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UK / WEST END THEATER REVIEWS

The latest reviews and critic recommendations from UK / West End
BWW Review: SMALL ISLAND, National Theatre

BWW Review: SMALL ISLAND, National Theatre

by Marianka Swain — May 3, 2019
The 2004 prize-winning novel by Andrea Levy, who sadly passed away earlier this year, has been beautifully translated to stage by adaptor Helen Edmundson and NT head honcho Rufus Norris, using thrilling theatrical solutions to honour Levy's epic - and still urgent - tale....
BWW Review: AVALANCHE: A LOVE STORY, Barbican

BWW Review: AVALANCHE: A LOVE STORY, Barbican

by Cindy Marcolina — May 3, 2019
When a young love is re-lit when both parties are past their late 30s, a woman's objectives shift towards previously unexplored horizons. Her newborn desire to have a child nearly takes over her life. Written by novelist, screenwriter, and director Julia Leigh, Avalanche: A Love Story is directly in...
BWW Review: SHADOWLANDS, Chichester Festival Theatre

BWW Review: SHADOWLANDS, Chichester Festival Theatre

by Gary Naylor — May 3, 2019
Shadowlands can feel a little outdated, but it wins you over with the warmth and wit of the characters and two wonderful performances from Hugh Bonneville and Liz White....
BWW Review: DEAD DOG IN A SUITCASE (AND OTHER LOVE SONGS), Nuffield Southampton Theat

BWW Review: DEAD DOG IN A SUITCASE (AND OTHER LOVE SONGS), Nuffield Southampton Theatres

by Jo Fisher — May 2, 2019
Opera isn't dead. In fact, it's alive and kicking off thanks to Kneehigh's reimagining of John Gay's The Beggars Opera, which takes on the new and riotous form of Dead Dog in a Suitcase (and other love songs)....
BWW Review: HOTTER, Soho Theatre

BWW Review: HOTTER, Soho Theatre

by Charlie Wilks — May 2, 2019
Ell and Mary are best friends, and also ex-girlfriends. When Mary came over to Ell in the pub two years ago, asking her to make a show, the pair didn't know each other. Now, they seem to understand every part of one another; their chemistry on stage is delicious and the spark between them is undenia...
BWW Review: GHOSTS, Royal and Derngate

BWW Review: GHOSTS, Royal and Derngate

by Verity Wilde — May 2, 2019
Mike Poulton's new version of Ibsen's Ghosts will play on your nerves and force you to confront some dark truths....
BWW Review: THE MURDER EXPRESS: JEWEL OF THE EMPIRE, Pedley Street Station

BWW Review: THE MURDER EXPRESS: JEWEL OF THE EMPIRE, Pedley Street Station

by Cindy Marcolina — May 2, 2019
It's 1937, the largest cut diamond is being transported by train from London to the French town of Murder amidst a crowd of socialites and odd characters who are travelling to the town in the south of Franch for different reasons. Suddenly, the jewel disappears from its stand and an investigation ki...
BWW Review: THE HALF GOD OF RAINFALL, Kiln Theatre

BWW Review: THE HALF GOD OF RAINFALL, Kiln Theatre

by Charlie Wilks — May 1, 2019
Demi is the bastard son of a Nigerian woman and the Greek god Zeus. Half mortal, he has strong elemental power, but also possesses an insane talent in playing basketball. Spanning through Greek and Yoruba mythology, Inua Ellam's magical poem takes you back to the roots of performance....
BWW Review: MICHAEL BALL: COMING HOME TO YOU, London Palladium

BWW Review: MICHAEL BALL: COMING HOME TO YOU, London Palladium

by Charlotte Downes — May 1, 2019
Michael Ball is touring his new album 'Coming Home To You', which he proudly announces is his first number one selling album for 27 years. From the opening song, people were on their feet dancing. The atmosphere in the Palladium is excellent as his fans are so adoring!...
BWW Review: EDMOND DE BERGERAC, Richmond Theatre

BWW Review: EDMOND DE BERGERAC, Richmond Theatre

by Cindy Marcolina — May 1, 2019
Edmond Rostand is a broke poet who's going through a seemingly endless writer's block. His plays are critical flops, his investors don't have any more patience nor money to waste on him, and his wife needs him to provide for their family. In an attempt to help his actor friend Leon charm young Jeann...
BWW Review: OUT OF WATER, Orange Tree Theatre

BWW Review: OUT OF WATER, Orange Tree Theatre

by Aliya Al-Hassan — May 2, 2019
The omens were good for the Orange Tree Theatre's new production, Out Of Water. Writer Zoe Cooper created the beautiful Jess and Joe Forever back in 2016 and Guy Jones directed the heartbreaking Mayfly last year. The result is a smart, inventive and moving play with a huge heart....
BWW Review: HELL YES I'M TOUGH ENOUGH, Park Theatre

BWW Review: HELL YES I'M TOUGH ENOUGH, Park Theatre

by Gary Naylor — May 1, 2019
Ben Alderton takes swipes at every stripe in the political rainbow, but lacks the precision required to bring a plague on all their houses....
BWW Review: THE AMBER TRAP, Theatre503

