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Nancy Grossman

From producing and starring in family holiday pageants as a child, to avid member of Broadway Across America and Show of the Month Club, Nancy has cultivated her love of the art and respect for the craft of theatre. She fulfilled a dream when she became an adult-onset tap dancer in the early 90's ("Gotta dance!"); she fulfills another by providing reviews for BroadwayWorld.com. Nancy is a member of the Boston Theater Critics Association, the organization which bestows the annual Elliot Norton Awards which honor the outstanding achievements of the Boston theater community, and she formerly served on the Executive Board of the Independent Reviewers of New England (IRNE). Nancy is an alumna of Syracuse University, has a graduate degree from Boston University, and is a retired Probation Officer-in-Charge in the Massachusetts Trial Court system.
 

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BWW Review: ELEMENO PEA: Life's a Beach

BWW Review: ELEMENO PEA: Life's a Beach

November 8, 2017

Boston Playwrights' Theatre presents the Boston premiere of Molly Smith Metzler's own revision of her charming, funny 2011 play ELEMENO PEA.

BWW Review: THE REVOLUTIONISTS: Make Art, Not War

BWW Review: THE REVOLUTIONISTS: Make Art, Not War

October 26, 2017

The Nora Theatre Company presents Lauren Gunderson's THE REVOLUTIONISTS, a play which loudly and proudly shows the contribution of four badass women to the story of the French Revolution.

BWW Review: SOUVENIR Redux: A Joyful Noise

BWW Review: SOUVENIR Redux: A Joyful Noise

October 25, 2017

What matters most is the music you hear in your head, according to Florence Foster Jenkins, a passionate music lover who never met a tune she could actually carry.

BWW Review: A GUIDE FOR THE HOMESICK: A Haunting World Premiere

BWW Review: A GUIDE FOR THE HOMESICK: A Haunting World Premiere

October 24, 2017

Playwright Ken Urban was commissioned by Epic Theatre Ensemble to write a play about international aid workers, and his interviews with volunteers for Doctors Without Borders inform his new thought-provoking drama, A GUIDE FOR THE HOMESICK, now receiving its world premiere by the Huntington Theatre

BWW Review: ALLIGATOR ROAD: More Bark Than Bite

BWW Review: ALLIGATOR ROAD: More Bark Than Bite

October 16, 2017

Greater Boston Stage Company has a commitment to produce a world premiere play each year, a mission now underwritten by the largesse of a long-time audience member and supporter.

BWW Review: WARHOLCAPOTE: Soup or Art?

BWW Review: WARHOLCAPOTE: Soup or Art?

September 30, 2017

The world premiere production of WARHOLCAPOTE: A Non-Fiction Invention at American Repertory Theater in Cambridge exposes us to never-before-heard conversations between these two icons, brought vividly to life by Stephen Spinella and Dan Butler.

BWW Review: EXIT THE KING: Desperate Despot

BWW Review: EXIT THE KING: Desperate Despot

September 25, 2017

Actors' Shakespeare Project opens its 14th season, The Downfall of Despots, with a comedy about a narcissistic despot who is having difficulty accepting his mortality.

BWW Review: New England Premiere of THE ROYALE: Boxing for Dignity

BWW Review: New England Premiere of THE ROYALE: Boxing for Dignity

September 20, 2017

Merrimack Repertory Theatre rings the bell for the start of its 39th season with the New England premiere of Marco Ramirez's award-winning play inspired by the life of Jack Johnson, the first black man to fight for the title of World Heavyweight Boxing Champion.

BWW Review: Boston Premiere MEN ON BOATS

BWW Review: Boston Premiere MEN ON BOATS

September 18, 2017

SpeakEasy Stage Company opens its 27th season with the Boston-area premiere of MEN ON BOATS, directed by Dawn Simmons, and featuring an all-female design team and a racially diverse, non-male cast.




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