Skip to main content Skip to footer site map

David Sousa Lopes

David Sousa Lopes

Born in Lisbon, has performed in several plays organized by the Catholic University of Portugal and by Pirate Productions, the most important English speaking theatre company of Luxembourg. Keeps in close contact with the artistic scene of the Grand Duchy and does his best to follow different productions around Western Europe.




MOST POPULAR ARTICLES

LAST 365 DAYS

BWW Review: HEDDA GABLER at Grand Théatre PhotoBWW Review: HEDDA GABLER at Grand Théatre
Posted: Oct. 19, 2020


BWW Review: HOTHOUSE at Grand Théâtre PhotoBWW Review: HOTHOUSE at Grand Théâtre
Posted: Apr. 12, 2021


BWW Review: BALLET FLAMENCO DE ANDALUCIA at Grande Théâtre PhotoBWW Review: BALLET FLAMENCO DE ANDALUCIA at Grande Théâtre
Posted: May. 26, 2021


BWW Review: THE QUEST at Grand Théâtre PhotoBWW Review: THE QUEST at Grand Théâtre
Posted: Jul. 22, 2021


BWW Review: MACBETH UNDERWORLD at Grand Théâtre PhotoBWW Review: MACBETH UNDERWORLD at Grand Théâtre
Posted: May. 17, 2021


BWW Review: JILL CROVISIER at Grand Théâtre PhotoBWW Review: JILL CROVISIER at Grand Théâtre
Posted: Jun. 27, 2021


BWW Review: THE QUEST at Grand Théâtre
July 22, 2021

One of the last shows of this season was The Quest, by Cédric Eeckhout. A unique take on the history of the European Union and the concepts of family and togetherness, from the eyes of an artist that finds great similarities between his own life and some of the most important dates of the European project. The performance featured Eeckhout himself, the main voice of the show, who resorted to a mix of story-telling and stand-up comedy to deliver a message of struggle and hope for the future of the EU and collective happiness. He was joined on stage by his mother and his cat, Jesus, who supported his delivery and joined him on several group numbers.

BWW Review: JILL CROVISIER at Grand Théâtre
June 27, 2021

Last week, we had the pleasure of attending Jill Crovisier’s JinJeon at the Grand Théâtre of Luxembourg. This one hour performance featured six dancers, including Crovisier herself, and reflected on the impact that technological development has on the human body and mind.

BWW Review: BALLET FLAMENCO DE ANDALUCIA at Grande Théâtre
May 26, 2021

This weekend, we had the pleasure of covering the Ballet Flamenco de Andalucía at the Grand Théâtre of Luxembourg. This was yet another proof of the venue's capacity to present a rich and culturally diverse agenda, gifting the Grand-Duchy with a performance by one of the most renowned companies in Spain. The multiple dancers were joined on stage by the singers and musicians, displaying not only how inclusive and diverse this art style is, but also how connected its multiple elements truly are.

BWW Review: MACBETH UNDERWORLD at Grand Théâtre
May 17, 2021

Last week, the Grand Théâtre opened its doors to MacBeth Underworld, an epic opera that revisits one of the world’s greatest and darkest plays.

BWW Review: HOTHOUSE at Grand Théâtre
April 12, 2021

This weekend, the Grand Théâtre opened its door to Harold Pinter’s Hothouse, the celebrated black comedy made famous in the 1980s.

BWW Review: TELEGRAMS FROM THE NOSE at Grand Théâtre
November 16, 2020

A bold and irreverent composition of styles, formats and topics of reflection.

BWW Review: SOPRO at Grand Théâtre
November 2, 2020

Last week we had the pleasure of seeing Sopro, a show that might very well have been the most interesting we have covered in 2020.

BWW Review: HEDDA GABLER at Grand Théatre
October 19, 2020

Our first play of the season was Ibsen’s Hedda Gabler, the realist masterpiece which gave us one of the most psychologically complex characters of the late 19th century.

BWW Review: AVENUE Q at Maria Matos
August 24, 2020

The perfect mix between sweet and raunchy. A musical widely known for speaking to the heart millennials, a generation struggling with identity and purpose.

BWW Review: IVANOV at Grand Théâtre
March 8, 2020

This week we had the pleasure of covering Anton Chekhov's Ivanov. This timeless classic was directed by Myriam Muller and presented at the Grand Théâtre for four consecutive nights.

BWW Review: TRAPTOWN at Grand Théâtre
February 11, 2020

The show we are covering this week is Wim Vandekeybus's TrapTown, a thought-provoking performance composed by multiple artistic elements, brought together on stage to narrate a singular epic tale.

BWW Review: ARCTIQUE at Grand Théâtre
January 31, 2020

Alone in a dark vessel with a somber past, six strangers begin to put together the real reason that joined their fates, as they fight for survival in the freezing waters of the North.

BWW Review: SESSIONS at Grand Théâtre
January 26, 2020

Session, the curious artistic experiment presented this week at the Grand Théâtre by choreographers Colin Dunne and Sidi Larbi Cherkaoui.

BWW Review: UN ENNEMI DU PEUPLE at Grand Théâtre
January 19, 2020

Henrik Ibsen might have written it in the late 19th century, but it remains just as relevant today.

BWW Review: THE STRANGE TALE OF CHARLIE CHAPLIN AND STAN LAUREL at Théâtre Des Capucins
January 11, 2020

You thought you knew more or less what to expect but, somehow, the entire show turned out to be a very refreshing surprise. Two days ago, the Théâtre des Capucins opened its doors to The Strange Tale of Charlie Chaplin and Stan Laurel, a Told by an Idiot production, written and directed by Paul Hunter.

BWW Review: CABARET at Grand Théâtre
January 8, 2020

We would be going against Broadway World's nature, if we were to suggest that we don't have a soft spot for musical theatre. So you know we just couldn't miss this production of Cabaret.

BWW Review: RUY BLAS at Grand Théâtre
December 13, 2019

When the Grand Théâtre announced Yves Beaunesne's adaptation of Ruy Blas, we simply could not miss it. Despite our extremely tight schedule these last months, there are things for which you simply have to make time.

BWW Review: DEALING WITH CLAIR at Théâtre Des Capucins
December 4, 2019

We sure have missed covering theatre plays in English. Last Thursday, the Théâtre des Capucins opened its doors to Dealing with Clair, a play by British playwright Martin Crimp, which touches upon multiple social dynamics of 1980s London.

BWW Review: THE DIRE STRAITS EXPERIENCE at Rockhal
November 25, 2019

This Friday, the Rockhal opened its doors for the first time to The Dire Straits Experience, a group of first-class musicians performing some of the most famous hits of the rock band Dire Straits.

BWW Review: MACBETH at Grand Théâtre
November 10, 2019

This Friday, the Grand Théâtre of Luxembourg opened its doors to Michael Thalheimer's version of this famous opera, the first of three nights filled with all the musical strength and philosophic darkness that only Macbeth can provide.



 1