BWW Review: NATIVE GARDENS Bloom at Merrimack Repertory Theatre
Merrimack Repertory Theatre opens it 40th anniversary season with NATIVE GARDENS, #8 on American Theatre magazine's list of the top 10 most-produced plays of 2018-2019.
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BWW Review: Zeitgeist Stage Opens Curtain on Final Season With N.E. Premiere of VICUÑA
In news recently reported, the 2018-2019 season will be Zeitgeist Stage Company's last, after seventeen years of notable productions as an acclaimed stalwart of the Boston fringe theater scene.
BWW Review: East Coast Premiere of BEING EARNEST at Greater Boston Stage Company
What happens when you take an Oscar Wilde classic play from the Naughty Nineties, add about a dozen original musical numbers, and update the story and setting to London's swinging Carnaby Street in the sixties? Well, if you put it in the hands of Director/Choreographer Ilyse Robbins and Music Direct
BWW Review: World Premiere THE NICETIES: Brookline Playwright Burgess Takes Both Sides
Brookline playwright and former Huntington Playwriting Fellow Eleanor Burgess captures the zeitgeist in her fast-paced and intense new play, THE NICETIES, now receiving its world premiere by the Huntington Theatre Company at the Calderwood Pavilion at the Boston Center for the Arts.
BWW Review: KISS OF THE SPIDER WOMAN: The Power of Love
Lyric Stage Company opens its 44th season with the Tony Award-winning (seven, including Best Musical) KISS OF THE SPIDER WOMAN, directed and choreographed by Rachel Bertone, with music direction by Dan Rodriguez, who gets pizazz and a far bigger sound than anyone would expect from a five-piece orche
BWW Review: STRAIGHT WHITE MEN: Boys Will Be Boys
New Repertory Theatre presents the New England premiere of Young Jean Lee's STRAIGHT WHITE MEN, most recently seen on Broadway over the summer.
BWW Review: THE BLACK CLOWN World Premiere at A.R.T.
World premiere musical theater piece adapted by Davone Tines and Michael Schachter from 1931 Langston Hughes poem, 'The Black Clown.
BWW Review: TRUE WEST: Sam Shepard's Classic Tale of Sibling Rivalry
TRUE WEST is a dark, yet humorous play by the late Sam Shepard, one of America's foremost playwrights.
BWW Review: Linehan and Ellis March in Step in Reagle Music Theatre's THE MUSIC MAN
Mark Linehan and Jennifer Ellis march in step in a glorious rendering of Meredith Willson's THE MUSIC MAN to close out Reagle Music Theatre's 50th Anniversary Summer Season with a bang.
BWW Review: DARK ROOM: World Premiere in Development at Bridge Repertory Theater
Olivia D'Ambrosio's vision for DARK ROOM is an artistic blend of spoken dialogue, choreographed movement, evocative sounds and music, and the best use of the architectural features of the space at the Multicultural Arts Center in East Cambridge.
BWW Review: Gloucester Stage Presents N.E. Premiere of CYRANO
Timeless tale re-imagined with contemporary spin by Jason O'Connell and Brenda Withers.
BWW Review: Reagle Music Theatre's ANYTHING GOES: Seaworthy and 'See-worthy'
An energetic cast of nearly 40 performers and a 16-piece orchestra give the incomparable Cole Porter score of ANYTHING GOES its due.
BWW Review: SHE DID ALL THAT - BETTY FORD: SPEAKING OUT, SAVING LIVES Premieres at Boston Playwrights' Theatre
Premiere of documentary play about the former First Lady takes us back to those saner days of yesteryear, when a Republican forced from office in ignominy was replaced by a decent man who tried to heal the nation.
BWW Review: BORN FOR THIS - A NEW MUSICAL: Awake and Sing!
ArtsEmerson presents the New England premiere of BORN FOR THIS - A NEW MUSICAL, based on the life story of Bebe Winans and his sister Cece Winans, offspring of a spiritual, musical Detroit family, who made a huge splash as teenagers on the Praise the Lord network of Jim and Tammy Faye Bakker in the
BWW Review: The Boston Pops Orchestra Celebrates Bernstein and HAMILTON
The 133rd spring season of The Boston Pops Orchestra at Symphony Hall is winding down, but the final week is a whirlwind of activity, culminating in three performances of WEST SIDE STORY: In Concert, and an appearance by two of the stars of the groundbreaking HAMILTON: AN AMERICAN MUSICAL.
BWW Review: CALENDAR GIRLS: Make a Date With Some of Boston's Best
Greater Boston Stage Company has lined up a dream ensemble for their season finale, CALENDAR GIRLS, based on the 2003 Miramax motion picture.
BWW Review: A CHORUS LINE High Kicks Reagle Music Theatre's 50th Season
Reagle Music Theatre of Greater Boston, celebrating its 50th Anniversary Summer Season, was still in its first decade when A CHORUS LINE opened on Broadway in 1975, kicking off its run of 6,137 performances.
BWW Review: LES LIAISONS DANGEREUSES: Bring on the Men
Artistic Director Lee Mikeska Gardner embraces the mission of The Nora Theatre Company to "promote the feminine voice" with an all-male production of LES LIAISONS DANGEREUSES, Christopher Hampton's 1985 adaptation from the novel by Choderlos de Laclos.
BWW Review: SWEENEY TODD IN CONCERT: Theater UnCorked Pops!
Boston's newest small theater company christened its inaugural season with a one-night only, pop-up musical benefit performance of SWEENEY TODD, THE DEMON BARBER OF FLEET STREET IN CONCERT on Saturday, June 2nd, at First Church Cambridge.
BWW Review: World Premiere of FALL: Arthur Miller's Sad Secret
Pulitzer Prize-winning playwright Arthur Miller was renowned and celebrated for his masterpiece DEATH OF A SALESMAN, as well as ALL MY SONS and THE CRUCIBLE, plays in which issues of morality took center stage.
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