R. Scott Reedy

Playwright Luis Alfaro aimed high when he decided to bring Sophocles’ “Oedipus Rex” from 429 BC into the 21st century with “Oedipus El Rey,” his contemporary retelling of the Greek tragedy set in a Los Angeles barrio.

What did our critic think of JON BATISTE BRINGS HIS MUSICAL GENIUS TO BOSTON POPS at Symphony Hall?

The age-old literary mystery of the circumstances surrounding the death of the perennially wedding-dress-clad Miss Havisham in Charles Dickens’ 1851 novel “Great Expectations” is reexamined through a contemporary lens in “(re)Dressing Miss Havisham,” by local playwright John Minigan, being performed May 19–24 at Boston Playwrights’ Theatre as part of the company’s New Play Incubator program.

When it comes to playwrights and poets, William Shakespeare towers above everyone else who has ever put pen to paper. After all, he is the greatest writer ever in the English language, and his 39 plays, 154 sonnets, and three long narrative poems have been translated into virtually every living language.

Keith Lockhart was chatting with Tony Award winners Sutton Foster (“Anything Goes,” “Thoroughly Modern Mille”) and Kelli O’Hara (“The King and I”) following their sold-out “One Night Only” concert last summer at Tanglewood when he realized he wasn’t Foster’s only backstage visitor.

In most, if not all, other mountings of “Hairspray: The Broadway Musical,” Tracy Turnblad is tucked under her bedcovers when audiences first see the young heroine, ready to show off her high-teased bouffant and let loose with the first notes of the rousing opener, “Good Morning, Baltimore.”

What did our critic think of GEM OF THE OCEAN at Actors' Shakespeare Project?

The musical “Swept Away” tells the story of four whalers shipwrecked off New Bedford in 1888, making it especially resonant for local audiences, who can experience the musical drama in a well crafted New England premiere at SpeakEasy Stage Company in the Virginia Wimberly Theatre at the Calderwood Pavilion, Boston Center for the Arts, through May 23.

Playwright Kirsten Greenidge is used to telling stories through her dramas like her Obie Award-winning “Milk Like Sugar,” and “Our Daughters, Like Pillars,” and “The Luck of the Irish.” All three –produced locally by The Huntington –have elements of humor but are not straight-out comedies.

Growing up in Miami, actor and puppeteer Fergie L. Philippe took regular family trips to Disney World, where he developed his love for all things Disney.

Seven years ago, an already hot summer in Boston heated up even more during a pre-Broadway tryout of a truncated version of playwright Matthew Lombardo’s “Tea at Five” at the Huntington Theatre when its star, Academy Award winner Faye Dunaway, was fired after allegations that she physically and verbally assaulted crew members on the troubled production.

What did our critic think of BREAKING THE CODE at Central Square Theater?

What did our critic think of ANGRY, RAUCOUS, AND SHAMELESSLY GORGEOUS at The Lyric Stage Company Of Boston?

As Dionne Warwick took the stage at Groton Hill Music Center in Groton recently, before she had sung a single word, she was met by a rousing standing ovation. It was clear from the get-go that the capacity audience knew they were in the presence of a legend.

After the headline-making 2019 run of his “Tea at Five,” which starred Faye Dunaway, playwright Matthew Lombardo returns to Boston’s Huntington Theatre April 3–18 with his latest effort, “When Playwrights Kill,” a behind-the scenes comedy about an up-and-coming playwright whose Broadway dreams are dashed when his female lead, a famously difficult diva, derails his play’s out-of-town tryout in Boston.

What did our critic think of SUFFS at Emerson Colonial Theatre?

Playwright Jordan Harrison’s 2025 drama “The Antiquities” – being given a fine New England premiere at SpeakEasy Stage Company at the Roberts Studio Theatre in the Calderwood Pavilion at the Boston Center for the Arts through March 28 – uses history to explore where things went wrong.

What did our critic think of WAIT UNTIL DARK at Greater Boston Stage Company?

Harper Lee’s Pulitzer Prize-winning 1960 novel “To Kill a Mockingbird,” about the fictional small town of Maycomb, Alabama, in the Depression-era South grappling with violence and racial inequality, along with issues of class, courage, and compassion, is a classic of modern American literature and one of the best-selling books of all time.

Actor and singer Emilie Kouatchou is only in her twenties and she’s already making musical theater history.