Review: THE LEGEND OF GEORGIA MCBRIDE at Berkshire Theatre Group
by Marc Savitt - Aug 5, 2026
So, if you like good lip-synching, a driving 4/4 beat, hair and makeup that’s “too – Fabu” or perhaps know of someone who needs to be reminded that I’m OK, you’re OK, and being different doesn’t make you less than… get down to The Colonial Theatre.
Photos: Karen Akers Brings Paris To Birdland
by Marissa Faith Curley - Jul 19, 2026
Karen Akers performed a Paris-themed concert at Birdland, accompanied by pianist Alex Rybeck, in an evening of wit, romance, and music celebrating the City of Light. Check out the photos!
Mary Coughlan to Embark on Autumn 2026 UK Tour
by Chloe Rabinowitz - Jul 2, 2026
Legendary Irish vocalist Mary Coughlan will embark on a 13-date UK headline tour this autumn, beginning at Old Woollen in Leeds. The tour will visit venues across England, Scotland, and Wales.
Previews: BILLY L’AMOUR & THE LOVE NOTES at Spirit Animal Nightclub
by Kay Kudukis - May 20, 2026
Palm Springs audiences may remember Billy L’Amour from her “boom boom, clear the room” performance as Hedy LaRue in Revolution Stage Company’s 2024 production of How to Succeed in Business Without Really Trying. Now, L’Amour brings that same theatrical voltage to Billy L’Amour & The Love Notes, a new monthly live-band residency premiering at Spirit Animal Supper Club on Friday, May 22, 2026 at 7 p.m.
Review: SABRAGE, Lafayette
by Franco Milazzo - May 11, 2026
Cabaret-circus-champagne extravaganza Sabrage has been refreshed just in time to lift our hearts in this sorry hour. Wars continue in the Middle East despite claims of a “ceasefire”. Fuel and food prices are heading north for the summer. Fascism leers openly on both sides of the Atlantic. The thirteenth season of Love Island is launching in less than a month. These are desperate times which force one to look deep into one’s soul and quietly ask: what kind of world are we leaving to Cher?
Review: CABARET at Smyrna Opera House
by Greer Firestone - Apr 14, 2026
The Smyrna Opera House’s Cabaret isn’t just good—it’s a minor miracle. This is their first musical in years, and instead of easing back in with something safe, they went straight for one of the most stylistically demanding, tonally complex shows in the canon. And they pulled it off with grit, intelligence, and surprising polish.