THIS SIDE UP Slated for Kaaistudios, 16 & 17 April
by BWW News Desk - April 17, 2010
15 architecture students from La Cambre will be doing something unique with 2,500 cardboard boxes. At the same time they are inviting the visitor to reflect on how one actually makes use of a theatre space. In This Side Up, the Madrilenian performer Maria Jerez charmingly explores the notion that every object is accompanied by an invisible choreography.
by BWW News Desk - April 17, 2010
15 architecture students from La Cambre will be doing something unique with 2,500 cardboard boxes. At the same time they are inviting the visitor to reflect on how one actually makes use of a theatre space. In This Side Up, the Madrilenian performer Maria Jerez charmingly explores the notion that every object is accompanied by an invisible choreography.
THIS SIDE UP Slated for Kaaistudios, 16 & 17 April
by BWW News Desk - April 16, 2010
15 architecture students from La Cambre will be doing something unique with 2,500 cardboard boxes. At the same time they are inviting the visitor to reflect on how one actually makes use of a theatre space. In This Side Up, the Madrilenian performer Maria Jerez charmingly explores the notion that every object is accompanied by an invisible choreography.
by BWW News Desk - April 16, 2010
15 architecture students from La Cambre will be doing something unique with 2,500 cardboard boxes. At the same time they are inviting the visitor to reflect on how one actually makes use of a theatre space. In This Side Up, the Madrilenian performer Maria Jerez charmingly explores the notion that every object is accompanied by an invisible choreography.
Theater Cartouche Presents PAY? NO!, 5/8
by Jeff Dennhardt - April 11, 2010
Deze hilarische klucht over ‘burgerlijke ongehoorzaamheid' was in de jaren zeventig Fo's meest gespeelde stuk en is nu door de economische crisis actueler dan ooit.
by Jeff Dennhardt - April 11, 2010
Deze hilarische klucht over ‘burgerlijke ongehoorzaamheid' was in de jaren zeventig Fo's meest gespeelde stuk en is nu door de economische crisis actueler dan ooit.
Rodrigo Garcia's VERSUS Plays the Kaaitheater, 5/14-5/16
by BWW News Desk - April 01, 2010
On stage a stack of torn books, a screen spits out random images. What starts out as a discussion about pizzas can suddenly continue with a history lesson, switches from flamenco to post-punk, from reflections on love to comments on the relation between humiliation and the economy. The director Rodrigo García - last year at our Performatik festival - seems to ask: what are we to do, say what we think, withdraw, or take part? And what if our actions were in vain?
by BWW News Desk - April 01, 2010
On stage a stack of torn books, a screen spits out random images. What starts out as a discussion about pizzas can suddenly continue with a history lesson, switches from flamenco to post-punk, from reflections on love to comments on the relation between humiliation and the economy. The director Rodrigo García - last year at our Performatik festival - seems to ask: what are we to do, say what we think, withdraw, or take part? And what if our actions were in vain?
THE THRILL OF IT ALL to Play Kaaitheater, 5/7-5/10
by BWW News Desk - April 01, 2010
After a number of small-scale side projects, Tim Etchells has rejoined his collective for an impressive new project with several new performers. Inspired by several recent collaborations, Forced Entertainment will focus on elements which it had ignored in recent years, such as movement, dance and the electronic manipulation of sound and voice. In The Thrill of It All, which will have its world premiere at the Kunstenfestivaldesarts, actors drift about, dancers seem to have lost their bearings, and metaphors become unfounded. Incoherent tunes and distorted voices pay homage to the small things in life. Not to be missed!
by BWW News Desk - April 01, 2010
After a number of small-scale side projects, Tim Etchells has rejoined his collective for an impressive new project with several new performers. Inspired by several recent collaborations, Forced Entertainment will focus on elements which it had ignored in recent years, such as movement, dance and the electronic manipulation of sound and voice. In The Thrill of It All, which will have its world premiere at the Kunstenfestivaldesarts, actors drift about, dancers seem to have lost their bearings, and metaphors become unfounded. Incoherent tunes and distorted voices pay homage to the small things in life. Not to be missed!
Kaaitheater Presents I'M SORRY IT'S (NOT) A STORY, 23 & 24 April
by BWW News Desk - April 01, 2010
In her previous pieces, Charlotte Vanden Eynde often used objects and video, coming close to the boundary of visual art. In I'm Sorry It's (Not) A Story she gives shape to her associative visual idiom in pure movement and dance, and seeks out the ‘image' and poetry of movement. She experiments with meaning and emotion, somewhere between theatricality and abstraction.
by BWW News Desk - April 01, 2010
In her previous pieces, Charlotte Vanden Eynde often used objects and video, coming close to the boundary of visual art. In I'm Sorry It's (Not) A Story she gives shape to her associative visual idiom in pure movement and dance, and seeks out the ‘image' and poetry of movement. She experiments with meaning and emotion, somewhere between theatricality and abstraction.
