Interview: Westfield Native Joshua Michael Burrage Talks BOOP! The Musical
Few cultural icons have held the public’s attention for as long as the one and only Betty Boop.
R. Scott Reedy - Page 7
Interview: Tym Brown Plays the Principal Role in MEAN GIRLS
And the Plastics of North Shore High School – the self-obsessed, their-way-or-the-highway trio of “mean girls” at the center of the eponymous hit 2004 feature-film comedy, the 2018 Broadway musical it inspired, and the 2024 feature film based on the musical – have done just that, becoming
Interview: Kristine Nielsen Talks Summers in Cotuit and Appearing in a Broadway SMASH
Kristine Nielsen has made her name on Broadway playing roles in all kinds of comedies and dramas, but only a very few musicals.
Review: Sondheim Musical is in Good COMPANY at Sullivan Rep
Over 50 years since its original Broadway production had its out-of-town tryout at Boston’s Shubert Theatre, the Stephen Sondheim musical Company, with book by George Furth, has had three revivals.
Review: North American Tour of SHUCKED Serves Up Sweet Corn in Boston
Indeed, when those one-liners and puns are not only corny but all about corn, you just may want to surrender and let the laughs burst like Jiffy Pop, as they are on the North American tour of “Shucked,” the musical being presented by Broadway in Boston at Citizens Opera House now through April 2
Review: Central Square Theater and Front Porch Arts Collective's HER PORTMANTEAU Packs a Lot Into Fraught Family Meeting
In “Sojourners,” the first play in the nine-part Ufot Family Cycle by first-generation Nigerian American playwright Mfoniso Udofia – presented last fall by the Huntington – Boston audiences met Abasiama, a hardworking Nigerian living in Houston, Texas, in 1978 and working toward a degree in
Review: American Repertory Theater's NIGHT SIDE SONGS Shows Power of Community and Music
What did our critic think of NIGHT SIDE SONGS at American Repertory Theater?
Interview: Mezzo-soprano Jamie Barton Talks Boston Lyric Opera's Production of RODGERS & HAMMERSTEIN'S CAROUSEL
The legend of Boston’s Emerson Colonial Theatre stems in part from the many pre-Broadway tryouts that have and continue to take place there, including not one but two now-iconic Richard Rodgers and Oscar Hammerstein II musicals, 1943’s “Oklahoma!” – when it was still being called “Away W
Review: Greater Boston Stage Company gets everything right with THE PLAY THAT GOES WRONG
What did our critic think of THE PLAY THAT GOES WRONG at Greater Boston Stage Company?
Review: Harbor Stage Serves Up a Tasty MY DINNER WITH ANDRÉ
Written by and starring comedic actor and playwright Wallace Shawn and avant garde theater director André Gregory, and based on their lives, the 1981 film is the story of two old friends who share dinner at a New York bistro while revisiting their ongoing debate about the life of an artist and the
Interview: David Mendizábal Talks Directing DON'T EAT THE MANGOS at The Huntington
In playwright Ricardo Pérez González’s “Don’t Eat the Mangos,” three Puerto Rican sisters are living outside San Juan as a hurricane approaches and family tumult causes secrets and ugly truths to spill out.
Review: The Huntington's THE TRIUMPH OF LOVE is Just That
The first production of Pierre Carlet de Chamblain de Marivaux’s “The Triumph of Love” – performed in Paris in 1732 – was no box-office bonanza.
Interview: Melody Munitz Talks Playing Wednesday in THE ADDAMS FAMILY
Anyone familiar with the mysterious and spooky, not to mention altogether ooky, Addams Family will tell you that Morticia and Gomez’s daughter Wednesday is known not only for her morbid nature, but also for her ever-present and carefully protected pigtails.
Review: No One Should Pass by Emerson Colonial Theatre's PARADE
What did our critic think of PARADE at Emerson Colonial Theatre?
Interview: Waltham Native Krystal Hernandez Makes Broadway Debut After Open Call Audition
Waltham native Krystal Hernandez made her Broadway debut on February 19, taking over the coveted role of Anna of Cleves, one of the wives of Henry VIII, in the New York production of the Tony Award-winning musical comedy “SIX,” now at the Lena Horne Theatre.
Review: SpeakEasy Stage's Splendid A MAN OF NO IMPORTANCE is Paul Daigneault's Fitting Farewell to the Company He Founded
What did our critic think of A MAN OF NO IMPORTANCE at Roberts Theatre, Calderwood Pavilion At Boston Center For The Arts?
Interview: Playwright Sarah Ruhl Talks Bringing Vivaldi & Ruhl's THE SEASONS to Boston Lyric Opera
Growing up outside Chicago, Tony- and Pulitzer Prize-nominated playwright Sarah Ruhl (“The Clean House,” “In the Next Room (or The Vibrator Play)”) would listen to a cassette of Antonio Vivaldi’s “The Four Seasons” on holiday drives with her family to her father’s home state of Iowa.
Review: LADY DAY AT EMERSON'S BAR AND GRILL Makes Impressive Return to Merrimack Repertory Theatre
What did our critic think of LADY DAY AT EMERSON'S BAR AND GRILL at Merrimack Repertory Theatre?
Review: Excellence Abounds in Actors' Shakespeare Project's Finely-Tuned Production of AUGUST WILSON'S THE PIANO LESSON
With its magnificent mounting of August Wilson’s “The Piano Lesson,” at Hibernian Hall in Nubian Square, Roxbury, through February 23, Actors’ Shakespeare Project has given Boston theatergoers the first must-see production of 2025.
Interview: Gerard Alessandrini talks spoofing Sondheim and more in FORBIDDEN BROADWAY: MERRILY WE STOLE A SONG
Writer and director Gerard Alessandrini, the comedy mastermind behind “Forbidden Broadway,” has long taken his own Broadway fandom one step further, though, creating iconic parodies of stars like Ethel Merman, Mary Martin, Carol Channing, Liza Minnelli, Yul Brynner, Patti LuPone, Chita Rivera, M
.jpg?format=auto&width=365)
Tickets From $59
Tickets From $59
Tickets From $59
Tickets From $71