencies include Clubbed Thumb, EST/Sloan, Huntington Theatre, Ma-Yi Writers Lab NEA, NYTW, Playwrights' Center, Playwrights Realm, South Coast Rep, SPACE at Ryder Farm and New Dramatists. She received a 2019 Helen Merrill Playwriting Award.
Amy Morton has been a Steppenwolf ensemble member since 1997 and directed several Steppenwolf productions including Guards at the Taj (also at Atlantic Theater Company), Clybourne Park, American Buffalo, Dublin Carol and The Pillowman, among others. She has performed in more than 30 Steppenwolf productions, including the Taylor Mac's Hir, Edward Albee's Who's Afraid of Virginia Woolf? (also on Broadway, Tony nomination) and August: Osage County (also at The National Theatre and Broadway, Tony nomination). Currently she stars as Trudy Platt in the NBC drama series Chicago P.D.
Catch As Catch Can creative team includes Andrew Boyce (Set Design), Jessica Pabst (Costume Design), Yuki Nakase (Lighting Design), Rob Milburn and Michael Bodeen (Sound Design), Jonathan Berry (Artistic Producer), JC Clementz, CSA (Casting Director), Laura D. Glenn (Production Stage Manager) and Jaclynn Joslin (Assistant Stage Manager).
For additional information, visit steppenwolf.org.