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WASHINGTON, DC THEATER REVIEWS

The latest reviews and critic recommendations from Washington, DC
BWW Review: I DID IT MY WAY IN YIDDISH (IN ENGLISH) at MetroStage

BWW Review: I DID IT MY WAY IN YIDDISH (IN ENGLISH) at MetroStage

by Elliot Lanes — April 17, 2018
I have seen and worked on plenty of solo shows in my more than twenty years in the business and sometimes I see one that just leaves me asking, 'How did this performer get to do this show?' Unfortunately Deb Filler is in that situation right now at MetroStage with her concoction called I Did it My W...
BWW Review: EN EL TIEMPO DE LAS MARIPOSAS at GALA Hispanic Theatre

BWW Review: EN EL TIEMPO DE LAS MARIPOSAS at GALA Hispanic Theatre

by Roger Catlin — April 17, 2018
The four Mirabal sisters, who resisted the oppressive dictatorship of Gen. Rafael Trujillo in the Dominican Republic in the mid 20th century, became folk heroes decades after three of them were murdered by the regime nearly 70 years ago....
BWW Review: Constellation Theatre's THE CAUCASIAN CHALK CIRCLE Avoids Becoming a Roun

BWW Review: Constellation Theatre's THE CAUCASIAN CHALK CIRCLE Avoids Becoming a Roundabout Affair

by Sam Abney — April 17, 2018
Constellation Theatre Company's new production of Bertolt Brecht's The Caucasian Chalk Circle isn't perfect. It is undoubtedly a celebration of what smart allegory can be. As this small theater company stretches itself to the limits to ensure they do Brecht's seminal work justice, they make great ca...
BWW Review: FLY BY NIGHT at 1st Stage

BWW Review: FLY BY NIGHT at 1st Stage

by Jenny Minich — April 17, 2018
Written and composed by Will Connolly, Michael Mitnick, and Kim Rosenstock, Fly By Night is an appealing mish-mash of rock n' roll, opera, and classic music theater. It is an ode to a doomed love affair and a modern-day fairytale....
BWW Review: USE ALL AVAILABLE DOORS by Pinky Swear Productions At Dupont Underground

BWW Review: USE ALL AVAILABLE DOORS by Pinky Swear Productions At Dupont Underground

by Hannah Land — April 15, 2018
Pinky Swear Production's Use All Available Doors is filled with a local pride that Washingtonians rarely get to experience. Unfortunately, this sense of hometown jubilation is hard to sustain through the too-long run time....
BWW Review: L.A. Theatre Works's THE MOUNTAINTOP Climbs to New Heights at George Maso

BWW Review: L.A. Theatre Works's THE MOUNTAINTOP Climbs to New Heights at George Mason University

by Sam Abney — April 15, 2018
Martin Luther King, Jr. declared 'I've been to the mountaintop' almost exactly 50 years ago on April 3, 1968. His words, a confident assessment on the future of the 1960s Civil Rights Movement, echo with the same power as when he bellowed them all those years ago. Dr. King never made it to the promi...
BWW Review: CIRQUE DU SOLEIL LUZIA at Tyson's

BWW Review: CIRQUE DU SOLEIL LUZIA at Tyson's

by Rachael Goldberg — April 14, 2018
Cirque Du Soleil's Luzia brings viewers on a dreamy journey through Mexican culture through light, sound, and music....
BWW Review: Theater J's ROZ AND RAY is in Critical Condition

BWW Review: Theater J's ROZ AND RAY is in Critical Condition

by Benjamin Tomchik — April 12, 2018
There is a great drama in Roz and Ray, but only if the focus is less on Roz and Ray and more about what brought them together, healthcare....
BWW Review: FLORIDA at Urban Arias

BWW Review: FLORIDA at Urban Arias

by Molly Korroch — April 11, 2018
The new opera Florida with music by Randall Eng and libretto by Donna Di Novelli, premiered last week at Atlas Performing Arts Center on H Street. With its heavy handed melodrama and awkwardly balanced narrative, Sunday's matinee plodded along (well over Urban Arias' usual 90-minute-or-less promise)...
BWW Review: DON JUAN at Taffety Punk Theatre Company

BWW Review: DON JUAN at Taffety Punk Theatre Company

by Elliot Lanes — April 10, 2018
The company that makes great theater for everyone is at it again. Taffety Punk Theatre Company's mission is, and always will be, to put out a good product while making it affordable for everyone. Tickets are $15 and there are also “pay what you can” performances. The current production, well wor...
BWW Review: Landless Theatre's THE MYSTERY OF EDWIN DROOD [SYMPHONIC METAL VERSION] i

BWW Review: Landless Theatre's THE MYSTERY OF EDWIN DROOD [SYMPHONIC METAL VERSION] is Original and Entertaining

by Barbara Johnson — April 9, 2018
After multiple Helen Hayes nominations for their 2015 production of SWEENEY TODD [PROG METAL VERSION], Landless Theatre Company is back with their second MetalTheatre adaptation: THE MYSTERY OF EDWIN DROOD [SYMPHONIC METAL VERSION]. A captivating cast and three-piece rock orchestra guide us through ...
BWW Review: UNDERGROUND RAILROAD GAME is Searing and Sensational at Woolly Mammoth

BWW Review: UNDERGROUND RAILROAD GAME is Searing and Sensational at Woolly Mammoth

by Barbara Johnson — April 8, 2018
It can be unsettling to reflect on the experience of learning about slavery in middle school: was the content accurate and appropriate, or harmful to our perceptions of history and the present day? Jennifer Kidwell and Scott R. Sheppard explore this - and much more - in their creative, fearless prod...
BWW Review: POTTED POTTER  at Shakespeare Theatre Company

