BWW Review: Spirit of Chaplin Lives in VISIONS OF LOVE by Pointless Theatre
By 1931, technology had advanced enough to allow Charlie Chaplin to make his latest film, 'City Lights,' as a talkie.
Roger Catlin - Page 11
BWW Review: The InSeries Revives FROM U STREET TO THE COTTON CLUB
They pipe street noise onto the stage as the latest production of InSeries opera company begins.
BWW Review: Keegan Theatre's Holiday Hit AN IRISH CAROL
Humbug's my usual reaction when there's yet another variation of 'A Christmas Carol' on local stages this time of year.
BWW Review: THE PANTIES, THE PARTNER AND THE PROFIT at Shakespeare Theatre Company
For his fifth and final work with Shakespeare Theatre Company director Michael Khan, the playwright David Ives has not returned to rhyming couplet adaptations of French classics, as he did in 'The Liar,' 'The Heir Apparent,' 'The Metromaniacs' and 'the School for Lies.
BWW Review: Striking AN INSPECTOR CALLS at Shakespeare Theatre Company
Until director Stephen Daldry rediscovered J.
BWW Review: World Premiere ALL SAVE ONE at Washington Stage Guild
'All Save One' is Greg Jones Ellis' world premiere play about a 1950s Hollywood in which a Oscar Wilde-type playwright is ensconced in Hollywood, with a front marriage to a film star, a longtime relationship with a man who has become his secretary, and temptations right outside the window of his bea
BWW Review: HOW I LEARNED TO DRIVE at Round House Theatre
What was it like 21 years ago when Paula Vogel's 'How I Learned to Drive' premiered off-Broadway?
BWW Review: Spooky Action's NEW GUIDELINES FOR PEACEFUL TIMES
In April 1945, the war in Europe had all but wrapped up, but it would be another month before the formal acceptance by the Allies of World War II of Nazi Germany's unconditional surrender.
BWW Review: The Klunch's Failed HOW TO WIN A RACE WAR
The new 'How to Win a Race War,' at the DC Arts Center, is awful.
BWW Review: GALA Theatre's Tasty LIKE WATER FOR CHOCOLATE
The GALA Hispanic Theatre is opening its 43rd season with a new adaptation of Laura Esquivel's popular 1989 novel 'Like Water for Chocolate' that had previously been made into a hit Mexican film of the same name in 1992.
BWW Review: Longacre Lea's THE INTERSTELLAR GHOST HOUR at The Callan Theatre
In Kathleen Akerley's 'Interstellar Ghost Hour,' the latest fanciful play from Longacre Lea, an astronaut travels back through time and space to arrive in her deceased parents home to get some answers.
BWW Review: Almond Joy: Constellation Theatre Company's MELANCHOLY PLAY: A CONTEMPORARY FARCE
Sarah Ruhl is one of the most produced contemporary playwrights today, with provocative works like 'Dead Man's Cell Phone' and 'In the Room: The Vibrator Play.
BWW Review: HAPPY ENDING at Anacostia Playhouse
The admirable goal of the All About the Drama theater group is to reproduce classics of African-American theater.
BWW Review: Upright Citizens Brigade's DAMNED IF YOU DO at Woolly Mammoth
'Seinfeld' might have been a TV show about nothing, but shows by the Upright Citizens Brigade at Woolly Mammoth literally begin with nothing.
BWW Review: Ally Theatre's #POOLPARTY
Ally Theatre's '#poolparty' is a prime example of discovering a little known chapter of local history, fashioning it into art and creating a more universal statement.
.jpg?format=auto&width=365)
Tickets From $59
Tickets From $60
Tickets From $95
Tickets From $73