Review: AGRESTE (DRYLANDS) at Spooky Action
Out in an arid, underpopulated northeastern Brazil, an unusual but not entirely inconceivable love story plays out, presented as a kind of morality lesson or at least a cautionary tale.
Roger Catlin - Page 5
Review: ORLANDO at Constellation Theatre Company
Virginia Woolf was onto something when she wrote her novel “Orlando: A Biography” 95 years ago — a tall tale of aristocracy and adventure for a poet who also happens to change gender.
Review: MACBETH IN STRIDE at Shakespeare Theatre Company
They aren’t actually that in Whitney White’s concert cum critique “Macbeth in Stride” at the Shakespeare Theatre Company.
Review: LA SALPÊTRIÈRE at Taffety Punk
What did our critic think of LA SALPÊTRIÈRE at Taffety Punk?
Review: THE CARETAKER at Edge Of The Universe Theater
The Writer’s Center is just the right place to stage a reverent version of one of Harold Pinter’s best known plays.
Review: SOMETHING MOVING: A MEDITATION ON MAYNARD at Ford's Theatre
There may be no better town for political drama than Washington, and no theater more historically consequential than Ford’s Theatre, where Lincoln was assassinated 158 years ago.
Review: ESPEJOS: CLEAN at Studio Theatre
The all-woman production is top-notch, from the vibrant cast to the sharp direction of Elena Araoz.
Review: MONUMENTAL TRAVESTIES at Mosaic Theater
Controversial statues have been de-installed long before a racial reckoning meant the end of most Confederate statues in recent years.
Review: BAÑO DE LUNA (BATHING IN MOONLIGHT) at GALA Hispanic Theatre
The tantalizing notion of a forbidden romance was part of Tennessee Williams’ “The Night of the Iguana,” Colleen McCullough’s novel “The Thorn Birds” (made into a TV miniseries with Richard Chamberlain), and the hot priest that tantalized Phoebe Waller-Bridge’s “Fleabag.
Review: FELA! at Olney Theatre Center
It’s only the third time the Maryland regional powerhouses have collaborated, and people still recall their only other two such efforts, “Angels in America” in 2016 and “In the Heights in 2017.
Review: WHAT'S GOING ON NOW at Kennedy Center
The National Symphony Orchestra’s intent this weekend was to pay tribute to the 50th anniversary of native son Marvin Gaye’s classic “What’s Going On” album, a high water mark for both social commentary and Motown soul.
Review: KUMANANA! AN AFRO-PERUVIAN MUSICAL REVUE at GALA Hispanic Theatre
The latest musical production from the GALA Hispanic Theatre highlights a specific but not widely known genre — that of Afro-Peruvian dance, music and poetry.
Review: NEW YORK BALLET: VISIONARY VOICES at the Kennedy Center
Read BroadwayWorld's review for NEW YORK BALLET: VISIONARY VOICES at the Kennedy Center.
Review: HADESTOWN at National Theatre
When the cast of “Hadestown” emerge on stage at the National Theatre waving to the waiting audience, they’re received with cheers like old friends.
Review: THE SLEEPING BEAUTY at Kennedy Center
It's really the perfect weekend for the Washington Ballet's revival of its grand 'The Sleeping Beauty.
Review: THE SCHOOL FOR LIES at Constellation Theatre Company
Constellation Theatre Company's production of David Ives' 'The School for Lies' is a witty, rollicking farce, reimagining Molière's 'The Misanthrope' with modern sass and plenty of surprises.
Review: LA VALENTÍA at GALA Hispanic Theatre
A ghost is already sitting on stage - in sheet and eyeholes - as the audience files in for 'La Valentía' at GALA Hispanic Theatre.
Review: ON THE FAR END at Round House
When elders pass, surviving family members often learn more than they knew about the departed by clearing out their home and going through papers left behind.
Review: THE JOFFREY BALLET: ANNA KARENINA at Kennedy Center
How do you fit an 800-page Russian classic into a night's ballet? Throw a lot of ballroom dances.
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