R. Scott Reedy

In playwright Mark Shanahan’s clever “A Sherlock Carol,” now at Lyric Stage Boston through December 21, when self-described “consulting detective” Sherlock Holmes hears a knock at his 221B Baker Street door, there’s not a band of Christmas carolers on the other side but rather a visitor seeking his help in investigating the unsolved death of Ebenezer Scrooge.

What did our critic think of FUN HOME at The Huntington? A funeral home may seem an unlikely setting for a Broadway musical, but it turns out to be an ideal backdrop for the deeply moving “Fun Home.”

In the past few theater seasons, Sehnaz Dirik has enhanced her reputation for playing strong women.

What did our critic think of SUMMER, 1976 at Central Square Theater?

A self-admitted “crazy person” for J.K. Rowling’s Harry Potter novels who “stood in line at a bookstore whenever a new volume was released,” performer Larry Yando knows that portraying Dumbledore – onetime headmaster of the Hogwarts School of Witchcraft and Wizardry – in the play “Harry Potter and the Cursed Child” is a high-profile piece of work.

Comic strips and cartoons have long been the basis for stage plays and musicals – from “It’s a Bird, It’s a Plane, It’s Superman,” “Annie,” “You’re a Good Man, Charlie Brown,” and “Doonesbury” to “Spiderman: Turn Off the Dark” and “The SpongeBob Musical” – and, of course, have also spawned the hugely profitable Marvel Universe and DC Comics film franchises.

Musical comedy creators Joe Kinosian and Kellen Blair are self-described fans of 1930s screwball comedies, so when the pair decided to collaborate on a musical that only needed two actors and a piano, they asked themselves, “What if the Marx Brothers did an Agatha Christie story?”

Kelli O’Hara will star alongside Academy Award winner Tom Hanks in the world premiere of This World of Tomorrow, a new play by Hanks and James Glossman based on Hanks’ short stories, about a lonely scientist from the future who travels through time in search of true love.

What did our critic think of THE CHER SHOW at Bill Hanney's North Shore Music Theatre?

Whether indie films like “Waitress,” coming-of-age dramas like “The Outsiders,” or comedies like “Beetlejuice,” film-to-stage adaptations most often take the form of Broadway musicals, including Hollywood classics such as “Sweet Smell of Success,” “Days of Wine and Roses,” and more.

Emotional breakdowns can forever change a person, often not for the better. For Australian performer Sam Kissajukian, however, a lengthy 2021 manic episode with bipolar disorder upended his life and ultimately set him on a course to a new form of artistic expression.

What did our critic think of TICK, TICK...BOOM! at The Umbrella Arts Center?

What did our critic think of SARDINES (A COMEDY ABOUT DEATH) at The Huntington Theatre? Sardines (a comedy about death) runs now at the Maso Studio at the Huntington Theatre through November 16,

What did our critic think of THE COUNTER at The Umbrella Arts Center?

As a dramatic soprano, Alexandra LoBianco is accustomed to performing some of the most challenging roles in the repertoire, including Leonore in “Fidelio,” with the Vienna State Opera and North Carolina Opera, Brünnhilde in “Die Walküre,” Minnie in “La fanciulla del West,” with Des Moines Metro Opera, and the title roles in “Turandot,” with Des Moines Metro Opera, Palm Beach Opera, and Maryland Lyric Opera, and “Aida” at Seattle Opera, to name but a few.

Katori Hall’s thought-provoking drama, “The Mountaintop,” being presented by Front Porch Arts Collective in collaboration with Suffolk University’s Modern Theatre, where it is being staged through October 12.

Winston Churchill was one of the 20th century’s towering political figures – a British statesman, military officer, and prime minister of the United Kingdom during World War II in 1940–45, and again in 1951–55, who spent over six decades as a member of the British parliament.

Liz Callaway isn’t only a Tony Award-nominated actress and singer, she’s also an Emmy Award-winning television talk-show host.

What did our critic think of OUR TOWN at Lyric Stage Company Of Boston? What makes all worthwhile productions of “Our Town,” like this one, work is what makes the play itself endure. We can relate to Wilder’s characters and connect with their experiences, making the play truly our story in “Our Town.”

Since becoming artistic director of The Huntington in July 2022, Loretta Greco has earned a reputation for opening each new season with a splash.