BWW Review: LBJ Completes His Term in Arena Stage's THE GREAT SOCIETY
It will take biographer Robert Caro five volumes to complete his portrait of Lyndon B.
Roger Catlin - Page 13
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BWW Review: Clever LA FOTO: A SELFIE AFFAIR at GALA Hispanic Theatre
While every theatrical performance these days is prefaced by a request to turn off cell phones (which somebody invariably ignores), few plays have really delved into how the devices have so rapidly changed everyday life.
BWW Review: American Ballet Theatre's Eye-popping WHIPPED CREAM at Kennedy Center
It must be galling for many ballet companies that their very operation is dependent on extended holiday performances of 'The Nutcracker' year after year.
BWW Review: Teen Playwright's THE DOG MUST DIE at Highwood Theatre
During the first Women's Voices Theatre Festival in 2015, the youngest playwright was Madison Middleton, then a sophomore in Silver Spring.
BWW Review: 4615 Theatre Company's WAXING WEST
Of the two dozen stages participating in the Women's Voices Theater Festival this year, the one for the 4615 Theatre Company in Silver Spring must be the smallest.
BWW Review: Washington Stage Guild sequel SEE ROCK CITY
Washington Stage Guild had a hit last year with the 1940s Americana romance 'Last Train to Nibroc,' so it's natural to want to stage the sequel by Arlene Hutton featuring the same pair of actors as the appealing couple, Lexi Langs and Wood Van Meter.
BWW Review: THE ILLUSIONISTS - LIVE FROM BROADWAY Returns to the Kennedy Center
Individually, they might amuse the captive audience of a cruise ship.
BWW Review: In Series Visits DUKE ELLINGTON'S NEIGHBORHOOD
One of my first big assignments after I moved to Washington was tracking all the places that Duke Ellington lived, went to school, worked, hung out and performed with his orchestra in the city.
BWW Review: FOREVER BALANCHINE: FAREWELL PERFORMANCES at Kennedy Center
When the opening night curtain rose on the final work of an emotional night - the last performances of the Suzanne Farrell Ballet that has been in residence at the Kennedy Center for 15 years - there was applause even before there was any movement.
BWW Review: Explosive NINA SIMONE: FOUR WOMEN at Arena Stage
Nina Simone didn't write her most iconic song inside Birmingham's bombed out 16th Street Baptist Church just after four girls were killed there in 1963.
BWW Review: The Second City's NOTHING TO LOSE (BUT OUR CHAINS) at Woolly Mammoth
So one expects nothing more than laughs when an original show called 'The Second City Presents: Nothing to Lose (But Our Chains)' takes up residence at Woolly Mammoth.
BWW Review: A SHORT SERIES OF DISAGREEMENTS PRESENTED HERE IN CHRONOLOGICAL ORDER at Studio Theatre
There was sufficient buzz about the booking of a new Daniel Kitson show at Studio Theatre this season that they would apparently take anything.
Half Dozen Micro-Plays in DIGITAL EYE at Blind Whino
Two days was an exceedingly short time to take in the innovative collaboration project this week titled 'Digital Eye.
BWW Review: Close Up ANTONY AND CLEOPATRA at Folger Theatre
A condensed 'Antony and Cleopatra' at the Folger Theatre still has time for a couple of ensemble dance numbers straight out of 'Solid Gold,' a battle scene that's almost as well choreographed and a whole lot of kissing.
BWW Review: SOTTO VOCE at Theatre J
The current worldwide refugee crisis is the right time to recall the tragedy of the U.
BWW Review: Bold I'LL GET YOU BACK AGAIN at the Round House Theatre
With its emphasis on both 1960s psychedelic rock music and the Three Stooges, it would seem the latest offering at the Round House Theatre was tailored precisely for my taste.
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