BWW Review: THE DEVIL'S DISCIPLE streaming from Washington Stage Guild
A strong cast and steady pace make this rare performance of Shaw's first hit work a worthwhile free tune-in.
Roger Catlin - Page 8
BWW Interview: Jordan Friend of OLD SOUL at 4615 Theatre Company
Jordan Friend of 4615 Theatre Company talks about his 'Old Soul,'an interactive Zoom call concert and monologue with real time audience feedback
BWW Review: A Virtual MOTHERS AND SONS from MetroStage
Reliving the effects of one deadly plague era during another one, which contributed to the death of its celebrated playwright Terrence McNally last year.
BWW Review: AN IRISH CAROL On Demand from Keegan Theatre
The original cast of a local favorite returns to animate a long Christmas Eve in a Dublin pub, in a production marred by its indifferent online presentation.
BWW Review: A CHRISTMAS CAROL - THE RADIO PLAY at Ford's Theatre
Craig Wallace returns for his fifth season as Ebenezer Scrooge in a production that's a tour de force in sound design.
BWW Review: THE OHIO STATE MURDERS at Round House Theater
The third online production in the series, and the second from Kennedy’s Alexander Plays, is a penetrating, seemingly straightforward tale of mid-20th century discrimination in academia, blended with unspeakable crime.
BWW Review: THE JOOKJOYNT at Woolly Mammoth
As the astronauts of the SpaceX Dragon must be learning currrently, in their mission to the International Space Station, this battered planet may not the greatest place to be right now.
BWW Review: EL PERRO DEL HORTELANO (THE DOG IN THE MANGER) at GALA Hispanic Theatre
The big drama about The GALA Hispanic Theatre's season opener 'El Perro del Hortelano (The Dog in the Manger)' is that they're presenting it at all.
BWW Review: A TIME TO SING: AN EVENING WITH RENEE FLEMING AND VANESSA WILLIAMS at The Kennedy Center
If you were planning the first in-person performance in the Kennedy Center in six months, a kind of historic cultural awakening after the darkness of the pandemic lockdown, you couldn't go wrong with a double bill of Renée Fleming and Vanessa Williams.
BWW Interview: Eugene Rogers on Creating a New Season for The Washington Chorus During a Pandemic
When Eugene Rogers became the fifth artistic director of The Washington Chorus in February, he wasn't counting on the worldwide pandemic to explode every plan just weeks later.
BWW Feature: THE WISDOM OF TERRENCE MCNALLY, 1938-2020
Theater suffered a huge loss this week when the playwright Terrence McNally died at 81, of complications of our current plague, the coronavirus.
BWW Review: THE REALISTIC JONESES at Spooky Action Theater
It may have been unrealistic to open a new play amid the coronavirus pandemic, but 'The Realistic Joneses' did just that on Saturday at Spooky Action Theatre, a group whose name inspires no further confidence (it's named after Einstein's term for quantum entanglement - the ability of separate object
BWW Review: SUDDENLY LAST SUMMER at Avant Bard Theatre
Tennessee Williams, in his lifetime, wrote more than 70 one-act plays - some just sketches, many that went unpublished until after his death in 1983 at 71.
BWW Review: Washington National Opera's SAMSON AND DELILAH at the Kennedy Center
Bad haircuts can be tragic, but none more so than for Samson, the Biblical figure whose strength was sapped the moment his mullet was gone.
BWW Review: THIS BITTER EARTH at Theater Alliance
Write what you know, authors are often advised.
BWW Review: TIMON OF ATHENS at Shakespeare Theatre Company
The week the stock market erases its year's gains may be just the right time to open a not-often produced play about swift changes in fortune.
BWW Review: WEEP from Nu Sass Productions at Caos On F
Walking into the Nu Sass world premiere 'Weep' is like stepping into the living and work space of its characters.
BWW Review: EXQUISITA AGONÍA (EXQUISITE AGONY) at GALA Hispanic Theatre
When her husband suddenly dies in a traffic accident, an opera singer mourns, but also wants to get in touch with the organ recipient.
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