Hartford's a good city for a production of David Lindsay-Abaire's play GOOD PEOPLE, which centers on questions of class in America: how is it that some people get out of the 'hood' and get ahead while others who work plenty hard don't?
Plays about brainy and complex women are way too scarce.
Director Darko Tresnjak, who won big with A GENTLEMAN'S GUIDE TO LOVE AND MURDER on Broadway last season, has masterminded another Broadway-style musical confection with his new production of KISS ME KATE at the Hartford Stage Company.
The current production of GUYS AND DOLLS at Goodspeed is infectious, fast, and smart.
Impassioned and topical, David Robson's new play at TheaterWorks in Hartford offers a gripping confrontation between two men: one a former football legend, the other a generation younger.
Historically accurate, THE PIANIST OF WILLESDEN LANE at Hartford Stage Company is genuinely uplifting due to the tremendous virtuosity of Mona Golabek, the sole performer.
Yale Rep's production of Bertolt Brecht's classic CAUCASIAN CHALK CIRCLE is very faithful to his intentions as a politically motivated playwright and theorist.
BAND OF THE BLACK HAND is a stage mashup of film noir tropes (both visual and story based), interpreted with the aid of clever shadow screen work derived from Indonesian puppetry roots.
Outrageous, bawdy, and pointed: LYSISTRATA may be one of the oldest comedies we have (written in 411 B.
Loneliness in the big city takes center stage in Matthew Lopez' new play at Hartford Stage Company.
She's a Broadway dancer who's sustained a devastating injury and may never dance again.
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