The Unseen - - West End Articles Page 18

Set in a murky crime-infused cityscape of Prohibition-era America, Private Lies is a fully improvised long-from theatre experience framed as a serialized detective series. The original production pits Richard Lies, an unlucky Private Eye, against a nefarious underworld in film noir-inspired episodes. In each fully improvised performance, our haunted gumshoe seeks to piece together a random assemblage of clues to solve the a?oecrime of the daya?? while witnesses, suspects, and criminals help and hinder his pursuit of justice.

LET'S RUN AWAY is a deeply personal look into the life of a man through what his late birth mother wrote about him in her memoir; the premise is simple enough, but it's the layers and puzzles scattered throughout the interactions between mother and son that make the story so intriguing.

It's probably just a coincidence, but two fine plays currently running at two award-winning regional theaters share an unusual commonality. Both focus on the issue of white privilege and the prevailing attitude that acknowledging its existence will end it. In THE THANKSGIVING PLAY at Lyric Stage Company of Boston, the idea is to honor Native Americans in an elementary school play without benefit of any of them participating. In ADMISSIONS, receiving its Boston premiere at SpeakEasy Stage Company, a couple of white liberal educators work hard to expand racial diversity at their small New England prep school, but their progressive values are tested when their exceptional son's Ivy League dreams are derailed. Remarkably, there are no indigenous people or people of color on stage in either production, an intentional, pointed omission by the playwrights.

Author Annee Lawrence has announced the release of her new literary novel, The Colour Of Things Unseen. Released by Aurora Metro Books in September 2019, the book is already receiving rave reviews from readers and reviewers.

Set in one of the last American cinemas with a 35mm projection system, THE FLICK examines the lives of three employees who are struggling with romantic relationships, finances, family, and themselves. It's a bleak look at life that suggests some interesting perspectives, although a lengthy runtime makes for a long, sometimes uncomfortable watch.

SMALL MOUTH SOUNDS is Art with a capital A and is probably suited best for an theatre-goers who are open to a more experimental theatre experience.

Regis College Fine Arts Center presents Of Length and Measures: Prison and the American Landscape, Photographs by Stephen Tourlentes, Monday, October 28 through Friday, December 13 at the Regis College Fine Arts Center Carney Gallery, 235 Wellesley Street, Weston, MA 02493. An opening reception will be held on Tuesday, November 12, 6:30-8:30pm. All events are free and open to the public.

There's much to like about this production of THE BODYGUARD, story aside. It's predictable, superficial and just barely passes the Bechdel-Wallace test. The script is measurably better than the story and the performance is even better than the script. Ross Scott Rawlings' accompanying mini-orchestra is flat-out terrific, and there are some extremely interesting tech things happening. Overall, a strong thumbs-up.

Underground cult horror comedy live show and podcast The Unseen Hour makes its highly anticipated return for a Halloween special for London Horror Festival the Pleasance Theatre. A surreal radio drama live on stage with three actors playing ten roles and creating live foley sound effects, plus guest performances and live music in a brand new tale of the uncanny, the macabre and the absurd.

All politics is personal, as the saying goes. Seldom is this point made with greater dramatic clarity than in Miss You Like Hell. The ending is powerful, but because of the politics. Miss You Like Hell illustrates, in a very personal and detailed way, how deportation policies damage and destroy lives and families, even away from the border. An enjoyable and uplifting evening of theater.

As part of its 40th Anniversary Filmfest, Aspen Film is excited to host three panel discussions with local and film industry guests as part of the festival taking place September 23-29, 2019.

As a follow-up to the announcement of the film program for its 40th Anniversary Filmfest, Aspen Film has released the line-up of special events and in-town guests as part of the festival taking place September 23-29, 2019. Advance film and event tickets will be available for purchase to Aspen Film members beginning today, Wednesday, September 4, and to the public on Monday, September 9. Individual tickets can be purchased at the Wheeler Opera House Box Office and at aspenshowtix.com. Festival passes and memberships can be purchased online at aspenfilm.org/aspen-film-membership/.

Mason Holdings has joined forces with Nancy Manocherian's the cell to present Found, a unique and wholly immersive theatrical experience that allows guests to step into the world of fine artist, Mikel Glass. Directed by Kristjan Thor, the theatrical installation will play performances Wednesday, September 25 through Saturday, October 26, 2019, with three special performances by Sister Sylvester. Tickets are now on sale.

