Edinburgh Festival

Edinburgh Festival Articles


Edinburgh 2022: Review: RACHEL FAIRBURN: CAN I BE AWFUL? , Monkey Barrel
by Natalie O'Donoghue - August 5, 2022

Brassy, abrasive, rude, belligerent. The four horsemen of the apocalypse? No. They’re all words that have been used to describe Rachel of All Killa No Filla, and she’s proper sick of it now. She’s also sick of being told to “be kind” by everyone from bearded hipster men in T-shirts. What’s wrong with saying it how you see it? What really is kindness? Why is Rachel’s truth not respected? Why are you all so annoying? Probably because nobody tells you that you are. Let Rachel change that.

Edinburgh 2022: Review: KIRI PRITCHARD-MCLEAN: HOME TRUTHS, Monkey Barrel
by Natalie O'Donoghue - August 6, 2022

Kiri Pritchard-McLean is back and a lot has happened over the last few years. She’s moved back to her home island of Anglesey and gotten some rescue chickens. You can expect jokes about skinny jeans, learning Welsh and white supremacy – something for everyone.

Edinburgh 2022: Review: CATHERINE BOHART: THIS ISN'T FOR YOU, Monkey Barrel
by Natalie O'Donoghue - August 5, 2022

Catherine Bohart loves control, hates change and is a serial planner. It’s been an interesting couple of years… A blisteringly funny new stand-up show filled with horrendous life advice, cheery nihilism and reluctant self-discovery from one of the UK and Ireland’s most exciting comics

Edinburgh 2022: Review: LAUREN PATTISON: IT IS WHAT IT IS, Monkey Barrel
by Natalie O'Donoghue - August 5, 2022

Edinburgh Comedy Award Best Newcomer nominee Lauren is back with a brand-new show. She is reluctant to say what it is about because if the last year has taught her anything, it's life can change fast… it is what it is.

Edinburgh 2022: BroadwayWorld's Edfringe Reviews
by Natalie O'Donoghue - August 5, 2022

A round-up of all BroadwayWorld's reviews from the 2022 Edinburgh Festival Fringe.

Edinburgh 2022: Review: Mark Nelson: 'Comedian', Monkey Barrel
by Natalie O'Donoghue - August 4, 2022

A powerhouse whose dark humour and cutting observations have firmly established him as one of the UK’s biggest-hitting comedians.

Edinburgh 2022: Review: IRVINE WELSH'S PORNO, Pleasance Courtyard
by Natalie O'Donoghue - August 4, 2022

The world premiere stage adaptation inspired by the sequel to cult classic Trainspotting. 15 years after Trainspotting, what has become of Renton, Sickboy, Spud and Begbie?

Edinburgh 2022: Review: Will Duggan: Iceberg, Pleasance Courtyard
by Natalie O'Donoghue - August 7, 2022

Comedy's miserable, cheeky scamp is returning with the weight of the world across his shoulders and some burning questions in his soul. Primarily: why on earth is everyone not just constantly screaming in fury?

Edinburgh 2022: Review: PLEASE, FEEL FREE TO SHARE, Pleasance Courtyard
by Natalie O'Donoghue - August 4, 2022

Alex is a social success. Her Instagram boasts a montage of members-only rooftops and clinking glasses – like after like after like! When her father dies, Alex reluctantly joins a bereavement group. She shares a little, and then lies... a lot.

Edinburgh 2022: Review: SOMETHING IN THE WATER, Summerhall
by Natalie O'Donoghue - August 7, 2022

When Grumms transforms from a normal girl into a squid monster ('Creature from the Black Lagoon' meets 'The Muppets'), they must hide their secret identity in order to pass in society. Stunning video projections, puppetry and physical comedy combine in this absurd exploration of gender and growing up 'normal'.

Edinburgh 2022: Review: KAREN FROM FINANCE IS OUT OF OFFICE, Underbelly
by Natalie O'Donoghue - August 7, 2022

Pack your calculators, save your spread sheets and set your automatic email reply because Karen from Finance is heading Out of Office! She's hitting the road and she's hitting it hard. Say goodbye to the 80 hour work week and jump on board the Finance Express for this one-woman journey of self-discovery... and self-annihilation. Beloved Australian drag queen Karen from Finance presents her debut one woman show Out of Office which features all of her trademark high-camp and hilarious mashups, plus all the tomfoolery you can poke a presentation pointer at.