BWW Review: THE AMBER TRAP, Theatre503

by Charlie Wilks — April 30, 2019
In an ordinary part of the north, Hope and Katie work at their local corner shop. Life is pretty good for them; they know their routine and are happy with it. For Katie, the shop is a safe place for her to be herself; for her to be open with her love for Hope, away from judgement and other people's ...
BWW Review: EMPTY ROOM, Camden People's Theatre

BWW Review: EMPTY ROOM, Camden People's Theatre

by Gary Naylor — April 30, 2019
Miriam Gould's portrait of herself and her parents is as personal as one would expect, but its also beautifully judged and accessible, weaving music in and out of its narrative to great effect....
BWW Review: CREDITORS, Jermyn Street Theatre

BWW Review: CREDITORS, Jermyn Street Theatre

by Cindy Marcolina — April 30, 2019
Jermyn Street Theatre's latest co-production with Keswick's Theatre by the Lake is a new version of August Strindberg's Creditors directed by the theatre's own Tom Littler....
BWW Review: MAN OF LA MANCHA, London Coliseum

BWW Review: MAN OF LA MANCHA, London Coliseum

by Aliya Al-Hassan — May 1, 2019
The London Coliseum has established a run of successes with some excellent revivals of almost-forgotten musicals in recent years. It now turns to Man of La Mancha in the hope of a new box office smash. The choice is an interesting one; few people have seen or even heard of it and it is over 50 ye...
BWW Review: BILLY BUDD, Royal Opera House

BWW Review: BILLY BUDD, Royal Opera House

by Sophia Lambton — April 30, 2019
In a minimalist setting, Benjamin Britten's 20th-century reflections on Herman Melville's novel are deftly captured musically and visually....
BWW Review: WEST END EUROVISION, Adelphi Theatre

BWW Review: WEST END EUROVISION, Adelphi Theatre

by Emma Watkins — April 29, 2019
West End Eurovision does exactly what it says on the tin: casts of West End musicals compete by performing past Eurovision songs to win over juries of their peers and the live audience. But despite it being a one night only event, this isn't throwaway, or thrown together......
BWW Review: THE FULL MONTY, New Wimbledon Theatre

BWW Review: THE FULL MONTY, New Wimbledon Theatre

by Aliya Al-Hassan — April 30, 2019
Based on his 1997 smash hit film and adapted for the stage by Oscar-winning writer Simon Beaufoy, The Full Monty is the bittersweet story of a group of unemployed Sheffield steelworkers who, inspired by a local Chippendale show, turn to stripping to raise some much-needed money....
BWW Review: KATHLEEN FERRIER AWARDS 2019 FINAL, Wigmore Hall

BWW Review: KATHLEEN FERRIER AWARDS 2019 FINAL, Wigmore Hall

by Sophia Lambton — April 28, 2019
Stupendous singing from a group of students battled old professionals who didn't dare reward risks....
BWW Review: MITTEN WIR IM LEBEN SIND/BACH6CELLOSUITEN, Sadler's Wells

BWW Review: MITTEN WIR IM LEBEN SIND/BACH6CELLOSUITEN, Sadler's Wells

by Dzifa Benson — April 26, 2019
At the beginning of the performance of Mitten wir im Leben sind/Bach6Cellosuiten, choreographer Anne Teresa De Keersmaeker (she's also one of the five dancers) comes right to the front of the stage and holds up what appears to be a peremptory finger as if to silence the welcoming applause....
BWW Review: MARKET BOY, The Union Theatre

BWW Review: MARKET BOY, The Union Theatre

by Gary Naylor — April 26, 2019
Market Boy takes us back to the days of George and Andrew with plenty of bad boys in Romford. And it tells us a fair bit about 2019 en route....
BWW Review: JANE CLEGG, Finborough Theatre

BWW Review: JANE CLEGG, Finborough Theatre

by Cindy Marcolina — April 26, 2019
In their venture rediscovering lost classic, Finborough Theatre brings back to the stage St John Ervine's Jane Clegg. The piece was first seen at the Gaiety Theatre in Manchester in 1913 and David Gilmore's new production in London is the first in 75 years....
BWW Review: AIN'T MISBEHAVIN', Southwark Playhouse

BWW Review: AIN'T MISBEHAVIN', Southwark Playhouse

by Gary Naylor — April 25, 2019
Ain't Misbehavin' crashes through the gloom of Brexity Britain with bangin' tunes and bubbly bantz. Looks good, sounds good and makes you feel good....
BWW Review: DIARY OF AN EXPAT, Tristan Bates Theatre

BWW Review: DIARY OF AN EXPAT, Tristan Bates Theatre

by Cindy Marcolina — April 25, 2019
Cecilia Gragnani moved to London from Milan ten years ago with stars in her eyes, anticipating the vibrant world that would be spreading out in front of her once in the city. She was fascinated by the neatness of row after row of Victorian houses lining the streets and excited to start her new life ...
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