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Nancy Grossman

From producing and starring in family holiday pageants as a child, to avid member of Broadway Across America and Show of the Month Club, Nancy has cultivated her love of the art and respect for the craft of theatre. She fulfilled a dream when she became an adult-onset tap dancer in the early 90's ("Gotta dance!"); she fulfills another by providing reviews for BroadwayWorld.com. Nancy is a member of the Boston Theater Critics Association, the organization which bestows the annual Elliot Norton Awards which honor the outstanding achievements of the Boston theater community, and she formerly served on the Executive Board of the Independent Reviewers of New England (IRNE). Nancy is an alumna of Syracuse University, has a graduate degree from Boston University, and is a retired Probation Officer-in-Charge in the Massachusetts Trial Court system.
 

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BWW Review: Order Up! WAITRESS National Tour at Boston Opera House

BWW Review: Order Up! WAITRESS National Tour at Boston Opera House

February 23, 2018

Nearly three years after it premiered at the American Repertory Theater in Cambridge, and while still enjoying a successful run on Broadway, the national tour of WAITRESS is serving customers at the Boston Opera House as part of the Lexus Broadway In Boston 2017-2018 season.

BWW Review: Swipe Right for BAD DATES

BWW Review: Swipe Right for BAD DATES

February 13, 2018

BAD DATES remount at Huntington Theatre Company reunites Director Jessica Stone and actor Haneefah Wood who worked together in HTC's VANYA AND SONIA AND MASHA AND SPIKE (2015).

BWW Review: LONELY PLANET: Hope in the Face of Loss

BWW Review: LONELY PLANET: Hope in the Face of Loss

February 7, 2018

New Repertory Theatre and Boston Center for American Performance team up to commemorate the 25th anniversary of Steven Dietz's LONELY PLANET, a story of friendship, loss, and hope during the height of the AIDS epidemic.

BWW Review: DEATH AND THE MAIDEN: A Play for the Zeitgeist

BWW Review: DEATH AND THE MAIDEN: A Play for the Zeitgeist

February 4, 2018

Chilean author Ariel Dorfman's 1990 play DEATH AND THE MAIDEN is set in an unnamed country that is probably Chile as it emerges from a long period of dictatorship and adjusts to life under a fledgling democratic government.

BWW Review: LOVE NEVER DIES: Nevertheless, He Persisted

BWW Review: LOVE NEVER DIES: Nevertheless, He Persisted

February 2, 2018

The North American tour of LOVE NEVER DIES brings the musical to the United States for the first time since its 2010 London premiere, and is playing at the Boston Opera House through February 11th as part of the 2017-2018 Lexus Broadway in Boston Season.

BWW Review: HOLD THESE TRUTHS: Past is Prologue

BWW Review: HOLD THESE TRUTHS: Past is Prologue

December 8, 2017

HOLD THESE TRUTHS blends historical fact with fiction to tell Gordon Hirabayashi's compelling story of standing up for his constitutional rights when he was ordered to report to an internment camp only months after the Japanese attack on Pearl Harbor.

BWW Review: Moonbox Ascends THE 39 STEPS

BWW Review: Moonbox Ascends THE 39 STEPS

November 21, 2017

Moonbox Productions requires you to use your imagination, but you will be duly rewarded thanks to the talents of Director Allison Olivia Choat, her crew, and the four-person cast of THE 39 STEPS.

BWW Review: TARTUFFE: Satiric Verses

BWW Review: TARTUFFE: Satiric Verses

November 17, 2017

Moli re's TARTUFFE, as translated by Ranjit Bolt, is directed by Huntington Theatre Company's Artistic Director Peter DuBois and features an accomplished cast, led by Frank Wood and Brett Gelman.




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