BWW Review: POTTED POTTER at Shakespeare Theatre Company

by Jenny Minich — April 6, 2018
Potted Potter may in no way resemble the iconic wizarding world of Harry Potter that we know and love, but in their dedication to filling the world with joy they find common ground....
BWW Review: NEDERLANDS DANS THEATER Delivers a Near-Perfect Evening at the Kennedy Ce

BWW Review: NEDERLANDS DANS THEATER Delivers a Near-Perfect Evening at the Kennedy Center

by Sam Abney — April 6, 2018
There is something profound about the simple. Such is the driving force behind the Nederlands Dans Theater's (NDT) program currently playing at the John F. Kennedy Center for the Performing Arts. Three shockingly different dances fill this two hour program and, while the dancers wrap themselves abou...
BWW Review: Fun and Richly Stylized CABARET NOIR at Happenstance Theater

BWW Review: Fun and Richly Stylized CABARET NOIR at Happenstance Theater

by Pamela Roberts — April 4, 2018
"A film noir inspired theatrical montage"- the subtitle of Happenstance Theater's CABARET NOIR perfectly encapsulates the richly stylized and wonderfully varied experience. Scandals, pistols, foggy streets, soft shoe, sweet harmonies, and red herrings - this production vividly captures the mood and ...
BWW Review: Mosaic Theater Company's PAPER DOLLS Creates a Beautiful Piece Despite So

BWW Review: Mosaic Theater Company's PAPER DOLLS Creates a Beautiful Piece Despite Some Creases

by Sam Abney — April 4, 2018
If you've ever thought what it would be like to cross an episode of Ru Paul's Drag Race with a searing Middle East drama and set the action to pop hits of the early aughts, Paper Dolls the perfect show for you. Mosaic Theater Company's newest entry to their Voices from a Changing Middle East cycle i...
BWW Review: THE PAVILION isn't Grand at the Hub Theatre

BWW Review: THE PAVILION isn't Grand at the Hub Theatre

by Hannah Wing — April 3, 2018
The Pavilion, directed by Kelsey Mea, is not the high school nostalgia love story that the play's description details. Instead the production takes a strange turn towards an unnecessary exploration of the existential which overpowers the love story between two former high school sweethearts at its c...
BWW Review: Riverside Center Hits The Right Notes with HUNCHBACK OF NOTRE DAME Region

BWW Review: Riverside Center Hits The Right Notes with HUNCHBACK OF NOTRE DAME Regional Premiere

by Jeffrey Walker — April 1, 2018
Boasting an impressive production and stellar cast, Riverside Center for the Performing Arts is presenting the professional DC-Northern Virginia regional premiere of the dark and romantic musical THE HUNCHBACK OF NOTRE DAME. It is well worth the trip along Interstate 95 to hear the rich score and ly...
BWW Review: NYC BALLET:  ROBBINS CENTENNIAL (BERNSTEIN, GLASS, AND VERDI) at The Kenn

BWW Review: NYC BALLET: ROBBINS CENTENNIAL (BERNSTEIN, GLASS, AND VERDI) at The Kennedy Center

by Rachael Goldberg — April 1, 2018
For his Centennial, the New York City Ballet chose to honor its former co-ballet master in chief by highlighting his range through three works: the modern and minimalist 'Glass Pieces,' the fun and light-hearted 'Fancy Free,' and the classical and elegant 'The Four Seasons.' Each is distinct, and co...
BWW Review: THE NEW YORK CITY BALLET at The Kennedy Center

BWW Review: THE NEW YORK CITY BALLET at The Kennedy Center

by Hannah Land — March 29, 2018
The New York City Ballet has completed its annual pilgrimage to the Kennedy Center. This year the venerable company brings an offering of Balanchine, Martins, Peck, and more Balanchine to Washington. The choreography was well danced, and the orchestra sounded excellent. But compared to years past, t...
BWW Review: Rorschach Theatre Presents Creative, Compelling 410[GONE]

BWW Review: Rorschach Theatre Presents Creative, Compelling 410[GONE]

by Barbara Johnson — March 28, 2018
It seemed unlikely to me that a play set in a fantastical arcade, complete with the old favorite Dance Dance Revolution, would be able to stir deep emotions in an audience. But Rorschach Theatre's impactful production of Frances Ya-Chu Cowhig's 410[GONE], directed by Gregory Keng Strasser, does just...

BWW Review: ALABAMA STORY Tells A Tale about Censorship and Segregation at Undercroft Theatre

by Hannah Wing — March 27, 2018
Washington Stage Guild's production of Alabama Story is a timely story as it hints at issues of race and censorship, but it is slow moving and doesn't explore the issues presented as deeply as it could have....
BWW Review: George Mason University School of Dance Proves Their Worth With a Diverse

BWW Review: George Mason University School of Dance Proves Their Worth With a Diverse DANCE GALA

by Sam Abney — March 26, 2018
George Mason University is a bit of a trek when discussing arts organizations in the DMV area. If Saturday night's School of Dance Fete and Gala Concert is any indicator, then this trek is worth making. Celebrating the strides Mason's (still young) dance program has made in recent years, the evening...
BWW Review: Politics are Personal in TRANSLATIONS at Studio Theatre

BWW Review: Politics are Personal in TRANSLATIONS at Studio Theatre

by Jennifer Perry — March 26, 2018
A solid production worth the effort to see....
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