Show of the Week: Book £20 Tickets For GET UP, STAND UP! THE BOB MARLEY MUSICAL

The Olivier Award-winning bio-musical is playing in the West End

Guest Blog: Nia Morais on Her First Play IMRIE, Welsh Fantasy and The Dark Fantastic

Get yourself where the action is and experience the remarkable story of Jamaica's rebel superstar. The irresistible new production, Get Up, Stand Up! The Bob Marley Musical, has come to life at the Lyric Theatre, London and the message is out. Book exclusively priced tickets now!

From the hills of rural Jamaica, blending visionary musical talent and revolutionary zeal, Bob Marley set out to touch the world with his inspirational musical message and soul stirring advocacy for the oppressed.

With unlimited access to Marley's superlative songs of love and unity, the multi award-winning team of Lee Hall (writer), Clint Dyer (director) and Michael Duke (playing Bob Marley) embody the militant spirit and moving story of one of music's most significant cultural figures.

A sensational company of performers combine with the very best reggae musicians to bring this inspirational tale of passion, political transformation and enduring hope from Trenchtown to the West End.

Book now for a "a tribute so infectious it defies an audience not to sing and sway along" (The Guardian) and move yourself to the rhythms of 'Exodus', 'No Woman No Cry', 'Waiting in Vain', 'Three Little Birds', 'I Shot the Sheriff', 'Could You Be Loved', 'Redemption Song' and other classics, "music that still feels of and for our times." (The i).

Show of the Week: Book Get Up, Stand Up tickets

Exclusive prices:

Tuesday to Thursday (expect 31 May to 2 June): Tickets at £20, £30, £40, £50 & £70

Friday/Sunday eve & Tuesday 31 May - Thu 2 June: Tickets at £22.50, £32.50, £42.50, £52.50 & £72.50

Valid Tuesday to Friday, Sunday 7pm performances from 26 April to 26 June 2022 (Excl. Friday 29 April) - Note: 31 May to 2 June are at Friday/Sunday pricing.

Book by Date: 1 May 2022

Book your tickets now!



RELATED STORIES

Review: BLACK PANTHER IN CONCERT, Royal Albert Hall

Conducted by Anthony Parnther (isn’t that the perfect name to lead this specific venture?), this European premiere features Massamba Diop on the talking drum, an instrument essential to the score. Diop, who performed the original tracks for director Ryan Coogler, is a force of nature. After a beautiful introduction by Parnther (who surprisingly does a cracking impression of James Earl Jones as Mufasa!), Diop gave a taster for what was to come: a vibrant tattoo that goes hand in hand with masterful storytelling, filling the Hall effortlessly.

Review: SMITE: AN IMMERSIVE MURDER MYSTERY at CRYPT

Few words grab the attention like murder. And few genres outside immersive theatre can pull you physically into a specific time and place. So why aren’t there more immersive murder productions like this one?

Review: STUART MICHAEL - THE PSYCHIC MEDIUM, Wonderville

All in all, the evening is like a group session with no guarantees of being called out or receiving answers. Believers will believe, sceptics won’t. Without going into Michael’s “gift”, the two hours are, unfortunately, rather dull. He jumps straight in between tongue-in-cheek jokes and an entertainer’s spirit. A tense silence falls onto the audience and he starts pacing around, trying to “pick up” some “energy”. He is respectful, and kind, almost apologetic for his intrusions into people’s personal lives as he glances into nothingness, pulling information out of thin air.

Review: ROSE, Ambassadors

Maureen Lipman's one woman show traces a Holocaust survivor's journey to find home


From This Author - Marianka Swain

Marianka Swain was UK Editor-in-chief of BroadwayWorld. A London-based theatre critic and arts journalist, she also contributes to other outlets such as the Telegraph, The i Paper, Ham & High... (read more about this author)

Videos


TICKET CENTRAL

Recommended For You