BWW Review: ALVIN AILEY AMERICAN DANCE THEATER at The Kennedy Center
The pandemic changed the world and it changed art - most immediately in closing places where people would gather for it, for months on end.
Roger Catlin - Page 7
BWW Review: TRANS AM at Keegan Theatre
Lisa Stephen Friday could have presented the eight semi-autobiographical songs she worked up with her band Lisa Jackson & Girl Friday, just as she once did at a series of Lower East Side clubs in the 90s.
BWW Review: HOW I LEARNED WHAT I LEARNED at Avant Bard Theatre
August Wilson was always a font of stories.
BWW Review: DE PASO at GALA Hispanic Theatre
'Heaven and earth' had to be moved in order to bring in an acclaimed dance company from Madrid to cap Fuego Flamenco XVII, the 17th annual Flamenco Festival at the GALA Hispanic Theatre, the theater's executive director Rebecca Medrano announced at its opening.
BWW Review: SALVADOR at GALA Hispanic Theatre
The 17th Fuego Flamenco Festival at the GALA Hispanic Theatre has opened with a returning favorite, Edwin Aparicio's spectacular autobiographical piece, 'Salvador.
BWW Review: N at Keegan Theatre
The racial reckoning coursing through American theaters and arts companies as a result of last summer's social justice uprisings isn't a new thing.
BWW Review: NSO LABOR DAY CONCERT FEATURING BEN FOLDS at Kennedy Center REACH
The pandemic has thrown traditional events like the National Symphony Orchestra's annual Labor Day concert for a loop for two years running.
BWW Review: DETROIT '67 at Signature Theatre
Inspired in part by August Wilson's 10-play depiction of Pittsburgh life, Dominique Morisseau embarked on a similar ambition reflecting the Motor City in her 'Detroit Project.
BWW Review: CLOWNTIME at Dance Loft On 14
Dire statistical upticks remind us that we're not quite out of the Pandemic Era.
BWW Review: WHERE WE BELONG at Woolly Mammoth Theatre
It's becoming common for theaters to pause before each production and include, alongside the usual cell phone reminders, a land acknowledgement, recognizing indigenous people that came before.
BWW Review: WE'RE GONNA DIE at Round House Theatre
You can tell things are getting better in the world just by watching the Round House Theatre's latest production.
BWW Review: A SURPRISE PROGRAM by the NATIONAL SYMPHONY ORCHESTRA at Kennedy Center
The biggest surprise about the surprise program at the Kennedy Center by the National Symphony Orchestra under the direction fo Gianandrea Noseda may have been that it was happening at all.
BWW Review: MAIMOUNA YOUSSEF aka MUMU FRESH at Kennedy Center
The penultimate program in the Kennedy Center's Young Audiences streamed season features the music of Baltimore-born and D.
BWW Review: THROW ME ON THE BURNPILE AND LIGHT ME UP at Round House Theatre
In the most trying of times, the Round House Theatre has managed to put together a pretty remarkable season, entirely online but leaning on one-person showcases that eliminated the need of distancing among cast members.
BWW Review: LA TIA JULIA Y EL ESCRIBIDOR (AUNT JULIA AND THE SCRIPTWRITER) at GALA Hispanic Theatre
In Mario Vargas Llosa's novel about his early days as a writer, his main character tries and tries again to get his work right.
BWW Review: FRANKIE AND JOHNNY IN THE CLAIR DE LUNE streamed from MetroStage
MetroStage is starting to wind down its lockdown era with a second streamed work of Terrence McNally, the esteemed American playwright who himself died of COVID complications a year ago.
BWW Review: NECESSARY SACRIFICES at Ford's Theatre
Ford's Theatre will forever be tied to the legacy of Abraham Lincoln who was assassinated there 156 years ago this week.
BWW Review: FALU: A JOURNEY THROUGH INDIA at Kennedy Center
The third of the Kennedy Center’s six online Performances for Young Audiences this spring is a musical one — and one that can be enjoyed by a much wider age range.
BWW Review: A BOY AND HIS SOUL at Round House Theatre
This is the 50th anniversary year for Philadelphia International Records, the outfit founded by Kenneth Gamble and Leon Huff that gave us, among many other things, 'TSOP (The Sound of Philadelphia), the ebullient instrumental by MFSB, given life as the theme of 'Soul Train' and used to great effect
BWW Review: MY JOY IS HEAVY! by The Bengsons from Arena Stage
As we enter the second year of pandemic, theater companies have largely shifted from live performance spaces to film and video producers.
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