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UK / West End Theater Reviews

The latest reviews and critic recommendations from UK / West End.

BWW Review: KING LEAR, Shakespeare's Globe

BWW Review: KING LEAR, Shakespeare's Globe

by Debbie Gilpin — August 16, 2017

Nancy Meckler makes her Globe debut with the penultimate show of the season, a well-known tragedy to contrast with recent comedies: King Lear.

BWW Review: BOOM, Theatre503

BWW Review: BOOM, Theatre503

by Cindy Marcolina — August 8, 2017

Director Katherine Nesbitt leads the UK premiere of Boom, which premiered at the Ars Nova Theatre in New York in 2008.

BWW Review: AROUND THE WORLD IN 80 DAYS, Cadogan Hall

BWW Review: AROUND THE WORLD IN 80 DAYS, Cadogan Hall

by Charlie Wilks — August 5, 2017

Jules Verne's 1873 adventure tale Around the World in 80 Days follows Phileas Fogg and his newly employed valet Passepartout as they attempt to circumnavigate the globe in 80 days on a 20,000 wager (the approximate equivalent of 2 million in 2017).

BWW Review: APOLOGIA, Trafalgar Studios

BWW Review: APOLOGIA, Trafalgar Studios

by Marianka Swain — August 3, 2017

Back in 2009, Alexi Kaye Campbell followed up his bold first play The Pride with Apologia, which takes the well-trodden path of a fraught family reunion where past grievances stalk the present.

BWW Review: EVITA, Phoenix Theatre

BWW Review: EVITA, Phoenix Theatre

by Andrew Tomlins — August 2, 2017

Last seen in the West End three years ago at the Dominion Theatre, Bill Kenwright's production of Evita has opened at the Phoenix Theatre for a three-month limited run.

BWW Review: GANGSTA GRANNY, Garrick Theatre

BWW Review: GANGSTA GRANNY, Garrick Theatre

by Emma Watkins — August 2, 2017

Gangsta Granny, Birmingham Stage Company's production of David Walliams' bestselling children's book, has arrived in the West End following a long-running UK tour.

BWW Review: ROAD, Royal Court

BWW Review: ROAD, Royal Court

by Marianka Swain — July 31, 2017

Thirty years on from its birth at the Royal Court, Jim Cartwright's northern, working-class battle cry returns in a revival from John Tiffany which, though initially stodgy, has an accumulative and undeniable force.

BWW Review: RABBITS, Park Theatre

BWW Review: RABBITS, Park Theatre

by Charlie Wilks — July 29, 2017

Power, lust and secrecy - are these the ingredients for everlasting romance? Things are more complicated than they seem in Joe Hampson's playwriting debut Rabbits, a sharp, quick-witted and sexually inquisitive dark comedy that explores the domestic struggles that takes place throughout a couple's

BWW Review: JUST TO GET MARRIED, Finborough Theatre

BWW Review: JUST TO GET MARRIED, Finborough Theatre

by Cindy Marcolina — July 28, 2017

Georgiana Vicary, her whole family and her circle of friends are all waiting for shy Adam Lancaster to propose to her and end her shame of being almost 30 and still unmarried.

BWW Review: GIRL FROM THE NORTH COUNTRY, Old Vic

BWW Review: GIRL FROM THE NORTH COUNTRY, Old Vic

by Marianka Swain — July 27, 2017

Defiantly rejecting the standard jukebox model, Conor McPherson's much-anticipated new work mining the back catalogue of Bob Dylan is labelled 'a play with songs' - or perhaps that should be a play and songs, with two distinct forms of storytelling weaving around one another, reflecting, deepening,

BWW Review: THE MARRIAGE OF KIM K, Arcola Theatre

BWW Review: THE MARRIAGE OF KIM K, Arcola Theatre

by Gary Naylor — July 26, 2017

The Marriage of Kim K is an innovative melding of musical genres, as three couples find life together more difficult than expected, their lives revealed in a very 21st century style.

BWW Review: I LOVED LUCY, Arts Theatre

BWW Review: I LOVED LUCY, Arts Theatre

by Gary Naylor — July 25, 2017

I Loved Lucy returns to the West End with a change in tone, but retaining its charm and its pathos with another incandescent star performance from Sandra Dickinson.

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