THIS SIDE UP Slated for Kaaistudios, 16 & 17 April
by BWW News Desk - April 01, 2010
15 architecture students from La Cambre will be doing something unique with 2,500 cardboard boxes. At the same time they are inviting the visitor to reflect on how one actually makes use of a theatre space. In This Side Up, the Madrilenian performer Maria Jerez charmingly explores the notion that every object is accompanied by an invisible choreography.
by BWW News Desk - April 01, 2010
15 architecture students from La Cambre will be doing something unique with 2,500 cardboard boxes. At the same time they are inviting the visitor to reflect on how one actually makes use of a theatre space. In This Side Up, the Madrilenian performer Maria Jerez charmingly explores the notion that every object is accompanied by an invisible choreography.
HYBRID EYES With Esther Mugambi Closes at KaaiStudios
by BWW News Desk - March 28, 2010
Dans Hybrid Eyes, la Kenyane Esther Mugambi procède de manière analogue : elle projette des images et des textes qu'elle commente en mélangeant réalité et fiction. Elle imagine la vie qu'elle aurait menée si elle était restée au Kenya, joue avec l'inconstance de la mémoire et porte un regard acerbe sur son pays natal, souvent évoqué dans la presse ces derniers temps, à cause des origines d'Obama et des violences qui ont suivi les dernières élections présidentielles.
by BWW News Desk - March 28, 2010
Dans Hybrid Eyes, la Kenyane Esther Mugambi procède de manière analogue : elle projette des images et des textes qu'elle commente en mélangeant réalité et fiction. Elle imagine la vie qu'elle aurait menée si elle était restée au Kenya, joue avec l'inconstance de la mémoire et porte un regard acerbe sur son pays natal, souvent évoqué dans la presse ces derniers temps, à cause des origines d'Obama et des violences qui ont suivi les dernières élections présidentielles.
LITTLE RED RIDING HOOD Closes at the Salles Jacques Huisman, 3/28
by BWW News Desk - March 28, 2010
There are images that we see as children that make a durable impression. When these pictures are of a great beauty and power and when what the show touches something essential to each and all of us, even though they are invisible to the eyes, they will probably accompany us all our lives, the remain somewhere within us and continue to pose their vital questions. It is entirely possible that some of the children taking part in this journey of initiation by this fairy-tale production by Joël Pommerat will be enchanted, between amusement and fear, and in adulthood will remember the fundamental impression of its images.
by BWW News Desk - March 28, 2010
There are images that we see as children that make a durable impression. When these pictures are of a great beauty and power and when what the show touches something essential to each and all of us, even though they are invisible to the eyes, they will probably accompany us all our lives, the remain somewhere within us and continue to pose their vital questions. It is entirely possible that some of the children taking part in this journey of initiation by this fairy-tale production by Joël Pommerat will be enchanted, between amusement and fear, and in adulthood will remember the fundamental impression of its images.
HYBRID EYES With Esther Mugambi Set for KaaiStudios
by BWW News Desk - March 27, 2010
Dans Hybrid Eyes, la Kenyane Esther Mugambi procède de manière analogue : elle projette des images et des textes qu'elle commente en mélangeant réalité et fiction. Elle imagine la vie qu'elle aurait menée si elle était restée au Kenya, joue avec l'inconstance de la mémoire et porte un regard acerbe sur son pays natal, souvent évoqué dans la presse ces derniers temps, à cause des origines d'Obama et des violences qui ont suivi les dernières élections présidentielles.
by BWW News Desk - March 27, 2010
Dans Hybrid Eyes, la Kenyane Esther Mugambi procède de manière analogue : elle projette des images et des textes qu'elle commente en mélangeant réalité et fiction. Elle imagine la vie qu'elle aurait menée si elle était restée au Kenya, joue avec l'inconstance de la mémoire et porte un regard acerbe sur son pays natal, souvent évoqué dans la presse ces derniers temps, à cause des origines d'Obama et des violences qui ont suivi les dernières élections présidentielles.
MARZIPAN OR PLEXI Closes at Kaaistudios 3/27
by BWW News Desk - March 27, 2010
Marijs Boulogne (°1978) a une façon qui lui est propre d'aborder la sexualité féminine sur scène. Son langage théâtral, riche en fantaisie n'est pas courant, mais direct. Dans le cadre de la comédie musicale et du spectacle classique, elle parvient à s'adresser à un large public.
by BWW News Desk - March 27, 2010
Marijs Boulogne (°1978) a une façon qui lui est propre d'aborder la sexualité féminine sur scène. Son langage théâtral, riche en fantaisie n'est pas courant, mais direct. Dans le cadre de la comédie musicale et du spectacle classique, elle parvient à s'adresser à un large public.
