Born in Lisbon, has performed in several plays organized by the Catholic University of Portugal and by Pirate Productions, the most important English speaking theatre company of Luxembourg. Keeps in close contact with the artistic scene of the Grand Duchy and does his best to follow different productions around Western Europe.
Last Saturday, the Kinneksbond was proud to present the ballet Don Juan, once again delighting the audience with a production put together by the Opera-Theatre de Metz Metropole.
At the end of last week, the Theatre des Capucins welcomed Fausto Paravidino's La Ballata di Johnny e Gill, a three-hour comedy play that sought not only to entertain, but also stimulate reflection about topics of deep social significance.
The title literally translates to A Loquat Up the Butt - The Musical, and it is pretty much the epic evolution of a vulgar road trip conversation between three shameless friends.
On January 25th, the Kinneksbond welcomed Giuseppe Verdi's Aida, a production put together by directors Jeroen Weierink and Marc Krone and performed by the Kharkiv National Opera and Ballet Theatre.
Last week, the Grand Theatre of Luxembourg welcomed the show I C O N, an interesting work reflecting on the role of beauty and the desire for recognition in the way we see ourselves and in how the individual reacts to major riddles of existence.
Perhaps the nostalgia of knowing that this is the last show we will be reviewing in 2018 is weighing in this statement, but when I walked out of the Kinneksbond two days ago, I truly felt like they had saved the best for last.
On the 15th of December, the Kinneksbond opened its doors to the Christmas magic of Wien Bleibt Wien, produced and presented by the Habsburg Strauss Orchestra, under the direction of Jeroen Weierink.
On the 7th and 8th of December, the Kinneksbond welcomed the classic The Nutcracker, a timeless masterpiece that has delighted hundreds of thousands around the globe since it was first produced in 1892.
Last Tuesday, the acclaimed opera A Quiet Place, written by American composer Leonard Bernstein, was presented at the Grand Theatre of Luxembourg, featuring an impressive cast and many talented musicians.
On the 15th of November, the Kinneksbond received an interesting version of Georg Buchner's Lenz, a pivotal text that helped shape the early decades of German modernism.
Hofesh Shechter's critically acclaimed Political Mother made a stop in Luxembourg last Tuesday and delighted the audience with a fantastic mixture of sound, light and movement.
On the 28th of September, the Kinneksbond presented to the public the show Pss Pss, an original performance devised by Simone Fassari and Camilla Pessi.
Luxembourg has welcomed a variety of interesting shows over the last months, but it has been a while since the public had a chance to see something as great as this version of The Beggar's Opera.