Ballet Hispánico, the nation's largest Latinx cultural organization and one of America's Cultural Treasures, returns to New York City Center after its critically and publicly acclaimed run of Doña Perón. From June 1-3, 2023, Ballet Hispánico will present a mixed bill curated by Artistic Director & CEO Eduardo Vilaro featuring repertory favorites, two new commissions and an exciting new addition to the repertory.
As part of BroadwayWorld's expansive coverage of the 73rd Annual Tony Awards, we're bringing you the full text of all of the acceptance speeches; from the emotional to the bizarre, and everything in between. Keep up with all of the winners' speeches on our continuously updated list below.
Craft Recordings is proud to announce the release of The Complete Cuban Jam Sessions 5-LP and 5-CD box sets on November 9, 2018. Compiled here in their entirety and original format for the first time, the five volumes of Panart's Cuban Jam Session albums were recorded over a span of almost a decade, from 1956-1964. Together these albums encapsulate a stylistic and historic panorama of Cuban music, from big band son montuno to Afro-Cuban rumba, mambo, cha-cha-chá and country acoustic guajira music. At the same time, they attest to Cuba's long relationship with popular American music and jazz.
American Masters celebrates 'The Hi De Ho Man's' career and legacy during Black History Month with the new documentary CAB CALLOWAY: SKETCHES premiering nationally Monday, February 27 at 10 p.m. (ET/PT) on PBS (check local listings). In the New York metro-area the film airs Sunday, February 26 at 8 p.m. on THIRTEEN.
'Hi de hi de hi de ho!' Charismatic music and dance pioneer Cab Calloway (12-25-1907 - 11-18-94) is an exceptional figure in the history of jazz. As a singer, dancer and bandleader, he charmed audiences around the world with his boundless energy, bravado and elegant showmanship. Calloway was also an ambassador for his race, leading one of the most popular African American big bands during the Harlem Renaissance and jazz and swing eras of the 1930s-40s.
American Masters celebrates 'The Hi De Ho Man's' career and legacy during Black History Month with the new documentary CAB CALLOWAY: SKETCHES premiering nationally Monday, February 27 at 10 p.m. (ET/PT) on PBS (check local listings). In the New York metro-area the film airs Sunday, February 26 at 8 p.m. on THIRTEEN.
Know Theatre is pleased to announce our 13th season producing innovative theatre in Over-the-Rhine.
One of the many delights of director Michael Blakemore's revival of Noel Coward's giddily funny 1941 froth, Blithe Spirit, is that this 2009 production looks like it could have been seen in the play's premiere year. No doubt contemporary Broadway theatre can provide more spectacular ways for an actress playing a ghost to enter a room than to just have her walk through the French windows. And certainly if an invisible spirit chooses to destroy her husband's drawing room, modern technology can whip up a few tricks more gasp-inducing than simply having a picture frame fall and a bookshelf topple over. But when you have one of the English language's great comedies played by a company that excels in the verbal dexterity of the playwright's wit, there's no need for such distractions.
Today's Broadway Blogs on BroadwayWorld.com from Sunday, March 22, 2009.
The cuadrilla of an over-the-hill matador (Vincent D'Elia) comes to Martinique in search of a paying bull-fight. They stop (running out of gas) in front of an establishment run by the matador's old flame (Rita Rehn). Years ago, she was a teacher and because her 'girls' are carrying books on Latin, French, and math he assumes she still is. His son (Nicolas Davila) is sent to get gas the hard way - by earning it with a lady station owner. A car accident has the son in bed with the island's newest resident (Jennifer Evans). Pop thinks she's rich and wants damages, the son thinks she owns a gas station and wants gas, she is concussed.
The cuadrilla of an over-the-hill matador (Vincent D'Elia) comes to Martinique in search of a paying bull-fight. They stop (running out of gas) in front of an establishment run by the matador's old flame (Rita Rehn). Years ago, she was a teacher and because her 'girls' are carrying books on Latin, French, and math he assumes she still is. His son (Nicolas Davila) is sent to get gas the hard way - by earning it with a lady station owner. A car accident has the son in bed with the island's newest resident (Jennifer Evans). Pop thinks she's rich and wants damages, the son thinks she owns a gas station and wants gas, she is concussed.
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