Roger Catlin - Page 11

Roger Catlin

Roger Catlin, a member of the American Theatre Critics Association, is a Washington D.C.-based arts writer whose work appears regularly in SmithsonianMagazine.com. and AARP the Magazine. He has also written for The Washington Post, Entertainment Weekly, TV Guide and Salon and was a staff writer for The Hartford Courant in Connecticut for 25 years. 






BWW Review: The Klunch's LAURA BUSH KILLED A GUY
BWW Review: The Klunch's LAURA BUSH KILLED A GUY
May 8, 2017

Lisa Hodsoll emerges as fully First Lady in The Klunch world premiere 'Laura Bush Killed a Guy.' She's got that soft West Texas accent, the omnipresent smile as shiny as her pearls, a cream colored ensemble, and poise to burn.

BWW Review: MACBETH with Machine Guns at Shakespeare Theatre
BWW Review: MACBETH with Machine Guns at Shakespeare Theatre
May 4, 2017

As investigations into Russian influence on U.S. elections continue, here's a development that has so far eluded Rachel Maddow: They may have also been behind the witches in 'Macbeth.'

BWW Review: RORSCHACH THEATRE World Premiere, FORGOTTEN KINGDOMS
BWW Review: RORSCHACH THEATRE World Premiere, FORGOTTEN KINGDOMS
May 2, 2017

Randy Baker drew from his own upbringing in Asia to craft his play 'Forgotten Kingdoms,' getting a world premiere at Rorschach Theatre, where he is co-artistic director.

BWW Review: Raucous OR, at Round House Theatre
BWW Review: Mosaic Theater's A HUMAN BEING DIED THAT NIGHT
BWW Review: Mosaic Theater's A HUMAN BEING DIED THAT NIGHT
April 14, 2017

The riveting, ready-made drama of South Africa's Truth and Reconciliation Commission hearings animate a new production at the Mosaic Theater Company of DC.

BWW Review: Masterful PIKE ST. at Woolly Mammoth
BWW Review: Masterful PIKE ST. at Woolly Mammoth
April 3, 2017

Nilaja Sun sits in the chair, absorbed in herself as the audience at Woolly Mammoth takes its seats for her electrifying one-woman 'Pike St.'

BWW Review: LES BALLETS TROCKADERO DE MONTE CARLO at the Kennedy Center
BWW Review: LES BALLETS TROCKADERO DE MONTE CARLO at the Kennedy Center
March 23, 2017

It's a long way from a cramped second-floor loft in lower Manhattan to the splendors of the Kennedy Center Opera House with a full orchestra.

BWW Review: Jay Leno Tells Jokes at the Kennedy Center
BWW Review: Jay Leno Tells Jokes at the Kennedy Center
March 20, 2017

What would have happened if Jay Leno were still hosting 'The Tonight Show' today?

BWW Review: Theater by Palestinians: TAHA at the Kennedy Center
BWW Review: Theater by Palestinians: TAHA at the Kennedy Center
March 17, 2017

As part of the the Kennedy Center's springtime spotlight on international directors, the first of three works by Palestinian playwrights opened at its Terrace Theatre Wednesday.

BWW Review: MRS. MILLER DOES HER THING at Signature Theatre
BWW Review: MRS. MILLER DOES HER THING at Signature Theatre
March 13, 2017

Bad singers make interesting stories. After Meryl Streep got an Oscar nomination for her role as the classical world's Florence Foster Jenkins, last year, here comes Broadway's Debra Monk, warbling the pop repertoire of a mid-1960s musical misfit in a new musical full of Great White Way pedigree.

BWW Review: Theater J's Brainy THE HOW AND THE WHY
BWW Review: Theater J's Brainy THE HOW AND THE WHY
February 23, 2017

Let's say you want to think deeply about the origins of menstruation. Perhaps you would go to a lecture on evolutionary biology.

BWW Review: 1st Stage's TREVOR Focuses on Absurdity
BWW Review: 1st Stage's TREVOR Focuses on Absurdity
February 8, 2017

Living in Connecticut eight years ago when a chimp being kept as a pet ripped the face off a neighbor, I found it tough to see anything but stark horror in the attack.

BWW Review: Spooky Action's Plunge into THE RIVER
BWW Review: Spooky Action's Plunge into THE RIVER
February 7, 2017

The theater space at the Spooky Action Theatre is so intimate you immediately feel you're in the tiny cabin where all its action in Jez Butterworth's play The River takes place.

BWW Review: Mariinsky Ballet's Kicky LITTLE HUMPBACKED HORSE
BWW Review: Mariinsky Ballet's Kicky LITTLE HUMPBACKED HORSE
February 3, 2017

If the current state of U.S. relations with Russia seems dark and murky, it's opposite that in the Mariinsky Ballet's current offering at the Kennedy Center. The Little Humpbacked Horse is sunny and simple, light-hearted and soaring.

BWW Review: Momentum Dance Theatre's JAZZ HIP HOP NUTCRACKER
BWW Review: Momentum Dance Theatre's JAZZ HIP HOP NUTCRACKER
December 13, 2016

Of the variations of Tchaikovsky's classics that take over the holiday season, Duke Ellington's 'The Nutcracker Suite' is one that's had staying power. The 1960 arrangement with Billy Strayhorn showed an irreverent, relaxed, cool jazz approach, with a sense of humor.

BWW Review: In Series Stages Rare GOYESCAS
BWW Review: In Series Stages Rare GOYESCAS
December 12, 2016

Leave it to the venerable In Series to mark the 100th anniversary of Enrique Granados' rarely heard and even more rarely seen opera 'Goyescas.'

BWW Review: Folger Consort's Musical THE SECOND SHEPHERDS' PLAY
BWW Review: Folger Consort's Musical THE SECOND SHEPHERDS' PLAY
December 6, 2016

Falstaff had the girth and beard to make for a decent Santa, but Shakespeare never wrote anything close to a Christmas play.

BWW Review: Delightful MISS BENNET: CHRISTMAS AT PEMBERLEY at Round House
BWW Review: Delightful MISS BENNET: CHRISTMAS AT PEMBERLEY at Round House
December 5, 2016

When every theater company feels compelled to do something Christmas-themed come December, it can lead to either overusing certain titles or creating fluffy trifles.

BWW Review: The Cincinnati Ballet's NUTCRACKER with Poodles Too at Kennedy Center
BWW Review: The Cincinnati Ballet's NUTCRACKER with Poodles Too at Kennedy Center
November 25, 2016

As expected this time of year as TV ads, wreaths and shopping center crowds, 'The Nutcracker' has by now gone beyond being merely a beloved holiday tradition to possibly being the country's most performed work of any type - dance, music or theater. Multiple productions of it appear in dozens of cities year after year and is as much a part of family custom by now as opening presents.

BWW Review: Open Circle Returns with THE WHO's TOMMY
BWW Review: Open Circle Returns with THE WHO's TOMMY
November 14, 2016

'Tommy,' the groundbreaking 1969 set by the Who that it dubbed a rock opera, finds a new dimension in the Open Circle Theatre production in Silver Spring.



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