BWW Review: Ambitious, Controversial REFUGIA at Guthrie Theater
"Refugia" is a Latin term meaning "an area where special circumstances have enabled survival after extinction in surrounding areas.
Karen Bovard - Page 4
BWW Review: New Company Prime Productions Debuts with LITTLE WARS
There's a brand new professional theater company in the theater-rich Twin Cities.
BWW Review: A YEAR WITH FROG AND TOAD Returns to Children's Theatre
Nearly 10 years after this production garnered three Tony nominations in a Broadway run, it's back at the home that commissioned and created it: Children's Theater Company in Minneapolis.
BWW Review: PROMETHEUS BOUND at Uprising Theater
Uprising is one of the younger companies in the Twin Cities' rich and diverse theater landscape.
BWW Review: World Premiere of GIRL SHAKES LOOSE Triumphs at Penumbra Theatre
This fresh new musical is a terrific addition to the American musical canon, a show a lot of us have been waiting for.
BWW Review: Philosophical BATTLEFIELD at the Guthrie Theater
Now in his 90s, innovative and influential director Peter Brook is still making theater.
BWW Review: MACBETH at Park Square Theatre
This pared down adaptation of one of Shakespeare's shortest tragedies moves swiftly from an original opening scene to a disappointing final one.
BWW Review: THE PAPER DREAMS OF HARRY CHIN at History Theatre
Jessica Huang's new play is about a time gone by but the issues it raises feel very immediate.
BWW Review: KING LEAR Kills at Guthrie Theater
'Disciplined' may seem an odd word to apply to a production of KING LEAR, a tragedy that is about personal and societal dissolution into madness, both individually and at large.
BWW Review: THE SNEETCHES: THE MUSICAL at Children's Theatre Company
This world premiere of a new musical based on a short story by Theodor Geisel, aka Dr.
BWW Review: THE HIGHWAYMEN at History Theatre
Hats off to the artists seeking a theatrical way to tell the story of how one thriving African-American community was demolished in order to build part of the Eisenhower era highway system.
BWW Review: THE ROYAL FAMILY at Guthrie Theater
Of the three shows currently running at the Guthrie, THE ROYAL FAMILY is definitely the lightweight, longer on comedy and razzle-dazzle production values than on importance.
BWW Review: PROMISE LAND at Transatlantic Love Affair At The Guthrie Theater
PROMISE LAND is an original work, described as a story of home, and as a re-telling of the Hansel and Gretel tale as an immigrant journey.
BWW Review: FLOWER DRUM SONG at Mu Performing Arts & Park Square Theatre
FLOWER DRUM SONG is a hard show to mount.
BWW Review: ORPHAN TRAIN at History Theatre
Among the many vital functions of theater are these: to give voice to the voiceless, to tell stories that are lost to time, and to give audiences empathic access to lives they never personally intersect.
BWW Review: THE LION IN WINTER at Guthrie Theater
Holiday gatherings of dysfunctional families are nothing new.
BWW Review: CINDERELLA at Children's Theatre Company
There's something for everybody in this raucous and hilarious CINDERELLA: plenty of glitter and stage magic and romance (lite) for the kids, but also cat videos, a Tshirt slingshot, a killer drag rendition of Joe Cocker's “You are So Beautiful” and even a poop emoji blanket.
BWW Review: THE OLDEST BOY at The Jungle Theater
Sarah Ruhl's recent play puts a contemporary mother's dilemma at the center of the story.
BWW Review: THE PARCHMAN HOUR at The Guthrie Theater
In 1961, Parchman Penitentiary served as a detention site for the Freedom Riders, mixed race and mixed gender groups of activists who put their lives on the line to protest segregation.
BWW Review: THE LAST FIREFLY at Children'sTheatre Company
This pre-eminent children's theatre company is one of the wellsprings of new plays for young audiences, and has twice commissioned playwright Naomi Iizuka in that effort.
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