WASHINGTON, DC THEATRE NEWSROOM - Page 124

Is it possible that Richard III, had he been beloved by those around him notwithstanding his hunchback, would have abandoned ambition and treachery and instead become a loving and gentle mentor and guardian to Edward V?  Would he have gracefully stepped aside when the young King reached his majorit

Producing Artistic Director Evan Hoffmann has released NextStop Theatre Company's revised schedule of programming for Fall 2021.

The Keegan Theatre has announced the cast and team of Adrienne Earle Pender’s powerful historical drama, N, making its Regional Premiere as the second production of Keegan’s 25th Anniversary Season.

Theaterlab will present Prowling the Abyss, a one-woman show by Karen Anne Light, presented as part of its Gallery Program.

The 2021 Regional Awards honor productions which had their first performance between October 1, 2020 through September 30, 2021.

George Mason University's College of Visual and Performing Arts (CVPA) announced that beginning October 18, 2021 and until further notice, all attendees regardless of age who attend an indoor event or performance at the Center for the Arts, the Hylton Performing Arts Center, or any of Mason's CVPA p

Expats Theatre will present its third production Pankrác 45 written by Czech playwright Martina Kinska and translated by Barbara Day.

Mickey Berra, former Vice President of Production, talks about his 45 year journey at the Kennedy Center, from starting as a stagehand to meeting every President since Lyndon Johnson.

Returning to Shakespeare Theatre Company for a limited pre-season engagement after its original run was cut short in March 2020, Whitney White’s stunning production of James Baldwin’s The Amen Corner offers a resounding “welcome home” to theater lovers set hopelessly adrift over the past eig

Omnium Circus will debut its live show under the big top tent opening at Tysons III, in Tysons, Virginia, from November 18 through January 9.

 Once again, the lights will soon be on in the Goldman Theater at 16th and Q Streets, NW.

SYNETIC THEATER will welcome in-person audiences back to the theater with terrifying tales from Edgar Allan Poe, THE MADNESS OF POE, choreographed by Irina Tsikurishvili and directed by Paata Tsikurishvili.

The Welders, a collective of DC-area playwrights presents the second and final production of their 2021 season.

As Fidel Castro ponders on how to move his country forward, his political partner, Celia Sánchez, is never far from his side.

Chocolate Ballerina Company, a contemporary community-based dance organization that supports the hidden talents in youth and adult artists of color, is holding open auditions for the company's first ever all-Black THE NUTCRACKER.

Bowen McCauley Dance Company, the award-winning contemporary dance company who closed out its 25th and final season tonight at The Kennedy Center, announces partnerships with The Kennedy Center and George Mason University's School of Dance to continue free Dance for Parkinson's Disease (Dance for PD

While Labor Day weekend marked the unofficial end of summer it also marked Signature Theatre’s return to presenting LIVE entertainment.

On the eve of the 20th anniversary of 9/11, the Reflecting Pool on the National Mall was lined with lawn chairs and picnic blankets, and the surrounding lawns were packed with thousands of people eagerly awaiting a performance on the steps of the Lincoln Memorial.

Led by the masterful Mabel del Pozo in the title role and Luz Nicolás as her aunt, GALA Hispanic Theatre has mounted a nuanced and visually rich production of Federico García Lorca's 1935 play, Doña Rosita la soltera, adapted by Nando López.

The Washington Stage Guild continues our series of online presentations with a play perfectly suited to an online format.

Ragamala Dance Company’s Fires of Varanasi: Dance of the Eternal Pilgrim is a beautiful, meditative piece that makes the most of the Kennedy Center’s new outdoor space on the REACH campus.

The mouthie from Southie was knocked up in high school and her now-grown daughter, Joyce, is disabled.

Roundabout Theatre Company’s production of Toni Stone at Arena Stage, directed by Pam MacKinnon, gives Toni (Santoya Fields) the power to tell her own story — the way she wants to tell it.

Arena Stage at the Mead Center for American Theater presented the Andrew R.

Directed by Ford’s Theatre Senior Artistic Advisor Sheldon Epps, the remarkable new drama is based on true events and the friendship between contralto Marian Anderson and physicist Albert Einstein.