Roger Catlin - Page 14

You can tell things are getting better in the world just by watching the Round House Theatre's latest production. It's the last of their filmed productions, for one thing. At its start, more people are seen coming into the theater to react to the performance - some 25 instead of the five or 10 in past productions. It's not strictly a solo performance on stage, as others have been - there's a backing band that even sometimes interacts.

The biggest surprise about the surprise program at the Kennedy Center by the National Symphony Orchestra under the direction fo Gianandrea Noseda may have been that it was happening at all.

The penultimate program in the Kennedy Center's Young Audiences streamed season features the music of Baltimore-born and D.C. raised singer Maimouna Youssef.

In the most trying of times, the Round House Theatre has managed to put together a pretty remarkable season, entirely online but leaning on one-person showcases that eliminated the need of distancing among cast members.

In Mario Vargas Llosa's novel about his early days as a writer, his main character tries and tries again to get his work right. To present a live production of that tale, 'La Tía Julia y el escribidor (Aunt Julia and the Scriptwriter)' at the GALA Hispanic Theatre required the same patience and determination.

MetroStage is starting to wind down its lockdown era with a second streamed work of Terrence McNally, the esteemed American playwright who himself died of COVID complications a year ago.

Ford's Theatre will forever be tied to the legacy of Abraham Lincoln who was assassinated there 156 years ago this week. So amid a lingering pandemic, the otherwise closed stage is offering a radio version of a work it commissioned nine years ago to coincide with the opening of the theater's Center for Education and Leadership.

The third of the Kennedy Center’s six online Performances for Young Audiences this spring is a musical one — and one that can be enjoyed by a much wider age range.

This is the 50th anniversary year for Philadelphia International Records, the outfit founded by Kenneth Gamble and Leon Huff that gave us, among many other things, 'TSOP (The Sound of Philadelphia), the ebullient instrumental by MFSB, given life as the theme of 'Soul Train' and used to great effect once more in the Round House Theatre's online production of 'A Boy and His Soul.'

As we enter the second year of pandemic, theater companies have largely shifted from live performance spaces to film and video producers. When new work is offered, it streams online, often created by the artists themselves.

A strong cast and steady pace make this rare performance of Shaw's first hit work a worthwhile free tune-in.

Jordan Friend of 4615 Theatre Company talks about his 'Old Soul,'an interactive Zoom call concert and monologue with real time audience feedback

Reliving the effects of one deadly plague era during another one, which contributed to the death of its celebrated playwright Terrence McNally last year.

The original cast of a local favorite returns to animate a long Christmas Eve in a Dublin pub, in a production marred by its indifferent online presentation.

Craig Wallace returns for his fifth season as Ebenezer Scrooge in a production that's a tour de force in sound design.

The third online production in the series, and the second from Kennedy’s Alexander Plays, is a penetrating, seemingly straightforward tale of mid-20th century discrimination in academia, blended with unspeakable crime.

As the astronauts of the SpaceX Dragon must be learning currrently, in their mission to the International Space Station, this battered planet may not the greatest place to be right now. So it is with the Black in Space collective who proclaim to have shot off to a new galaxy 'far, far away from Planet Earth and the Rona' to set their new production The JookJOYnt currently streaming from the Woolly Mammoth Theatre Company.

The big drama about The GALA Hispanic Theatre's season opener 'El Perro del Hortelano (The Dog in the Manger)' is that they're presenting it at all.

If you were planning the first in-person performance in the Kennedy Center in six months, a kind of historic cultural awakening after the darkness of the pandemic lockdown, you couldn't go wrong with a double bill of Renée Fleming and Vanessa Williams.