Abdullah Ibrahim to Present Two Solo Concerts at Artscape in Cape Town in October 2017

Abdullah Ibrahim to Present Two Solo Concerts at Artscape in Cape Town in October 2017
Abdullah Ibrahim
Photo credit: David Sinclair

South Africa's most distinguished pianist, Abdullah Ibrahim, will present two solo piano concerts at the Artscape Theatre this October. The highly anticipated programme showcases compositions influenced by people, places and events that have impacted Ibrahim's life and career, spanning the past seventy years.

Ibrahim, a world-respected master musician, was born in 1934 in Cape Town and baptized Adolph Johannes Brand. His early musical memories were of traditional African Khoisan songs and the Christian hymns, gospel tunes and spirituals that he heard from his grandmother, who was the pianist for the local African Methodist Episcopalian church, and his mother, who led the choir. The Cape Town of his childhood was a melting-pot of cultural influences, and the young Dollar Brand, as he became known, was exposed to American jazz, township jive, Cape Malay music, as well as to classical music. Out of this blend of the secular and the religious, the traditional and the modern, developed the distinctive style, harmonies and musical vocabulary that are inimitably his own.

After the notorious Sharpeville massacre of 1960, mixed-race bands and audiences were defying the increasingly strict apartheid laws, and with jazz coming to symbolise resistance, the government closed a number of clubs and harassed the musicians. Some members of the Jazz Epistles went to England with the tour of the musical KING KONG and stayed in exile. These were difficult times in which to sustain musical development in South Africa. In 1962, with Nelson Mandela imprisoned and the African National Congress banned, Dollar Brand and Sathima Bea Benjamin left the country.

In 1990, Mandela, freed from prison, invited him to come home to South Africa. The fraught emotions of Ibrahim's re-acclimatisation are reflected in MANTRA MODES (1991), his first recording with South African musicians since 1976, and in KNYSNA BLUE (1993). He memorably performed at Mandela's inauguration in 1994.

For more than a quarter century, Ibrahim has toured the world extensively, appearing at major concert halls, clubs and festivals, giving sold out performances, either as a solo artist or with other renowned artists such as Max Roach, Carlos Ward and Randy Weston. His collaborations with classical orchestras have resulted in acclaimed recordings, such as AFRICAN SUITE in 1999, with members of the European Union Youth Orchestra, and the Munich Radio Philharmonic orchestra symphonic version, AFRICAN SYMPHONY in 2001, which also featured the trio and the NDR Jazz Big Band.

His seventieth birthday in October 2004 was marked by the release of two albums from Enja Records, the Munich-based label with whom he has recorded for three decades: a compilation, A CELEBRATION, and a remix of his music, RE:BRAHIM. His discography runs to well over a hundred album credits.

When not touring, Ibrahim divides his time between Cape Town and New York. In addition to composing and performing, he has started a South African production company, Masingita (Miracle), and established a music academy, M7, offering courses in seven disciplines to educate young minds and bodies. Most recently, in 2006, he spearheaded, with the support of the South African Ministry of Arts and Culture, the historic creation of the Cape Town Jazz Orchestra, an eighteen-piece big band, which is set to further strengthen the standing of South African music on the global stage. A martial arts Black Belt with a lifelong interest in Zen philosophy, he takes every opportunity to visit his master in private trips to Japan. In 2003, he performed charity concerts at temples in Kyoto and Shizuoka, the proceeds going to the M7 academy.

Ibrahim is the recipient of many awards and honorary doctorates and remains at his zenith as a musician and a tireless initiator of new projects. His two Cape Town concerts will be a musical collage that transcends category, combining the intimate and the universal. Rowlin Naicker of SonyATV comments on what Ibrahim's influence:

Esteemed pianist and composer Prof Abdullah Ibrahim's contribution to the South African cultural landscape and jazz music, both locally and internationally, is undeniable. By bridging African and jazz traditions in his compositions, Ibrahim takes one on a musical journey through time and history. He continues to play an important part in our musical heritage and his compositions has inspired many other jazz musicians as well as millennials.

ABDULLAH IBRAHIM IN CONCERT takes place at the Artscape Theatre on 13 and 14 October at 20:00 and tickets cost from R300 to R375 via Artscape on 0214217695, Computicket or 08619158000. Advance booking is essential.

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