This week, the Grand Théâtre of Luxembourg presented us with with Botis Seva’s BLKGOD, a remarkable dance performance reflecting on the ugly nature of modern social relations, on the burdens of self-awareness and on youth’s constant treading on the slopes of self-destruction.
Following up on our last review, this weekend we had the pleasure of attending Eternal Road, a performance about the life and career of Kurt Weill.
This week, it was our pleasure to attend the premiere of Kurt Weill’s Rise and Fall of the City of Mahagonny at our esteemed Grand Théâtre of Luxembourg.
What did our critic think of PINA BAUSCH at Grand Théâtre? We kick off our 2022/23 season with the performance The Play with the Boat, by the widely acclaimed Tanztheater Wuppertal Pina Bausch.
The show we covered this week was the Life & Times of Michael K, a play based on the novel of the same name by J.
This might have been the event of the season, so we will allow ourselves to break tradition from our usual format and simply list the elements that made this show so great.
Last week, Broadway World had the chance to attend the last performance of Der Zauberberg, the theater adaptation of Thomas Mann’s most acclaimed work.
An unexpected tapestry of art in many of its forms - dance, music, film and poetry - a unique composition of movement, sound and spoken word.
This weekend, Broadway World had the pleasure of attending the premiere of Bizet’s Carmen at the Grand Théâtre of Luxembourg.
Broadway World had the pleasure of attending the premiere of The Pajama Game, a musical play by author Richard Bissell and George Abbott.
One of the last shows of this season was The Quest, by Cédric Eeckhout.
Last week, we had the pleasure of attending Jill Crovisier’s JinJeon at the Grand Théâtre of Luxembourg.
This weekend, we had the pleasure of covering the Ballet Flamenco de Andalucía at the Grand Théâtre of Luxembourg.
Last week, the Grand Théâtre opened its doors to MacBeth Underworld, an epic opera that revisits one of the world’s greatest and darkest plays.
This weekend, the Grand Théâtre opened its door to Harold Pinter’s Hothouse, the celebrated black comedy made famous in the 1980s.
A bold and irreverent composition of styles, formats and topics of reflection.
Last week we had the pleasure of seeing Sopro, a show that might very well have been the most interesting we have covered in 2020.
Our first play of the season was Ibsen’s Hedda Gabler, the realist masterpiece which gave us one of the most psychologically complex characters of the late 19th century.
The perfect mix between sweet and raunchy.
This week we had the pleasure of covering Anton Chekhov's Ivanov.
