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BARBER SHOP CHRONICLES takes you on a cultural exchange trip across the continent of Africa, with a side journey to the UK, to meet and listen in on communities of men who go to the barber shop for much more than a shave and a haircut.
Playwright Laura Neill is an angry person who channels her fiery passion onto the page and, ultimately, onto the stage.
1776 is a show that appreciates in value and import when viewed in the context of its time.
The Front Porch Arts Collective partners with the Lyric Stage Company to start their second season with BREATH & IMAGINATION, Daniel Beaty's musical about Roland Hayes.
If you like a little horror with your ho-ho-ho, then program your GPS to guide your sleigh to Machine in the Fenway where Ryan Landry and the Gold Dust Orphans' 2018 Christmas spectacular is A NIGHTMARE ON ELF STREET, their holiday-themed tribute to '80's slasher films.
MAN IN THE RING deserves better than to be described with boxing cliches, but the Huntington Theatre Company production of Pulitzer Prize-winner Michael Cristofer's play is a knockout.
The American Repertory Theater looks very different in 2018 after ten years with Artistic Director Diane Paulus at the helm.
Renowned British playwright Caryl Churchill is the author of a pair of one-act plays merged into Commonwealth Shakespeare Company's UNIVERSE RUSHING APART: BLUE KETTLE and HERE WE GO, playing through the weekend in the Black Box Theater at Babson College's Sorenson Center for the Arts in Wellesley.
THE PLAY THAT GOES WRONG gives new meaning to the phrase "brings down the house.
It is probably an unintended coincidence that the Lyric Stage Company's production of Jen Silverman's two-hander, THE ROOMMATE, passes the Bechdel Test with flying colors, even as FUN HOME, based on Alison Bechdel's graphic novel/memoir is onstage down the street at the Boston Center for the Arts.
FUN HOME is a true story about real people, and Producing Artistic Director Paul Daigneault's production at SpeakEasy Stage Company, the Boston regional premiere of the 2015 Tony Award-winning musical, will make a believer out of anyone who sets foot in the Roberts Studio Theatre.
Inspired by her experiences working in the recreation department at a youth residential care facility in the Lone Star State, Kira Rockwell has written a fictional story about five adolescent girls that portrays their back stories, personalities, and behaviors with authenticity, while trying to eras
New Repertory Theatre's mission is "to produce plays that speak powerfully to the vital ideas of our time," a statement which they adhere to vigorously.
Simon Geller and WVCA-FM, his one-man classical music radio station, were part of the local color of Gloucester, Massachusetts, for 24 years.
Theater Uncorked returned to the First Church Cambridge this past weekend for two performances of a staged reading of ONE FLEW OVER THE CUCKOO'S NEST, a 1963 play by Dale Wasserman, based on the novel of the same name by Ken Kesey.
The Central Square Theater, in conjunction with Catalyst Collaborative@MIT, has a corner on the market of blending art and science.
A year ago, almost to the day, Alan Cumming made his debut with the Celebrity Series of Boston, performing his touring show SINGS SAPPY SONGS at Sanders Theatre.
Playwright/director Michael Gaucher and Bitter Bitch Productions bring a live edition of the beloved sitcom to the stage at Club Cafe.
There is much fun afoot in this cleverly written, earnestly acted, and crisply directed play being revived on the main stage at the Huntington Theatre Company.
Embarking on its 28th season, SpeakEasy Stage Company presents the New England premiere of the 2015 Pulitzer Prize-winning play BETWEEN RIVERSIDE AND CRAZY by Stephen Adly Guirgis.