LITTLE RED RIDING HOOD Opens at the Salles Jacques Huisman, 3/23
by BWW News Desk - March 23, 2010
There are images that we see as children that make a durable impression. When these pictures are of a great beauty and power and when what the show touches something essential to each and all of us, even though they are invisible to the eyes, they will probably accompany us all our lives, the remain somewhere within us and continue to pose their vital questions. It is entirely possible that some of the children taking part in this journey of initiation by this fairy-tale production by Joël Pommerat will be enchanted, between amusement and fear, and in adulthood will remember the fundamental impression of its images.
by BWW News Desk - March 23, 2010
There are images that we see as children that make a durable impression. When these pictures are of a great beauty and power and when what the show touches something essential to each and all of us, even though they are invisible to the eyes, they will probably accompany us all our lives, the remain somewhere within us and continue to pose their vital questions. It is entirely possible that some of the children taking part in this journey of initiation by this fairy-tale production by Joël Pommerat will be enchanted, between amusement and fear, and in adulthood will remember the fundamental impression of its images.
Maria Hassabi's SoLo Show Performs at KaaiStudios
by BWW News Desk - March 20, 2010
La chorégraphe cypriote installée à New York, Maria Hassabi, se produit pour la première fois en Belgique. Dans SoloShow, elle prend pour thème la représentation du corps féminin dans l'art et la culture populaires. Des centaines d'images iconiques se succèdent sans transition et se transforment, avec une précision esthétique et une physicalité extrême, en une installation vivante.
by BWW News Desk - March 20, 2010
La chorégraphe cypriote installée à New York, Maria Hassabi, se produit pour la première fois en Belgique. Dans SoloShow, elle prend pour thème la représentation du corps féminin dans l'art et la culture populaires. Des centaines d'images iconiques se succèdent sans transition et se transforment, avec une précision esthétique et une physicalité extrême, en une installation vivante.
Kaaistudios Closes DREAM SEASONS, 3/20
by BWW News Desk - March 20, 2010
Un regard érotique et anthropologique sur notre société
by BWW News Desk - March 20, 2010
Un regard érotique et anthropologique sur notre société
Maria Hassabi's SoLo Show Performs at KaaiStudios, 3/19 & 3/20
by BWW News Desk - March 19, 2010
La chorégraphe cypriote installée à New York, Maria Hassabi, se produit pour la première fois en Belgique. Dans SoloShow, elle prend pour thème la représentation du corps féminin dans l'art et la culture populaires. Des centaines d'images iconiques se succèdent sans transition et se transforment, avec une précision esthétique et une physicalité extrême, en une installation vivante.
by BWW News Desk - March 19, 2010
La chorégraphe cypriote installée à New York, Maria Hassabi, se produit pour la première fois en Belgique. Dans SoloShow, elle prend pour thème la représentation du corps féminin dans l'art et la culture populaires. Des centaines d'images iconiques se succèdent sans transition et se transforment, avec une précision esthétique et une physicalité extrême, en une installation vivante.
ZOMERTRILOGIE Plays at Kaaitheatre 3/13-3/14
by BWW News Desk - March 14, 2010
Zomertrilogie will play at the Kaaitheatre in Brussels on March 13 and 14, 2010.
by BWW News Desk - March 14, 2010
Zomertrilogie will play at the Kaaitheatre in Brussels on March 13 and 14, 2010.
ZOMERTRILOGIE Plays at Kaaitheatre 3/13-3/14
by BWW News Desk - March 13, 2010
Zomertrilogie will play at the Kaaitheatre in Brussels on March 13 and 14, 2010.
by BWW News Desk - March 13, 2010
Zomertrilogie will play at the Kaaitheatre in Brussels on March 13 and 14, 2010.
'Ricky and Ronny and Hundred Stars – A Sado-Country Opera' Opens March 12
by BWW News Desk - March 12, 2010
by BWW News Desk - March 12, 2010
'La Melancolie Des Dragons' Plays the Kaaitheater 3/9
by BWW News Desk - March 09, 2010
'La Melancolie Des Dragons' plays the Kaaitheater on March 9, 2010.
by BWW News Desk - March 09, 2010
'La Melancolie Des Dragons' plays the Kaaitheater on March 9, 2010.
OVER DE KUNST Plays The Kaaistudio, 2/26 & 2/27
by BWW News Desk - February 27, 2010
Le Kaaitheatre presenets 'Over de Kunst' on February 26 and 27, 2010.
by BWW News Desk - February 27, 2010
Le Kaaitheatre presenets 'Over de Kunst' on February 26 and 27, 2010.
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