Claim your backstage pass and dive inside the high-stakes world of K-pop with this exhilarating new Broadway-bound musical. As global superstars put everything on the line for a special one-night-only concert, one singer's inner struggle threatens to dismantle one of the hottest labels in K-pop. Pulsing with infectious beats, electrifying choreography, and breathtaking joy, KPOP, the Broadway Musical, is an all-consuming multimedia experience that explores the relentless discipline, raw talent, and commercial ambition behind the heart-thumping international phenomenon.
The 2017 Off-Broadway incarnation of the new musical KPOP opened at a venue just a few blocks away from its current Broadway home at the Circle in the Square. But despite the short distance, much of the show’s impact has been lost along the way. The original production was immersive, with segments of the audience moving from one location to another to witness the aching workloads and personal conflicts of young Korean performers to achieve stardom under the guidance of an ambitious record label. That aspect has been necessarily and understandably lost in the show’s transition to a traditional Broadway theater, albeit the only one featuring in-the-round seating. Unfortunately, much of what made the earlier production interesting has been discarded as well, resulting in a more sanitized, less thematically interesting experience that mainly relies on the propulsive energy of its many musical numbers to fuel the evening. The end result provides a reasonably enjoyable facsimile of K-Pop music, but it’s certainly not the same KPOP.
KPOP doesn't stint on concert-style numbers, and that's where this production shines. Directed by Teddy Bergman, the well-drilled young cast performs Helen Park and Max Vernon's exuberant pastiche songs (several of which are new to this version of the show) with panache, executing Jennifer Weber's rigorous choreography with zippy synchronized swagger and verve. Their costumes, by Clint Ramos and Sophia Choi, are spectacular-wild hybrids of patterns, fabrics, textures and international influences-and the performances are appropriately heightened by the show's lighting (by Jiyoun Chang), sound (by Peter Fitzgerald and Andrew Keister) and multipaneled set (by Gabriel Hainer Evansohn).
2022 | Broadway |
Original Broadway Production Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2023 | Drama Desk Awards | Outstanding Choreography | Jennifer Weber |
2023 | Drama Desk Awards | Outstanding Costume Design of a Musical | Clint Ramos |
2023 | Tony Awards | Best Choreography | Jennifer Weber |
2023 | Tony Awards | Best Costume Design of a Musical | Clint Ramos |
2023 | Tony Awards | Best Original Score (Music and/or Lyrics) Written for the Theatre | Helen Park |
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