Edinburgh 2022: Review: NO MORE MISTER NICE CHELSEA, Just The Tonic
by Natalie O'Donoghue - August 5, 2022

Highly anticipated debut from this 'one to watch' (FunnyWomen.com), 'rising star' (OxInABox.co.uk) and multi-competition finalist. She was 'innocent' (Oxford Mail) and 'adorable' (MumbleComedy.net) but in this thought-provoking and playful show, she explores the things that aren’t so lovely: sex, drugs and rock'n'roll*

Edinburgh 2022: HOME IS NOT THE PLACE Q&A
by Natalie O'Donoghue - August 3, 2022

BWW catches up with Annie George to chat about bringing Home Is Not The Place to the 2022 Edinburgh Festival Fringe.

Edinburgh 2022: Review: TODAY I KILLED MY VERY FIRST BIRD, Pleasance Courtyard
by Natalie O'Donoghue - August 5, 2022

A South-East London gangster starts to lose his grip on reality when he's forced to look back at the traumatic childhood that made him who he is. The more he remembers, the more brutal he becomes. But just when he's offered a second chance, it might all be too late.

Edinburgh 2022: Review: AUDREY'S ART CLUB, On Demand
by Natalie O'Donoghue - August 4, 2022

Discover what happens behind the zoom camera in this 30-minute drama of Art Club. Audrey wants to know what doodling's got to do with love and goes back to her lover's childhood home to find answers.

Edinburgh 2022: BriTANicK Guest Blog
by Natalie O'Donoghue - July 28, 2022

Brian and Nick, collectively known as BriTANick blog for BroadwayWorld about making their Edinburgh debut, the difference between writing for stage and for screen and what is uniquely enjoyable about performing for a live audience.

Edinburgh 2022: Tony Law Q&A
by Natalie O'Donoghue - July 28, 2022

BWW catches up with Tony Law about bringing A Now Begin in Again to the 2022 Edinburgh Festival Fringe

Edinburgh 2022: Ignacio Lopez Q&A
by Natalie O'Donoghue - July 28, 2022

BWW catches up with Ignacio Lopez to chat about bringing El Cómico to the 2022 Edinburgh Festival Fringe.

Edinburgh 2022: Casting Off Q&A
by Natalie O'Donoghue - July 28, 2022

BWW catches up with A Good Catch ahead of the show coming to the 2022 Edinburgh Festival Fringe

Edinburgh 2022: Chris Gethard Guest Blog
by Natalie O'Donoghue - July 27, 2022

Ahead of its run at the 2022 Edinburgh Festival Fringe, Chris Gethard blogs for BroadwayWorld about bringing A Father and the Sun to the Gilded Balloon this August.

Edinburgh 2022: 9 Circles Q&A
by Natalie O'Donoghue - July 27, 2022

BWW catches up with Guy Masterson to chat about bringing 9 Circles to the 2022 Edinburgh Festival Fringe.

Feature: ELEVATOR FRINGE, Part One: Performers Pitch Their Shows To You... Quickly!
by Bryony Rae Taylor - July 27, 2022

BroadwayWorld gives performers an opportunity to rep their show. The catch? Keeping it snappy... ready, steady... go!

Edinburgh 2022: SOMETHING IN THE WATER Q&A
by Natalie O'Donoghue - July 26, 2022

BWW catches up with Grumms to chat about bringing Something In The Water to the 2022 Edinburgh Festival Fringe.

Edinburgh 2022: David Carpenter Guest Blog
by Natalie O'Donoghue - July 26, 2022

Broadway producer David Carpenter blogs for BroadwayWorld about bringing The Twenty-Sided Tavern to the UK, the joys of combining technology and theatre and why the dynamic between the three creative partners works so well for the show

Edinburgh 2022: Flabbergast Theatre Guest Blog
by Natalie O'Donoghue - July 25, 2022

Cast member and Flabbergast Associate Artist Simon Gleave blogs for BroadwayWorld about bringing The Tragedy of Macbeth to the Fringe, how the creators and performers have integrated many different styles in the production and how this adds to the audiences’ understanding and experience of the story.


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