BWW Review: TANGUERA, Sadler's Wells
Tango sensation, Tanguera first premiered fifteen years ago in Buenos Aires promising an authentic take on the provocative and sensual spectacle with a thirty strong ensemble cast.
UK / West End Theater Reviews
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BWW Review: GOODBEAR, Latitude Festival
Check in for an eclectic evening of entertainment with Goodbear.
BWW Review: WHAT WE WISHED FOR, Sheffield Crucible Theatre
A compelling fusion of traditional fairy tales with contemporary society, What We Wished For, by Sheffield People's Theatre, follows the journey of community members in modern-day Sheffield, as they struggle to fight back against a mysterious invasion of Wolves that instil fear and threaten their po
BWW Review: MUMFORD & SONS, Latitude Festival
Mumford & Sons makes a triumphant return to Latitude Festival, having first played in 2010.
BWW Review: MUCH ADO ABOUT NOTHING, Shakespeare's Globe
Matthew Dunster brings some desert sun to a so far patchy summer, with his Mexican inspired production of Much Ado About Nothing.
BWW Review: DESSERT, Southwark Playhouse
Glorious furniture decorates the stage, with 15th-century Venetian paintings hanging from the walls.
BWW Review: DICKIE BEAU: RE-MEMBER ME, Latitude Festival
'Speak the speech, I pray you, as I pronounced it to you: trippingly on the tongue.
BWW Review: DISCO PIGS, Trafalgar Studios
Director John Haidar marks the 20th anniversary of Enda Walsh's award-winning Disco Pigs with a cracking new production at Trafalgar Studios.
BWW Review: TWILIGHT SONG, Park Theatre
When we think of Kevin Elyot, one of the first things that comes to mind is his magnificent 1994 comedy My Night with Reg, a touching play about gay lives revived at the Donmar Warehouse in 2015.
BWW Review: HOT DUB TIME MACHINE, Latitude Festival
'If I could turn back time, if I could find a way…' Well, now you can.
BWW Review: VOICES OF THE AMAZON, Latitude Festival
What an introduction to Latitude: entering a world unlike anything you've seen or heard before.
BWW Review: TOUCH, Soho Theatre
Neat freaks beware: Touch is your ultimate nightmare.
BWW Review: A TALE OF TWO CITIES, Regent's Park Open Air Theatre
'It was the best of times, it was the worst of times.
BWW Review: COMMITTEE... (A New Musical), Donmar Warehouse
The line between the dramatic world on stage and the real world off stage can seem very thin.
BWW Review: BREXODUS! THE MUSICAL, The Other Palace
Even if you're not in the UK you'd have to have been living under a rock for the past couple of years to have missed the headlines about Brexit.
BWW Review: BODIES, Royal Court
How far would you go to have a baby? What and who would you overlook to make it happen? Vivienne Franzmann has never shied away from controversial subjects in her plays.
BWW Review: QUEEN ANNE, Theatre Royal Haymarket
Game of Thrones returns this weekend, but those hungry for political machinations and manipulations can also find a feast of them in Helen Edmundson's 2015 stealth thriller about a little-known 18th-century English monarch and her courtly advisors' jockeying for influence.
BWW Review: POULENC'S LA VOIX HUMAINE, King's Place
La Voix Humaine, Poulenc's one act, one soprano opera based on a play by Jean Cocteau, is a visceral, demanding, rewarding evening, ferociously up to date in every sense.
BWW Review: YANK!, Charing Cross Theatre
With this year's Pride still fresh in Londoners' minds, there couldn't be a more appropriate time for Joseph and David Zellnik's musical about gay US soldiers in World War Two to open in central London.
BWW Review: iAm 4.0, Playground Theatre
Specialised in immersive and participatory community theatre, the award-winning charity SPID Theatre has developed iAm 4.
Book Review: ALL CHANGE PLEASE, Lucy Kerbel
Enter Lucy Kerbel's eminently practical book All Change Please.
BWW Review: THE TEMPEST, Barbican
It's a brave new world for the RSC, collaborating with Intel and Andy Serkis's Imaginarium Studios on a notably high-tech Tempest.
BWW Review: TORN APART (DISSOLUTION), The Hope Theatre
Set in three bedrooms, the same emotional world under three different roofs in time, Torn Apart (Dissolution) is an intimately powerful play.
BWW Review: TRISTAN & YSEULT, Bristol Old Vic
We've all been members of 'The Club of the Unloved' where tales of unrequited love and broken hearts are the norm.
BWW Review: INSTRUCTIONS FOR AMERICAN SERVICEMEN IN BRITAIN, Jermyn Street Theatre
In 1942, the American War Office issued a pamphlet titled 'Instructions for American Servicemen in Britain' to prepare the nation's soldiers to a life abroad defeating the Nazis.
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