The Carol Tambor Theatrical Foundation announces the winner of this year's The Carol Tambor Best of Edinburgh Award, the highest honor at the Edinburgh Festival Fringe. Chosen by Carol Tambor and members of her Foundation, along with The Scotsman Newspaper's Arts Writers Joyce McMillian, Jackie McGlone and Mark Fisher, Mouthpiece was announced as the winner at the Scotsman Award Ceremony during the closing ceremonies of the Edinburgh Festival Fringe on Friday, August 23.

WINGSPAN THEATRE COMPANY in cooperation with The Bath House Cultural Arts Centers celebrates our TWENTY SECOND SEASON!  This Fall, WingSpan Theatre Company will present TWO BY BECKETT - FOOTFALLS and NOT I -By Samuel Beckett. 

Red Rose is an original horror series written by the Clarkson twins - Michael and Paul - for BBC Three.

The world premiere of playwright Vince Melocchi's ANDY WARHOL'S TOMATO receives a solid mounting at the Pacific Resident Theatre. Dana Jackson directs this fictionalized two-hander on the possible beginnings of pop artist icon Andy Warhol, with a deft hand and a meticulous eye for character development via the subtle physical actions of the two wonderfully convincing actors - Derek Chariton as Andy Warhol and Keith Stevenson as Bones Bonino, the owner of the bar's storage room which TOMATO entirely takes place in.

To say that Alberta musician Leeroy Stagger's life journey has followed a strange path would be a bit of an understatement. A celebrated artist for nearly two decades and 10 years sober, he gained national attention with Hot Hot Heat and Carolyn Mark and has built a world class recording studio. A lush reflection of his life's evolution, Strange Path is the title of his newest album and book, due out September 13 via True North Records. Leeroy Stagger will tour to support Strange Path throughout North American and Internationally. Tour dates listed below.

The professional resident playwrights of Skylight Theatre Company present eleven new plays in the sixth LAb Works Festival. Since 2011 when Skylight created PlayLAb, a laboratory for LA based professional playwrights, its LA Based members have created more than 60 original new works.  The LAb Works Festival is the culmination of the most recent year's work shared as concert-style staged readings and workshop presentations.

Perhaps it would be regarded as exploitative to directly quote the passage here, but the last several minutes of playwright Isaac Gomez's THE WAY SHE SPOKE consists primarily of the names, ages, causes of death and physical states of the corpses of several dozen women who were murdered, in scenarios usually involving rape, in the Mexican border city of Juarez during the horrific rise of femicide that has plagued the city since the 1990s.

Although nuVOICES 5 was all about women playwrights, the staged readings in the revived Actor's Theatre of Charlotte festival at Queens University featured plenty of diversity - and plenty of onstage and tech talent.

On Thursday, July 11, I had the pleasure of seeing the Connecticut debut of Molly Smith Metzler's emotionally intense dark comedy CRY IT OUT, as put on by Thrown Stone at the Ridgefield Conservatory of Dance in Ridgefield, CT.  Thrown Stone is yet again masterfully performing a production that immediately grips the attention of the audience, stimulates the mind, touches the emotions, and captivates us with the story line, drawing us right in, in such an intimate setting that it makes us feel as if we are eyewitnesses to actual events. 

This August the Rubin Museum of Art is presenting the third exhibition in its Year of Power programming, "Clapping with Stones: Art and Acts of Resistance." The exhibition brings together 10 contemporary artists living and working in the United States and internationally.

The Fourth of July was celebrated not only by Americans across the country but Stranger Things fans when the third season of the Netflix original series was released. Although the streaming platform has not yet released the viewer count for the show's newest season, the show garnered over 15 million views in October 2017 for the second season's premiere and is expected to have another impressive view count. If you weren't one of the millions to catch up on the show over your long weekend, BroadwayWorld has you covered. This goes without saying, but spoilers below. 

1812 Productions is pleased to announce the residents of the 2019 Jilline Ringle Solo Performance Program. The summer residencies provide essential time and space for artists to continue development of original solo works.  This year, 1812 Productions and the Advisory Board of the Jilline Ringle Solo Performance Program are pleased to award residencies to Brett Robinson, Jessica Johnson, TS Hawkins, and Gwendolyn Rice. The summer residencies will take place from Saturday, July 6th through Sunday, July 14th at 1812 Productions' rehearsal studio in South Philadelphia.