BWW Review: In Series Ends Season with THE EMPEROR OF ATLANTIS
'Holocaust Opera' is probably not the most inviting description for the season ending offering for the In Series.
Roger Catlin - Page 12
BWW Review: Gender SWITCH from The Welders at Fringe Logan Arts Space
Talk about 'Freaky Friday.
BWW Review: Historic Return of the BALLET NACIONAL DE CUBA at the Kennedy Center
It was 40 years ago this week that the Ballet Nacional de Cuba made its historic U.
BWW Review: Spooky Action Theater's THE SMALL ROOM AT THE TOP OF THE STAIRS
Spooky Action Theater is good about seeking out interesting works from unusual sources.
BWW Review: Keegan Theatre's THE UNDENIABLE SOUND OF RIGHT NOW
The kind of well-worn rock club set designer Matthew J.
BWW Review: Pointless Theatre Revisits THE RITE OF SPRING
It was on a May evening 105 years ago when the premiere of Igor Stravinsky's ballet 'The Rite of Spring' caused booing, catcalls and near riots in Paris.
BWW Review: Druid's Vivid WAITING FOR GODOT at Shakespeare Theatre Company
It seemed like a clever in-joke when the first lobby announcement at the Shakespeare Theatre Company began, 'We appreciate your patience.
BWW Review: First Rate Revival of Bergman's AFTER THE REHEARSAL / PERSONA at Kennedy Center
For being the centennial of Ingmar Bergman's birth, there seems to be very little evidence of the Swedish director's work around.
BWW Review: EN EL TIEMPO DE LAS MARIPOSAS at GALA Hispanic Theatre
The four Mirabal sisters, who resisted the oppressive dictatorship of Gen.
BWW Dance Review: DEMO: NOW Finds Kennedy Center's DIRECT CURRENT
Curator Damian Woetzel chooses dancers and choreographers presenting excerpts of new pieces, works in progress, or in the case of the event in conjunction with the inaugural Direct Current series, a world premiere.
BWW Review: Taylor Mac's A 24-DECADE HISTORY OF POPULAR MUSIC: ABRIDGED at the Kennedy Center
The Kennedy Center kicked off its multidisciplinary contemporary cultural assault Tuesday with something thought to embody the approach, Taylor Macs 'A 24-Decade History of Popular Music (1776-2016).
BWW Review: Avant Bard's Timely Revival of THE GOSPEL AT COLONUS
What if gospel music was taken out of church? What if its structure, soul and power were applied to some other ancient stories, such as, for example, Sophocles, where actors talk about gods plural?
BWW Review: Powerful History in Theater Alliance's THE RAID
There is something to be said about being present in historical plays.
BWW Review: Vibrant Adaptation of THE LATHE OF HEAVEN at Spooky Action
Of her dozens of books over a long career, just one title by the esteemed science fiction and fantasy writer Ursula K.
BWW Review: LBJ Completes His Term in Arena Stage's THE GREAT SOCIETY
It will take biographer Robert Caro five volumes to complete his portrait of Lyndon B.
BWW Review: Clever LA FOTO: A SELFIE AFFAIR at GALA Hispanic Theatre
While every theatrical performance these days is prefaced by a request to turn off cell phones (which somebody invariably ignores), few plays have really delved into how the devices have so rapidly changed everyday life.
BWW Review: American Ballet Theatre's Eye-popping WHIPPED CREAM at Kennedy Center
It must be galling for many ballet companies that their very operation is dependent on extended holiday performances of 'The Nutcracker' year after year.
BWW Review: Teen Playwright's THE DOG MUST DIE at Highwood Theatre
During the first Women's Voices Theatre Festival in 2015, the youngest playwright was Madison Middleton, then a sophomore in Silver Spring.
BWW Review: 4615 Theatre Company's WAXING WEST
Of the two dozen stages participating in the Women's Voices Theater Festival this year, the one for the 4615 Theatre Company in Silver Spring must be the smallest.
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