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Nancy Grossman

From producing and starring in family holiday pageants as a child, to avid member of Broadway Across America and Show of the Month Club, Nancy has cultivated her love of the art and respect for the craft of theatre. She fulfilled a dream when she became an adult-onset tap dancer in the early 90's ("Gotta dance!"); she fulfills another by providing reviews for BroadwayWorld.com. Nancy is a member of the Boston Theater Critics Association, the organization which bestows the annual Elliot Norton Awards which honor the outstanding achievements of the Boston theater community, and she formerly served on the Executive Board of the Independent Reviewers of New England (IRNE). Nancy is an alumna of Syracuse University, has a graduate degree from Boston University, and is a retired Probation Officer-in-Charge in the Massachusetts Trial Court system.
 

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BWW Review: World Premiere of Lauren Gunderson's THE HEATH at Merrimack Rep

BWW Review: World Premiere of Lauren Gunderson's THE HEATH at Merrimack Rep

February 27, 2019

Patrons of the Merrimack Repertory Theatre are quite familiar with playwright Lauren Gunderson, named the most produced playwright in America by American Theatre Magazine in 2017, most recently for the much-lauded MRT December production of MISS BENNET: CHRISTMAS AT PEMBERLEY which she co-authored

BWW Review: World Premiere BARE STAGE: A Play for the Zeitgeist

BWW Review: World Premiere BARE STAGE: A Play for the Zeitgeist

February 12, 2019

The world premiere of Boston playwright Michael Walker's BARE STAGE lands smack in the middle of the zeitgeist, surrounded by the swirling maelstrom of #MeToo and a building movement within the theater arts community to pay attention to the needs of actors when they are at their most vulnerable.

BWW Review: A DOLL'S HOUSE, PART 2: Nora Drops In, Torvald Drops Jaw

BWW Review: A DOLL'S HOUSE, PART 2: Nora Drops In, Torvald Drops Jaw

January 15, 2019

Nearly a century and a half after Nora Helmer walked out on her husband Torvald and their three children in Henrik Ibsen's 1879 classic A DOLL'S HOUSE, playwright Lucas Hnath proposes a well-thought reply to the speculation of what became of her in A DOLL'S HOUSE, PART 2.




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