BWW Review: The Second City's ALMOST ACCURATE GUIDE TO AMERICA at the Kennedy Center
Love it or hate it, the whodunit farce Shear Madness at the Kennedy Center represented D.
Roger Catlin - Page 16
Latest Articles
BWW Review: THE GOOD DEVIL (IN SPITE OF HIMSELF) at WSC Avant Bard
It turns out that there's a reason that WSC Avant Bard's production of The Good Devil (In Spite of Himself starts 15 minutes late.
BWW Review: STATIC at Source Festival
Static is just the kind of play you might expect from a former longtime sound theatrical sound designer.
BWW Review: Tumultuous RIVERRUN at Kennedy Center's IRELAND 100
In a couple of weeks, another Bloomsday will be celebrated, and James Joyce's Ulysses will be read aloud by fans of Irish literature worldwide.
Puppet Takeover at 32nd HELEN HAYES AWARDS
Constellation Theatre's adult puppet musical Avenue Q swept the 32nd annual Helen Hayes Awards honoring professional theater in Washington, D.
BWW Review: LIVEartDC Toasts THE MERRY DEATH OF ROBIN HOOD
Close-up magic, where the cards and tricks fly right under a viewer's nose, is always quite effective.
BWW Review: THE BODY OF AN AMERICAN Compels at Theater J
When the foreign correspondent Paul Watson snapped a grisly photo in Mogadishu, Somalia in 1993, he'd receive both a prize and a curse.
BWW Review: WNO's Next Chapter in THE RING: SIEGFRIED
In the third installment of the Washington National Opera's mammoth staging of Richard Wagner's The Ring of the Nibelung at the Kennedy Center, a new Brunnhilde awakens, Fafner's dragon turns out to be more of a monster truck, and the titular star of the work, Siegfried, turns out to be much more of
BWW Review: Superb Sub in WNO's THE VALKYRIE
Ten years of planning and $10 million in production costs couldn't prevent the Washington National Opera from pleasing all the gods in its ambitious staging of all four operas in Richard Wagner's The Ring of the Nibelung.
BWW Review: HUGO BALL: A Dada Puppet AdveNTuRe!!/?1!!??
It was 100 years ago this year when Hugo Ball chose a nonsense word to label the anti-art movement of World War I - dada.
BWW Review: UrbanArias' Pleasing AFTER LIFE / JOSEPHINE
What happens when American women move to Paris for creatively fulfilling careers?
BWW Review: Stage Guild's THE GOSPEL ACCORDING TO THOMAS JEFFERSON, CHARLES DICKENS, AND COUNT LEO TOLSTOY: DISCORD
One of the funnier political bits of the season was one Bill Maher did last fall on 'The King Trump Bible,' reinterpreting the text using the pithy phrases of crude frontrunner.
BWW Review: Mournful FALLING OUT OF TIME at Theater J
Siri, the electronic personal assistant installed on every iPhone, can be helpful in very many areas, but has heretofore has yet to be recognized for theater criticism.
BWW Review: AMERICAN IDIOT Rocks Like 2004
It seems like a howling musical about disaffected citizens rising up could be perfectly adapted for our confounding political times.
BWW Review: Compelling PROMISED LAND from Mosaic
It might be inviting this jammed political year to escape all the televised debates, town halls and election coverage and simply take in a play.
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